Daily Archives: February 19, 2012

‘Walking Dead’ adds action in ‘Trigger Finger’

Okay, that was more like it.

Tonight’s episode of “The Walking Dead” on AMC, “Trigger Finger,” liberally mixed action with the soap opera storylines we’ve become accustomed to so far in this, the second season of the zombie apocalypse show.

A follow-up to last week’s episode, in which Rick and Glenn went to town to find Hershel, only to meet — and in Rick’s case, kill — two dangerous human types, “Trigger Finger” opened as the companions to the interlopers from last week gathered outside the saloon and, for a while, kept our heroes pinned down by gunfire.

Meanwhile, Shane went off to find Lori, who crashed her car last week and found herself fighting off a walker attack this week.

The episode had the kind of action that too many episodes haven’t featured this year, including the opening gunfight between the good guys and the new and mysterious bad guys. The stand-off was complicated by the arrival of zombies and a serious injury for one of the interlopers. Rick decides to take the injured stranger back to the farm, which further antagonizes Shane.

I’m getting the sinking feeling that the remaining few episodes of this season will be spent on Hershel’s farm. The static nature of the farm setting — and the stories told so far this year — has been a sore point with fans, me included.

But — and this is a very big but — if the remaining episodes have the same mix of action and suspense and character drama as tonight’s “Trigger Finger,” I’ll keep watching.

On the interpersonal relationships front, Shane spilled the beans about Lori’s pregnancy and and Lori cautioned Rick that Shane believes that Lori and the baby are his … and very well might kill Rick to take what he believes he’s entitled to.

Also tonight, Glenn froze in action and dealt with the aftermath and Andrea and Shane seem to be drifting further away from the core of the group. And Daryl seems intent on pushing Carol away.

One thing I’d like to see: More to do for T-Dog. He’s barely in the series anymore.

Best thing about tonight’s episode: The new, improved, man of action Hershel. If we’re gonna hang out with him all season, I’m glad he’s capable of being more than a soft-spoken old scold.

Gruesomest thing about tonight’s episode: Lots of zombie chowing down, plus a grisly fence impalement.

‘The Simpsons’ marks 500 episodes

“The Simpsons” reached its 500th-show milestone tonight, in case you’ve been living off the grid for a while now and haven’t heard.

As has been the case since the mid-90s, the episode was pretty hit-and-miss. There were some funny moments, but all too often in recent years the show seems to trade clever for crude. (More on that later.)

The plot: The entire town of Springfield, tired of the antics of Homer and the clan, decides to exile them from town. The Simpsons leave Springfield and stumble across some folks “living off the grid” and decide to give it a try.

There were some nice touches. The opening credits ended with a montage of hundreds — maybe 500; I sure couldn’t count them all — opening credits couch gags.

The show, as it often does, took a shot at its network home.

Midway through the show, the newly off-the-grid Simpson family recreated their opening credits at their new rural location. The family assembles in the living room and, instead of watching TV, they’re watching a fox sleeping on a rock.

“I’m sick of watching Fox,” Homer complains.

The episode also contained what might be the dirtiest joke I’ve ever heard on TV.

When someone acknowledges that Springfield is full of jerks, Lenny (I think it was Lenny) says, “Want me to spray some of my Jerk Off on you?”

Other good jokes:

Moe, the proprietor of Moe’s Tavern, sets up shop in a cave. The name: Moe’s Cavern.

Chief Wiggum’s acknowledgement: “I’m not the sharpest pencil in the … pencil thing.”

At the movies: Some favorite theaters

I love movie theaters.

Granted, I don’t enjoy some of the modern-day accoutrements of movie theater-going, like people talking, people talking on their cell phones and people coughing directly on the back of my head.

But I have been a lifelong movie fan — even before 1978, when I started reviewing movies — and a lifelong moviegoer.

One of my earliest memories is of going to see a Jerry Lewis movie at the Rivoli Theatre, which would ultimately enjoy its status as the last of the downtown Muncie movie palaces until it was razed in 1987.

CNN International ran a list of the world’s top movie theaters the other day, including the famed Alamo Drafthouse in Austin, Texas, as well as some in India and Japan.

The list prompted me to make a list of some of my own favorite movie theaters, both past and present.

To start with the past:

The Rivoli Theatre, downtown Muncie, Indiana: I spent a lot of hours in the Rivoli as a kid and young adult. I saw the re-release of “Gone with the Wind” there as well as Disney classics.

The Rivoli, built in 1927, was a beautiful theater marred only, in its final few years of operation, by a smaller, second theater built inside the larger auditorium. The little theater took up seats in the main auditorium and detracted from the looks of the big theater — jutting out into the line of sight of some seats in the little-used balcony — but the extra revenue probably kept the theater open a little longer. This was the days of the multiplex boom and theaters with one screen were rare.

The Rivoli was demolished in 1987 to make way for a local office building. I reported on the decision to raze the theater and the demolition and it was one of the most disheartening stories I wrote in the early years of my journalism career.

The Eastwood Theatre, Indianapolis: The Eastwood had a comparatively short lifespan for a movie theater. Opened in 1968 and demolished sometime post-1980s, the Pendleton Pike cinema was known for its size — 800-plus seats — and the staying power of the movies it screened. “Star Wars,” opening in May 1977, played for months at the Eastwood. (This was, of course, in the days when movies could play almost indefinitely at theaters. There was no home video, so studios and releasing companies made all their dollars from theatrical screenings. And the longer a movie played, the better percentage of ticket sales the theater received. Not to mention all that popcorn sold.)

I didn’t see “Star Wars” at the Eastwood — that experience came at the Northwest Plaza Cinema in Muncie — but my friends and I saw a number of other movies there, including “The Empire Strikes Back” in 198o and “Return of the Jedi” in 1983. I still vividly remember standing in line to see the “Star Wars” sequels with a big group of my friends and fellow geeks.

The Eastwood, according to the Cinema Treasures website, was torn down — no date specified — and its spot is now a Menards home improvement warehouse.

The Castro Theatre, San Francisco: I’ve only seen one movie at the Castro — “The Third Man” — but the Castro, built in 1922, is in many ways a wonderful example of a neighborhood movie palace. It’s an art movie cinema now, unspooling classics to an appreciative neighborhood and audience.

The Chinese Theatre, Hollywood: One of the most famous theaters in the world, the Chinese is where footprints and handprints in wet cement adorn the courtyard.

On one of my once-regular trips to the Los Angeles area to visit my friend Brian, we saw the 1989 Tim Burton “Batman” movie at the Chinese. Years later, Robin and I saw the movie “Mambo Kings” there.

Built in 1927, the Chinese has been the setting of almost as many movie scenes — remember the climax of “Blazing Saddles?” — as movies that have screened inside.

The Tennessee Theatre, Knoxville: One of my favorite theaters I’ve discovered in recent years is the Tennessee. Opened in 1928, the theater closed in 1977, reopened, closed again in 1978 and was ultimately restored and reopened as home to classic films and live performances.

The Tennessee is a big part of Knoxville’s historic downtown and is worth a visit to see the best case scenario for a downtown movie theater.

Cinebarre, Asheville, North Carolina: Cinebarre is an example, like the Alamo Drafthouse, of what a theater can do to attract customers tired of the worst of the moviegoing experience.

Cinebarre offers not only comfortable movie viewing but the ultimate in movie theater dining. The menu goes way beyond popcorn and warmed-over hotdogs and includes beer, wine, burgers, pizza and more.

Your food is served to you in the auditorium — you eat at a counter in front of your seat; no juggling food on your lap — while the movie is underway. You can even order dessert.

I enjoyed a lot of movies in theaters last year and, with a cool bunch of movies like “The Avengers” on tap for summer 2012, I’ll be seeing plenty again this year. I only wish I could see every movie as comfortably and memorably as my moviegoing experiences at these favorites.