Daily Archives: May 13, 2012

‘Sherlock’ runs with the pack in ‘The Hounds of Baskerville’

Since it was published in serialized form in 1901 and 1902, Arthur Conan Doyle’s “The Hound of the Baskervilles” has become one of those touchstone Sherlock Holmes stories. As much as everybody knows (often wrongly) that Holmes was a “difficult” genius and that John Watson was always a step behind him, everyone knew that Holmes took on a huge, mysterious hound in this Conan Doyle novel.

So the makers of “Sherlock,” the BBC production airing on PBS’ “Masterpiece Mystery” series, had to do an adaptation and had to do something different.

In “The Hounds of Baskerville,” the second of three “Sherlock” episodes in this season, Holmes (Benedict Cumberbatch) and Watson (Martin Freeman) take on the case of Henry Knight, who remains traumatized by seeing his father killed by a huge hound 20 years before. The two venture into the English countryside, specifically to the Baskerville military research base, to find out if giant glowing dogs with red eyes really do exist.

In the process, they have brushes with Sherlock’s brother Mycroft (the top-level British intelligence agent) and even James Moriarty, the warped genius who has become Sherlock’s nemesis. The ending of tonight’s episode forecasts the return of Moriarty next week.

Of course, Holmes and Watson also have the misfortune of running into that hound — as well as a couple of levels of conspiracy.

A few thoughts about the episode:

I loved that Holmes at one point notes that the CIA has a top-secret facility in Liberty, Indiana. That’s just down the road from me and I can assure you that if the Company has set up shop there, it’s pretty well hidden. Made me wish, for a moment, that they had chosen Muncie like everyone from “Tom Slick” to “The Simpsons” to “Hudsucker Proxy” to “Angel” has.

Not that there’s anything wrong with that: Not for the first time in the run of the series, someone mistakes Holmes and Watson for a couple. Cute.

Watson mockingly refers to Holmes as “Spock” after a scene in which Holmes is shaken by his failure to keep his emotions in check. Comparisons between the two have always been made and “Star Trek” episodes have obliquely referred to Spock’s ancestor Holmes (possible, as Trek fans know, because Spock’s mother is human). But for a joke that trumps all, Cumberbatch plays the bad guy in the now-in-production “Star Trek” movie sequel.

This Sherlock turns to cigarettes when he’s bored and anxious between cases, and not a seven percent solution.

Tonight’s episode had the misfortune of airing in the US following a couple of successful movies that had similar elements. The Baskerville hound looked a bit too much like the “mutts” in “Hunger Games,” while the idea of mind-altering gas released into outdoor settings echoed “Cabin in the Woods.”

The Great Newspaper Comics Challenge Part 12

It’s our weekly look at what’s funny in the funny pages. Because surely we’re still enjoying the “tip of the hat” from “They’ll Do It Every Time.”

“Classic Peanuts” gets an “awww” from us this Mother’s Day. Charlie Brown calls Snoopy to the phone. It’s Snoopy’s mom on the other end of the line. Snoopy sniffs and Charlie notes, “On Mother’s Day, you should have called her.” What do you want to bet we’re going to get a lot of Mother’s Day premises today?

Once again, “Baby Blues” hits the target as the kids watch clouds, spouting the scientific names for the types. Dad says somebody invented a lot of new cloud names since he was in school. Mom says, “Probably the same guy who keeps coming up with new ways to confuse me about math.” Right there with ya!

Finally, a good “Wizard of Id,” and it’s a Mother’s Day gag. The king’s mom comes for Mother’s Day and Rodney persuades the king to let his mom be queen for a day. The end result is the king is in irons, hanging in “Wizard of Id’s” Amnesty International-approved dungeon.

“Pickles” has old guy Earl making a BLT but using the dog snacks Beggin’ Strips instead of bacon by mistake. Finally the comics page addresses the societal problem of old people being forced to eat dog food.

Can anybody explain today’s “Speed Bump?” A rainbow leads to a pot of gold. A man finds it and the leprechaun offers his treasure … a french fry? I just don’t get it.

“Hi and Lois” addresses Mother’s Day, of course. Hi notes that Lois doesn’t want anything for Mother’s Day but to be left alone in bed. Marital counselor on speed dial?

“Dennis the Menace” marks Mother’s Day by that age-old gag of male incompetence in the kitchen. Dennis and his dad burn all the bread trying to make toast — in a toaster, for frak’s sake — and burn the eggs. Guess what? the family goes out to eat, just like in “Blondie and Dagwood.” Authorized and paid for by the National Restaurant Association.

Finally, you thought “The Family Circus” would have some maudlin Mother’s Day panel, didn’t you? The strip begins with PJ crying in a store. “I’m right here, PJ,” mom says from nearby. “Heh-heh — Just checkin,'” PJ thinks. When did PJ become that round-headed kid from “Family Guy?”

Big easter egg in ‘The Avengers?’

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Did writer/director Joss Whedon include a huge easter egg/teaser for future storylines in “The Avengers?”

That’s the theory circulating online since earlier this week, when Quint wrote a geeky, fun piece on aintitcool.com about one of the most dramatic plot points in “The Avengers” and what it might mean for the future of the movie series.

If you haven’t seen the movie yet, read no further.

Okay?

The dramatic turning point in the movie comes when likable SHEILD agent Phil Coulson is killed by Loki. Coulson (Clark Gregg) is impaled on Loki’s scepter. His death gives the Avengers a rallying point — something to avenge.

SHIELD’s Nick Fury heightens the sense of loss by showing Iron Man and Captain America Coulson’s bloody Captain America trading cards. SHIELD agent Maria Hill later notes privately to Fury that Coulson’s cards couldn’t have been bloody because they were in his locker at the time of his death. Fury is a master manipulator, no doubt.

But is Whedon?

After word got out that Whedon assembled his cast following the Hollywood premiere to shoot another scene, some Internet message boards indicated it was a scene in which the Avengers would gather in Tony Stark’s lab to turn Coulson into the Vision, the classic Avengers android character created by Ultron, longtime Avengers enemy. (Of course, it was the enjoyable “Avengers assemble … to eat” scene.)

Quint expands on the “Coulson as Vision” theory by noting that the movie makes passing reference to Life Model Decoys, the robot duplicates SHIELD created in the comics, as well as noting that not once but twice in the movie reference is made to Coulson dating a cellist.

Who’s a cellist in Marvel Comics, according to Quint? Wanda Maximoff, the Scarlet Witch, sometime Avenger and ultimate wife of … the Vision.

Like the earlier rumors that Spider-Man would be in “The Avengers,” this line of reasoning is just too geeky, too fun, to possibly be true.

Right?