Monthly Archives: October 2015

Halloween on the TV 

  
When I was a kid, I loved everything about Halloween, including the way it changed TV.

For days leading up to Halloween and definitely on the day itself, TV channels and networks would run Halloween-themed specials. Not just Charlie Brown but old movies on the local channels.

When cable exploded in the 1980s, the selection was even greater. I loved the movies and specials that aired on AMC and TCM.

Tonight I’m confronted with more movies than I’ll have time to watch, from “The Lost Boys” on VH1 to “Dead of Night” on TCM to the “Blacula” movies – both of em – on Bounce, the local “urban” station. 

It’s a seasonal embarrassment of riches. 

Finding iconic 3490 Bluff Road

3490 bluff road slide

I made a pilgrimage the other week.

While in Indianapolis with my family, we found ourselves on Bluff Road on the city’s south side.

Bluff Road didn’t mean anything to them, of course. My wife didn’t grow up in Indiana and my son is too young to remember the address.

For those of us who do remember, we know the address from our childhood: 3490 Bluff Road.

For a couple of generations of Central Indiana residents who paid attention to the “fine print” of television broadcasting, 3490 Bluff Road was, for decades, the Indianapolis home of WTTV Channel 4.

Nowadays, WTTV is CBS 4. For a year or so, it’s had a network affiliation and big-league status after decades as Indy’s premier independent station.

For decades beginning in 1957, WTTV broadcast from 3490 Bluff Road. The address was uttered on the air countless times and included in title cards that were broadcast.

Although I’ve been to a couple of Indy TV stations, I’d never been to the home of WTTV 4.

I thought about it a lot, though. During the station’s heyday, in the 1960s and 1970s and 1980s, it was easy for my imagination to populate the station with its biggest on-air personalities.

wttv stars

Kids show hosts Janie and Cowboy Bob. Sports broadcaster Chuck Marlowe. Station owner Sarkes Tarzian, whose name my young mind turned into Circus Tarzan.

And the dean of midwest TV horror hosts: Sammy Terry.

sammy terry color

Sammy Terry – embodied by Bob Carter from around 1962 until his death in 2013, now played in personal appearances by his son, Mark – was perhaps the best known of WTTV’s on-air personalities.

But 3490 Bluff Road was an iconic address. So I had to seek it out.

3490 tower

It’s not easy to find, the little building that is the focus of so many memories. Sure, there’s still a TV tower, but no sign, no historical marker, to designate the station that WTTV used until the 2000s.

3490 addy sign

There are a few indicators, to be sure. I walked all around the building until I found this one.

3490 door

And there’s this forlorn remembrance of the station’s years as a WB affiliate beginning in 1998.

3490 boarded up

Overall, there’s not much left there, not much to see considering all those years the station babysat, entertained and terrified us.

According to real estate websites, the main station building is only about 19,000 square feet and made of concrete block. One website lists the total value of the building and surrounding acres of land as $276,000.

We know that’s not the case, of course.

3490 Bluff Road is priceless.

‘Flash’ of two worlds 

  
Do y’all watch “The Flash” on the CW network?

You should. 

They’ve jumped into the multiverse with both feet this season, throwing around terms like Earth Two and introducing characters like the Jay Garrick Flash.

They even replicated, more or less, the classic cover above in this past week’s episode. 

Geek love.

Playboy gets modest and …. zzz

cosbyhefner

I come here neither to praise Playboy nor bury it.

I was once a regular reader of the magazine (snicker all you want at the word “reader”) but I haven’t bought one in probably 20 years. I think I last looked through one in the early 2000s, when a (female) friend of mine had a subscription.

So news this week that Playboy would no longer publish photos containing nudity didn’t make me chuckle or mourn or wax nostalgic. If that’s what you think this blog entry is, you should be aware this particular post is non-waxing.

The news did leave me wondering, though: Can Playboy do anything to be relevant again? (The answer: Not really.)

And the news made me a little sad that Playboy had been so thoroughly irrelevant for the past two decades.

It’s not (really it’s not) the lack of carefully waxed (and airbrushed) nude models that anybody will miss. There’s no deficit of naked women (and men, for that matter, although they were never Playboy’s thing) out there, from one end of the Internet to the other.

There was a time, for a couple of decades after Playboy debuted in 1953, when the magazine was a big deal. Sure there were the photo layouts of beautiful women who compliantly posed naked in front of the refrigerator or in the barn (“Friends” made mincemeat of this cliche) and listed their turn-ons (“avocados, sunshine”) and turn-offs (“rude people”) – like you were ever gonna make use of that information – in the gatefold (NOT centerfold) interview.

And scoff all you want about “reading Playboy for the articles,” but the fiction and non-fiction content of the magazine was great. Ask most of the authors working in the 1970s: They wanted to get their short stories and articles in front of more than 5 million pairs of eyeballs.

Now the magazine’s circulation is about 800,000.

While a lot of that decline can be attributed to the wide variety of nekkidness online, it’s also because almost nobody thinks about Playboy for its fiction or non-fiction or interviews anymore.

The cover of the latest issue promises not only Girls of the Big 12 but a list of the top party schools and interviews with actors Jeff Garlin and Joseph Gordon-Levitt.

Would that be enough to draw you in without the promise of even “tasteful” nudity, whatever that is?

Okay, here’s a little waxing. Remember when Jimmy Carter gave Playboy that “lust in my heart” interview?

Playboy-February-1975

If not, how about the February 1975 issue with the most hilarious celebrity interview ever, with director Mel Brooks. Brooks had two movies out that year. You might have heard of them: “Blazing Saddles” and “Young Frankenstein.”

Playboy did THE relevant articles and interviews. They helped sell the seriousness with photos of naked women. Sometimes in barns.

I will praise, just a bit, Playboy’s role in the sexual revolution. Yes, the magazine totally objectified women. But I read plenty of articles and Q-and-As from the time that demonstrated an eagerness for sexual equality that had to have been mirrored in some of the country’s most liberal bastions. It was a selfish motivation, of course: Who wouldn’t want your partner to feel sexually free? But the ends justified the means.

I have to say I’m less than enchanted, in retrospect, with the anything-for-the-pursuit-of-sex practices that surrounded the Playboy philosophy. The magazine regularly published a page of photos of models, playmates and guests like Cosby and Shel Silverstein and Jimmy Caan hanging out in the Chicago or L.A. mansions and I would bet there were few of us who didn’t wish we were there.

I picked the photo at the top there, of Playboy founder Hugh Hefner and pal Bill Cosby, to illustrate this entry because they symbolize to me and plenty of others the Playboy lifestyle most of us aspired to.

We know now, of course, the poisonous fruits of that lifestyle, at least as typified by Cosby.

So while Playboy captured some attention with the announcement that it would no longer publish nudes – presumably joining the likes of Esquire and … what, tattoo and biker magazines? – it’s hard to imagine anyone coming to the magazine for Chive-type shots of chicks with picturesque tattoos.

So can Playboy reinvent itself?

No. And it shouldn’t.

The Saturday Evening Post typified a time in publishing. So did Life and Newsweek and one of my favorites, National Lampoon.

So did Playboy. And that time is past.

Warm hands?

  
This ad for William Castle’s 1959 fright flick “House on Haunted Hill” has me all “huh?”

See it with someone with warm hands has a more than devilish meaning, seems like.

Also – a blurb from Louella Parsons? Was Hedda Hopper out of town?