Category Archives: childhood myths and obsessions

Hey, have you heard? New ‘Star Wars’ movie

star wars episode 7 script reading

So the Internets were ablaze yesterday with this announcement, confirmation of what we already knew.

And the picture above got released.

Reaction was mixed:

Cool, another “Star Wars” movie.

Thank god, another “Star Wars” movie that ISN’T a prequel.

Too many white people in that picture.

Too many male people in that picture.

Is Kenny Baker inside that R2 inside that crate?

Here’s the press release:

The Star Wars team is thrilled to announce the cast of Star Wars: Episode VII.

Actors John Boyega, Daisy Ridley, Adam Driver, Oscar Isaac, Andy Serkis, Domhnall Gleeson, and Max von Sydow will join the original stars of the saga, Harrison Ford, Carrie Fisher, Mark Hamill, Anthony Daniels, Peter Mayhew, and Kenny Baker in the new film.

Director J.J. Abrams says, “We are so excited to finally share the cast of Star Wars: Episode VII. It is both thrilling and surreal to watch the beloved original cast and these brilliant new performers come together to bring this world to life, once again. We start shooting in a couple of weeks, and everyone is doing their best to make the fans proud.”

Star Wars: Episode VII is being directed by J.J. Abrams from a screenplay by Lawrence Kasdan and Abrams. Kathleen Kennedy, J.J. Abrams, and Bryan Burk are producing, and John Williams returns as the composer. The movie opens worldwide on December 18, 2015.

My reaction? That announcement has commas where it doesn’t need them and has no commas where it does need them.

But I’m glad they’re making another (several, actually) live action movies. “Star Wars” needs new blood, new fans. “The Clone Wars” animated series and, yes, even the prequel movies, reached new fans who weren’t even born when the first movies came out.

So we’ll see what happens in December 2015.

 

Comic book odd: Detective Comics No. 367

Detective_Comics_367

I’m pretty sure Detective Comics No. 367 is not the most rare comic book in history. But it oughta be. I’ll tell you why in a minute.

This issue of Detective came out in September 1967, during an interesting time for Batman. DC had been plugging along with the character since the Golden Age by this point, but Batman saw a revitalization after the 1966 “Batman” TV series.

By September 1967, however, the show was waning. It would hang on until the spring of 1968, when the show was gone and Batman was left to his own devices.

The comic almost always – like a lot of DC, even in the years of improbable plots – had beautiful artwork. This cover wasn’t among the best – it’s credited to longtime DCers Carmine Infantino and Murphy Anderson – but it was pretty unusual in that it offered a jigsaw puzzle for readers to assemble to try to figure out that issue’s villain.

Here’s my question along the lines of rare comic books: I wonder how many kids would have cut up the cover of this issue to assemble the jigsaw puzzle?

I didn’t have this issue, but I know I wouldn’t have been able to resist the temptation to do so.

And thus would have been lost another copy.

 

Get off my lawn: Geekery is wasted on the young

wkrp cast

Here’s the latest irregular installment of my view from the perspective of a longtime fan. So if you don’t want to hear it, you’re welcome to come back for the next entry. No hard feelings.

Back in my day (and ohmygod yes I did just write that, but mostly for the ironic effect) young fans or geeks or indoor kids or whatever we wanted to call ourselves appreciated classic books, movies and TV.

I mean, what choice did we have? We could slip back into the past with classic Universal monster movies or we could thrill to “Island at the Top of the World.” We could delight in “The Twilight Zone’s” dated pleasures or stay rooted in the present-day of “Manimal.”

I loved the TV and movies of my time, like “Star Trek” and “Star Wars,” but also loved the classics, like the aforementioned Universal movies featuring Frankenstein or the Wolf Man as well as the films of W.C. Fields, the Marx Brothers and Abbott and Costello.

I like to think of myself as living in the present day. I love the online world, from my ability to blog here to Twitter (two accounts). I can enjoy the treasure trove of information and entertainment available now thanks to the Internet that I couldn’t have imagined when I was young.

But …

Really, there’s no excuse for being ignorant of what’s come before.

Two things I’ve read recently bring this to mind.

robocop original poster

With the release of the “Robocop” remake, a writer on io9 “discovered” the original 1987 movie and wrote, in pretty funny terms, about how awesome the movie is. It was pretty amusing and I didn’t really mind it, but I was thinking, “Really? You can watch any movie or TV show you want now, on several devices, and you seem shocked by your initial exposure to a very high-profile satirical science fiction movie from less than 30 years ago?”

Far more egregious was a recent AV Club roundtable about the 1970s series “WKRP in Cincinnati.” The series, about a radio station, was an MTM production and ran for several years. It’s not like nobody remembers it.

But one writer for the AV Club, who almost certainly wasn’t born when the series originally aired, was very dismissive of the show. She said the look and feel of the show and the characters were so dated she couldn’t get into the story.

Again I’m wondering how this person had never seen a bit of, or even heard of, the series before … and how that qualified her to take part in a roundtable discussion of the series.

Yes, I know. It’s a different world now. The young shall inherit the earth and all that.

But can’t they educate themselves on their way to the throne?

Images of my childhood: The Farrah poster

Farrah_Fawcett_iconic_pinup_1976

It was 1976, so it was hardly my childhood. Images of my adolescence, maybe.

1976 was the year of the bicentennial, the year I first tried my hand at writing fiction.

And the year this poster, of Farrah Fawcett, graced my bedroom wall.

The Farrah poster legendarily sold about 20 million copies – at five or six bucks each – for Pro Arts.

And helped Farrah’s push toward TV stardom, which got an added kick the same year when the pilot for “Charlie’s Angels” aired.

Good time to be a fan

luca parmitano long shot

Those of us who grew up in the 1960s have to be forgiven for occasionally wandering through the world of 2013 and wondering if we’re dreaming.

In the 1960s, comic books and science fiction and horror movies were an almost underground part of the culture, barely more tolerated by adults than eating paste or girlie magazines.

Now, science fiction and fantasy rule TV, from “The Walking Dead” to “Game of Thrones.” Books with sf and fantasy themes like the “Hunger Games” trilogy and the “Harry Potter” books top the best-seller lists.

And at the movies … Marvel’s merry marching movie machine rolls on. The sequel – sequel! – to “Thor” comes out tomorrow. It’s already playing in some theaters. And it’s the latest in a years-long chain of interconnected movies exploring the Marvel universe.

And today Marvel and Netflix announce original series like “Daredevil” and “Luke Cage” are coming, with a “Defenders” team-up series to follow.

If, before “Iron Man” debuted in 2008, anyone thought “The Avengers” was below-the-radar fun only enjoyed by geeks, you can only imagine what a head-snapping development a “Defenders” series would be.

DC is still plugging along with big-screen Batman and Superman movies, but doing impressive work on TV with “Arrow” and other series like “The Flash” still coming.

I sat down and watched an episode of “Arrow” tonight with Green Arrow and Black Canary, for pete’s sake. Tell me who thought that would have been possible a few decades ago.

And the picture above.

On Halloween, Italian astronaut Luca Parmitano, aboard the International Space Station, dressed up like Superman and took advantage of the lack of gravity to fly around.

I don’t care that he looks more like Lex Luthor. He’s flying like Superman!

It’s a good time to be a fan.

Classic TV movie: ‘The Norliss Tapes’

norliss tapes title card

“The Norliss Tapes” is one of those TV movies best remembered for its freaky, scary moments.

It seems it scared the hell out of a lot of kids back in the day. I know it made an impression on me.

The movie, which aired in 1973, was pretty clearly inspired by the success of “The Night Stalker” a year earlier. The two movies shared a premise – a writer investigating the undead – and Dan Curtis, the producer of “The Night Stalker,” produced and directed here.

“The Norliss Tapes” is no “Night Stalker,” however. But it’s a pretty good scare-fest.

The story begins with David Norliss, a writer with a contract to write a book exposing phony psychic phenomena, talking to his publisher and sounding bleak. Norliss (played by David Thinnes of “The Invaders” fame) recounts – via audio cassettes – how he found it easy to debunk mystics and psychics … but then he got caught up in the story of Ellen Cort (Angie Dickinson). Cort tells Norliss that she’s been attacked by – and she subsequently shot – a particularly strange intruder in her home: Her late husband Jim.

the norliss tapes creature

The storyline plays out not unlike “The Night Stalker,” with seemingly random murders by a supernatural being running counterpoint to the mystery of the apparently resurrected Jim Cort. The plots tie together, of course. As a matter of fact, there’s not a lot of mystery or subtlety, as Cort – freaky eyes and blue skin prominently displayed – is clearly the attacker.

Norliss begins investigating the possibility that Cort – whose body rests peacefully in his family crypt – is getting up and attacking people in the dead of night. And what about that mysterious Egyptian ring Cort was wearing?

dan curtis

Director Curtis was the man behind groundbreaking supernatural TV shows like “Dark Shadows” and “The Night Stalker,” and “The Norliss Tapes” shows that. The movie has a style and a music soundtrack familiar to fans of those shows. Robert Cobert, a Dan Curtis regular creative partner, was the composer of the score here.

Some cast members of “The Night Stalker” even recur here, including Stanley Adams as a witness and Claude Akins as a gruff sheriff who’s only too happy to keep a lid on spooky happenings.

Michelle Carey, a gorgeous 1960s and 1970s actress with a breathy, throaty voice, plays Ellen Cort’s sister and a friend of Norliss.

Keep watching through the end credits: There’s a recapping series of  scare scenes, ala “The Night Stalker,” among the credits.

Today in Halloween: Collegeville costumes and the Tylenol scare

collegeville_1981_masks

How did a horrific health threat change Halloween as we know it?

We’ve noted before that Halloween has shifted from a holiday for kids when I was young to one for adults. It’s a billion-dollar industry now, with teens and 20-somethings – and older people too – vying to see who can wear the grisliest or sexiest costume.

Above is a detail from a 1981 costume catalog from Collegeville, a Pennsylvania company that started out in the early 1900s as a manufacturer of flags but ended up being second only to Ben Cooper as the store-bought costume supplier to generations of kids.

But a 1989 article in The New York Times profiling Collegeville put a twist on Halloween trends that I’ve near heard before.

That’s the year that someone tampered with Tylenol capsules, secreting cyanide in the over-the-counter medicine and causing the deaths of seven people.

The Times – this is in 1989, remember – theorizes that the resulting scare might have prompted parents to keep kids home from trick-or-treating, years after the first rumors of razor blades in Halloween apples couldn’t kill the holiday.

But The Times maintains it also sparked interest in at-home Halloween parties, which prompted interest in more elaborate costumes for kids, which led to more costumes for adults, who had to be on hand for the party.

Here’s how The Times reported it, back in 1989:

When people in the Halloween business explain why, they quickly get around to a key date – the fall of 1982. That was when the chilling news broke that seven people had died from Tylenol capsules laced with cyanide. The infamous Tylenol scare almost completely destroyed Halloween. Some towns outlawed trick-or-treating that year, and parents everywhere kept their kids from venturing into the streets.

As a result, costume makers were devastated. But then some bizarre events began to unfold.

Children wanted to do something on Halloween. So if they couldn’t go asking strangers for bags of sweets, then they were going to party. Partying became much more popular. At the same time, parents got fussier about what their children wore. ”When they went door to door, the kids could wear a costume that you just get by with,” Mr. Cornish said. ”But when you went to a party with all your friends, you had to start dressing up a little more.”

As parents watched their children go to parties, they got envious. They wanted to dress up as the grim reaper or Yosemite Sam, too. So the morbid events of that year turned out, in the long run, to have been just about the best thing to happen to costume makers since Halloween was invented. As Bob Cooper, the president of Ben Cooper Inc., a Brooklyn-based costume maker, put it, ”There’s been a change in the way that the holiday is celebrated.”

I’m going to extrapolate here and suggest that since 1982, people have mostly gotten over their fear of tampered treats, so that’s no longer affecting Halloween.

But an entire generation of people born after the Tylenol tampering case are very accustomed to teen and adult Halloween parties now. They’ve been high school students, college students, members of the workforce and now, more than 30 years later, they’re parents.

And elaborate costumes for kids and adults, along with parties and trick-or-treating, are the norm for them.

So perhaps something fun and good came from something horrible.

(Image from plaidstallions.com)

Today in Halloween: Comics as treats

marvel-halloween bagged 1987 comics

This never happened to me, although it would have been fine if it had.

In 1987 – which post-dated my trick-or-treating prime by a couple of decades, or at least a decade and a half – Marvel pitched bagged mini-comics as “the safe Halloween treat.”

This wasn’t at a particular  high point for stories about apples with razor blades or poisoned candy, but here’s an in-store sales pitch for the practice.

Did you ever get bagged comic books – or “mini comics,” whatever those were – when you were trick-or-treating?