Monthly Archives: June 2014

‘Longmire’ strong in third season

longmire cast outdoors

For readers of Craig Johnson’s series of books about Wyoming Sheriff Walt Longmire, the A&E TV series version of the show was something of a challenge at first.

In the first season, two years ago, so many elements from Johnson’s quirky, gritty, mystical and funny series of crime novels seemed … “off.” Longmire and longtime friend Henry Standing Bear didn’t seem old enough (in the books they’re Vietnam veterans; in the series they’re played by middle-aged hunks Robert Taylor and Lou Diamond Phillips) for the well-worn characters they are; the ever-changing roster of deputies was pared down; the relationships were streamlined and the early books’ Philadelphia subplots were gone.

But so many things were so right. Taylor and Phillips are great, gruff and sardonic by turn; Katee Sackhoff was letter-perfect as Deputy Vic Moretti, as was Cassidy Freeman as Walt’s daughter, lawyer Cady, and Adam Bartley as “The Ferg,” a deputy holdover from the books; and Bailey Chase initially seemed written just to be antagonistic as deputy Branch Connaly but quickly grew to portray a complex character.

The entire series, in fact, grew. Creators and producers John Coveny and Hunt Baldwin quickly seemed to realize they needed to import Johnson’s storylines, at least to some degree, and even more importantly adopt the mood the author invokes in his books: The stories are set in a Wyoming that is by turns beautiful, hard, cold, hot, parched, magical and gritty.

As the third season begins, I’m glad to say that “Longmire” has maintained the successful mix that Coveny and Baldwin began refining shortly after the show got on its start.

Longmire himself, as played by Taylor, is crusty and deceptively straightforward but has a real edge to him. Henry – in jail in connection with the death of the man who killed Longmire’s wife – is struggling to survive and might become a pawn in a larger game. And the deputies are in turmoil, as always.

At the same time, “Longmire” does well with its plots of the week. most recently Walt and Vic’s crusade to bring to justice the person responsible for the death of a Russian teen whose body was found in a Wyoming creek.

Her murder involved international adoption, foster parent scam artists and Walt’s smoldering sense of outrage.

I’m still missing the absence of the Philly connection in the series and I regret the mystery of Walt’s wife’s death – a complication that’s not in the books but was probably necessary to give the series more of an over-arching mystery storyline – but almost everything else about “Longmire” the TV series works.

madchen amick longmire deena

Oh yeah, one element I’m missing this season: Madchen Amick as Dena, Henry’s girlfriend. The former “Twin Peaks” star appeared last year in a few episodes. So far this year it’s been mentioned in an aside that she stole money from Henry’s safe. Here’s hoping that means she will show up eventually and that the comment isn’t a way of writing her out of the series.

 

Groot and Rocket poster for ‘Guardians’

rocket groot poster guardians of the galaxy

If you ever find yourself wondering whether the geeks have inherited the earth – here’s proof.

Who would have thought a few years ago that a movie version of “Guardians of the Galaxy” would be forthcoming, no less a character poster featuring Rocket Raccoon and Groot would be released.

It’s a pretty amazing time we live in.

‘Orphan Black’ throws a switch and makes it work

orphan black cast

If you’re not watching “Orphan Black” … why not?

The BBC America show, in the middle of its second season, is consistently satisfying and, in most episodes, surprising.

Really surprising.

The premise: A tough young woman on the wrong of the law, Sarah (Tatiana Maslany) is shocked to see a woman step in front of a train and kill herself. Sarah is even more shocked that the woman, who she later learns is Beth, a cop, looked exactly like her.

Sarah, aided by her foster brother, Felix (Jordan Gavaris), discovers that she and Beth were clones, part of a decades-long experiment to create human life. They quickly meet other members of the Clone Club, including Alison, a high-strung soccer mom, Helena, a Russian assassin, and Cosima, a geek-girl scientist.

And all the clones – are we up to a dozen by now, several episodes into the second season? – are played by Maslany.

The show could be seen as a stunt, and does have great special effects that finds Maslany playing against herself as another clone in almost every episode.

But the stunt falls away quickly as you discover that Maslany is an amazing actress, capably of bringing each of these characters to life, and not just through accents and wigs. She inhabits these diverse personas.

In last night’s episode, the show introduced another close: Tony, a transgender, testosterone-injecting tough guy, and yes, Maslany played him with scraggly beard and mullet.

Maslany is wonderful but there’s not a false note in the cast. Gavaris is amazing as Felix and the producers have long since discovered that Felix plus any other character is magic. His scenes with Beth’s partner on the force, Art (Kevin Hanchard), or Alison are some of the best on TV right now.

There’s a sense of urgency and dread in current episodes, as Cosima works to discover a cure for the genetic defect that’s killing her and the other clones. There’s intrigue at the corporation that created the clones and don’t forget the horrible religious cult that covets the clones.

It might seem like a lot to catch up on, but it’s still possible. And “Orphan Black” is more than worth the effort.

So cool: ‘Calvin’ creator comes back – briefly

bill watterson pearls before swine

How cool is this?

Artist Stephan Pastis, like other comic strip artists, sometimes makes reference to Bill Watterson’s much-loved and long-gone strip “Calvin and Hobbes.”

Pastis and the notoriously private Watterson struck up an email friendship recently and that led to Watterson actually drawing a couple of days worth of Pastis’ strip, “Pearls Before Swine.”

One of those days’ strips is above.

Here’s Pastis’ blog explaining how it happened.

Nice: New ‘Dawn of the Planet of the Apes’ poster

new dawn of the planet of the apes poster

It’s a familiar refrain from fans, and it’s one I can sympathize with:

Too many modern-day movie posters are photoshopped nightmares, without a hint of art like the classic posters for “Star Wars,” “Raiders of the Lost Ark” and other movies with memorable one-sheets.

So it’s fun to see a nicely composed, dramatic and artfully done poster like the one here for “Dawn of the Planet of the Apes.”

It makes me want to see it, that’s for sure.

Classic shlock: ‘Incredibly Strange Creatures’

incredibly strange creatures lobbycard

I’ve written about the 1964 low-budget classic, “The Incredibly Strange Creatures who Stopped Living and Became Mixed-Up Zombies” before, notably my memories of seeing it at a drive-in with an older relative.

I didn’t touch on the movie all that much, though.

Ray Dennis Steckler directed and stars – under his pseudonym Cash Flagg – and I guess you could argue he’s a forerunner to the director/stars we’re familiar with from today. His performance isn’t horrible but he’s undercut by the low, low-budget of his own movie.

incredibly-strange-hypnotism

The movie follows a group of friends who visit a carnival and stumble upon bad guys who hypnotize, disfigure and enslave people, turning them into, in effect, zombie slaves.

The movie has the telltale leisurely pace of a low-budget flick. For what seems like forever, characters wander around, gazing at stuff, talking about nothing. There seem to be endless scenes of arty dance numbers, totally out of place at a nightclub. Watching one of these movies makes you appreciate how a well-written, well-edited movie … well, moves.

Considering the movie was touted as “the first monster musical,” I know what Steckler was going for. But sheesh. I lost track of how many musical numbers were included.

incredibly strange creatures dance number

A dancing girls sequence seems to have been shot in a community theater, and the producers were intent on getting their money’s worth because the scene goes on and on .. and then is followed by another musical sequence. Cue up “Let’s All Go to the Lobby!”

Likewise, scenes of a nightclub comic are so bad they almost seem like a modern-day parody.

Not to mention the interpretive dance/dream sequence.

After a quick break to hypnotize a victim … it’s another musical performance!

Endless shots of carnival rides.

The cheapness of the movie’s production really stands out when you see how many sets look cheaper than your standard 1960s sitcom living room – and that’s the most lavish sets here. The fortune-teller set, which consists of a few drapes and blackout curtains, isn’t as bad as the plywood airplane cockpit in “Plan Nine,” but it’s pretty bad.

Something has to be said about the hairstyles of the three leads. They are, respectively, a receding combover, a towering pompadour and a huge and baffling head of helmet hair.

When the “Incredibly Strange Creatures” finally break loose with about 15 minutes left in the movie … it’s time for another musical sequence. Steckler really knew how to build suspense!

For a real treat, seek out the “Mystery Science Theater 3000” version of the movie from 1997. It’s available through Hulu online and Mike Nelson and the robots’ version of “Incredibly Strange Creatures” is just as funny as you’d think it would be.