Category Archives: classic TV

TV crush: Jessica Walter

jessica walter amy prentiss

Looking back at the women who made TV viewing a very special thing for me as a young man has reinforced to me just how old we’re all getting.

Example: Jessica Walter, the focus of this installment of TV Crush, is best known in recent years for her role as the matriarch of the Bluth family on the beloved sitcom “Arrested Development.” But in looking Walter up online, I’m startled to see that she’s 71 years young.

When Walter was considerably younger – and so was I – she was one of the actresses I loved seeing on TV. She had the cool beauty and grace of an Audrey Hepburn and a steely demeanor like few other actresses of the time.

Walter first came on my radar in the title role of “Amy Prentiss,” a short-lived 1974 spin-off of the NBC hit “Ironside.” Prentiss was the first female chief of police for San Francisco and as such battled preconceived ideas about a woman on the police force – not to mention in charge of it.

jessica walter clint eastwood play misty for me

By that time, Walter was known for her edgy roles. In the 1971 Clint Eastwood classic “Play Misty for Me,” she had played a young woman who called Eastwood’s disc jockey character with the title request. In this early take on obsessive fans and doomed affairs, Eastwood gets more than he bargained for when he dallies with Walter.

It’s fun to see Walter enjoying the kind of popular career revitalization all too many actresses don’t get. But to me, she’ll always be tough cop Amy Prentiss.

Counting down to one: What I’m watching right now

the walking dead welcome to the tombs

It’s that time of year. Some of my favorite shows are working toward their season finales, with just an episode or two left. I’m glued to the TV (well, not literally).

Here’s the best of the best:

“The Walking Dead.” This season, the third, has been a big improvement over last year, which spent way too much time at Herschel’s farm. Much of the current season – which ends with the season finale Sunday night – has been split between the prison, where Rick and the other survivors have stopped, and the town of Woodbury, where the so-called Governor rules.

Pivotal events this season – the death of Lori, the birth of “Little Ass-Kicker,” the full acceptance into the group of Daryl Dixon, the return of Merle Dixon (the incomparable Michael Rooker) – seemed to come in the first half of the season.

In the second half of the season, its as if the showrunners decided to avoid the problems of season two by not repeating, over and over, scenes of the cast standing around and ruminating.

Instead, episodes have focused on small groups of characters. Like “Clear,” in which Rick, Carl and Michonne go back to Rick’s old sheriff’s station in search of weapons only to find that Morgan (Lennie James), Rick’s friend from the first season, has holed up in the town.

Morgan has lost his mind after losing his wife and son, and his madness and complete failure to cope with the post-apocalyptic world sent a message to Rick (Andrew Lincoln), who was spending too much time in Crazytown himself.

the walking dead season finale

Other episodes focused on Daryl and Merle – ending tragically for the newly reunited brothers – and on Andrea and the Governor, both of whom came off as badasses.

I’ll be watching the season finale, “Welcome to the Tombs,” this Sunday.

Meanwhile, “Justified,” the FX show about Deputy U.S. Marshal Raylan Givens (Timothy Olyphant), continues to be one of the most clever and sarcastic shows on TV. The over-arching storyline of the season, ostensibly, was the 30-year-old mystery of thief Drew Thompson, but the story is less important than the parade of great characters we’ve been able to enjoy, ranging from the regulars – who have more to do this season – to great new faces like Constable Bob (Patton Oswalt).

“Justified” has always had some uneven moments, but this season has had some of the best episodes of the series to date. The season finale airs Tuesday night.

dallas

There’s another sort of pleasure to be had from “Dallas,” the continuation of the classic American soap opera about the Ewing clan of Texas.

The death of beloved actor Larry Hagman in November left the show in a tough spot mid-way through the second season: How to continue without J.R., a character who symbolized the show even as the real-life illness of Hagman reduced his presence in the new series.

The producers have handled Hagman’s passing well. On the show, J.R. died, the victim of a shooting, in Mexico. But the scripts have taken the mystery of J.R.’s death in a new direction, with Bobby (Patrick Duffy) and the younger generation of Ewings trying to figure out why J.R. was trying to find Pamela (Victoria Principal in the original series, who is apparently not returning).

J.R.’s presence still figures into the show and his death allowed for the return, even briefly, of classic “Dallas” characters like Gary Ewing, Val Ewing and Afton Cooper.

The show has five episodes remaining this season, so we can look forward to more Ewing scheming in the weeks to come.

Images of my childhood: Spock poster

star-trek-spock

This poster adorned my wall and the walls of many other young fans of the original “Star Trek” series.

Leonard Nimoy as Spock, phaser in hand, shuttle craft in the background.

I don’t know much of the history of this image – a publicity shot from the original series – but by the time the series had blossomed into a fan phenomenon in the early 1970s, somebody was making a lot of money selling this poster.

Classic TV: ‘Evil Roy Slade’

evil roy slade

I can only imagine most TV audiences in 1972 upon encountering the western spoof movie “Evil Roy Slade.”

My friends and I loved the movie, with its goofy wordplay and spoof of traditional western movie moments.

But what was a straighter audience to make of John Astin as an outlaw so mean even wolves wouldn’t raise him when, as a baby, he was orphaned in an Indian raid?

Or Mickey Rooney as Nelson Stool, a bitter railroad magnate who had worn down his index finger tapping out telegraph messages?

Or Dick Shawn as Bing Bell, a traveling lawman?

Directed by Jerry Paris, the “Dick Van Dyke Show” actor turned TV director, and produced and written by “Happy Days” masterminds Garry Marshall and Jerry Belson, “Evil Roy Slade” was the type of TV movie that they just didn’t make back then and they certainly don’t make now.

Some observations:

The movie is full of great lines. “I learned a valuable lesson today. Never trust a pretty girl or a lonely midget.” “I have kings with an ace.” “I have threes with a gun.” “You win.”

Slade at some point tells a cello player to get his instrument out from between his legs and hold it up under his chin, like a fiddle should be held. The man complies.

Slade is asked to solve a math problem: “If  you had six apples and your neighbor took three apples, what would you have?” “A dead neighbor and all six apples.”

Each time Bing Bell’s name is mentioned, a character says, “Somebody at the door?”

According to Rooney’s nephew, played by “Laugh-In” regular Henry Gibson, Rooney’s deformity is the stuff of western legend: “Men often sit around the campfire and sing about your stubby index finger.”

The movie seems like a time capsule to Hollywood past. Besides Rooney, the cast includes Milton Berle, Edie Adams and, in the role of narrator, Pat Buttram.

‘Star Wars,’ ‘Doctor Who’ legends pass away

stuart-freeborn-yoda

A moment of thoughtful consideration, please. Two genre legends have passed away.

British makeup designer Stuart Freeborn has died at 98.

Freeborn worked on 75 movies during his career, according to the New York Times, including creating the apemen from “2001: A Space Odyssey.”

But he is best known for creating the look of Yoda, the puppet embodied by Frank Oz in “The Empire Strikes Back.” Freeborn’s creation has lived on in several movies, animated series and, no doubt, future “Star Wars” movies now in the planning stages.

Freeborn famously decided Yoda’s look needed to include eyes reminiscent of Albert Einstein.

Ray-Cusick-dalek

Also leaving us was another talented Brit, Ray Cusick, who died at age 84. He created the most famous “Doctor Who” adversary, the robotic Daleks, for a 1963 episode of the series.

The world of entertainment is better for their roles in it.

Classic TV: ‘Star Trek’ ‘Assignment: Earth’

star trek assignment earth

Although it’s disparaged in some circles, “Assignment: Earth” remains one of my favorite episodes of the original “Star Trek” series.

Airing in March 1968 – the last episode of the second season of the classic show – “Assignment: Earth” was a “backdoor pilot,” industry parlance for an episode of a regular TV series that was intended to be a try-out for a spin-off series, an entirely different show.

The story follows the crew of the Enterprise as they – in rather blase manner – use the “slingshot” effect to travel back through time to 1968, a pivotal moment in world history. With the launch of an orbital nuclear weapons platform, the U.S. threatens to escalate the arms race.

Kirk, Spock and company don’t know about this particular wrinkle in time (heh), however. They just know that they have been waylaid by Gary Seven (Robert Lansing), ostensibly an Earth man who tells Kirk he’s been living on another planet his entire life and has been beamed back to his motherland to help the population avoid World War III.

Seven proceeds to escape from the Enterprise and beam down to the rocket launch site, with Kirk and Spock wondering if they should capture him or help him.

star trek assignment earth spock kirk

To investigate further, the two go down to 1968-era Earth, nattily dressed in sport coats and, for Spock, an ear-covering hat, and get mixed up in the goings-on. Lots of time-twisting hijinks ensue and we meet Roberta Lincoln (Teri Garr), the young woman working as secretary in the futuristic office from which Seven operates.

The episode builds to a tense climax as Seven tries to sabotage the rocket launch and throw just enough of a scare into the world without actually sparking war.

star trek assignment earth spock

The episode ends with Kirk and Spock, looking smug, having done some research on Seven and Lincoln – they are from the future, after all – and predicting interesting adventures ahead for the team (including Seven’s shape-shifting cat/companion, Isis).

It was not to be, however. The series never materialized.

The characters turned up in a couple of “Star Trek” novels and comic books, but we never got to see the continuing adventures of Gary Seven. That’s too bad, too, because Lansing was such an interesting character actor. His grumpy, frowning demeanor would have made for an interesting, ahead-of-his-time presence on TV.

Some online criticism of the episode is that it seems dated – Teri Garr’s “mod” wardrobe and explanation of the hippie movement – or that it limits the amount of screen time for Kirk, Spock and others, particularly in the final episode of the second season. But I’m not sympathetic to those arguments. It was, after all, a pilot for a spin-off TV series. It’s done much more handily than in some series.

And it left me wanting more of Gary Seven and Roberta Lincoln.

Movie crush: Michelle Carey

michelle carey 2

Upon having seen Michelle Carey in her movie debut, “El Dorado,” the 1966 John Wayne western, who could forget her?

As Joey, younger sister to the MacDonald brothers, Carey proved she could ride and shoot with the big boys. Heck, she even shoots the Duke himself when she mistakenly believes he’s out to harm her family.

michelle carey

Decked out in buckskin, her golden hair tousled under a misshapen cowgirl hat, Carey was a sight to see.

Before making “El Dorado,” Carey appeared in a couple of TV series, including “The Man from UNCLE” and “Burke’s Law.” Afterward, she appeared in “The Wild, Wild West” and “The Name of the Game.”

She might have found her biggest audience as Bernice in “Live a Little, Love a Little,” the 1968 Elvis movie in which the King played a race car driver named Rick. Wait, that was every other Elvis movie. In this one, Elvis played a photographer named Greg.

Carey worked into the 1970s and 1980s, guest-starring in TV shows like “The Fall Guy.”

Reminder of our mortality: Carey is now 69 years old.

Here’s to that wild, wild siren, Michelle Carey.

Classic TV: ‘Dark Skies’

dark skies cast w walsh

As much as I liked “Last Resort” and “Threshold” and “Firefly” and other TV series, I knew better than to give my heart fully to them.

“Dark Skies” taught me that lesson.

“Dark Skies” was an episodic sci-fi TV series that ran on NBC for only about a dozen and a half episodes in 1996 and 1997. Created by Brent Friedman and Bryce Zabel, the series was an ambitious one: Inspired by the hit conspiracy show “The X-Files,” Friedman and Zabel created a decades-spanning series about an alien invasion of Earth, the conspiracy to cover it up and the few people who sought to blow the lid off the whole mess.

And, oh yeah, along the way, the good guys and bad guys run across the most pivotal figures of the time, from John F. Kennedy to The Beatles to Jim Morrison to J. Edgar Hoover.

Heroes Eric Close and Megan Ward not only sought to expose the invasion but stay away from murderous conspirators with shadowy connections.

And bonus: Late, great character actor J.T. Walsh played a military man mixed up in the conspiracy.

darkskies

The show’s creators had an ambitious plan that would have taken their story from the early 1960s to 2001, with each of five seasons covering a different decade.

It was a bold plan considering the follies of network TV, where shows are mercilessly canceled when they fail to garner sufficient ratings. “Dark Skies” was canceled when not enough people tuned in.

The show’s first and only season had some highlights, however:

With JFK in their  corner, it was only a matter of time until the charismatic president was assassinated. The third episode did a nice job with the tragic development.

The fifth episode, “Dark Days Night,” was set against the backdrop of The Beatles appearing on Ed Sullivan’s show. The aliens planned to send a sinister signal out over the airwaves during the broadcast.

“We Shall Overcome” reunited Close’s character with a former colleague from the government set during civil rights unrest in Mississippi.

What other series featured Robert Kennedy as a recurring character and spotlighted a diverse bunch of figures including and Jack Ruby, Carl Sagan and Hubert Humphrey?

Classic TV: ‘The Time Tunnel’

the time tunnel set

I was a bit too young when “The Time Tunnel” aired for a single season beginning in 1966 to catch the nuances of the show. Same goes for other shows from the same producer/creator, Irwin Allen, like “Voyage to the Bottom of the Sea” (1964) and “Lost in Space” (1965) and “Land of the Giants” (1968).

Well, there were not a lot of nuances to be found in “Lost in Space.” And “Land of the Giants” was in some ways the purest and most fun of the bunch in its story of little people trapped on a planet of giants.

But “The Time Tunnel,” although it only lasted a season on ABC, made a big impression on me.

Maybe it was because of its premise – two scientists from a top-secret government project (one that cost billions of dollars) go back in time and move, out of control, from one  pivotal moment in history to the next. (Yes, the premise was duplicated in “Quantum Leap.”)

The show had colorful sets and costumes and stories that seem even more preposterous in retrospect than they do now: As time travelers James Darren and Robert Colbert bounce around from one moment in history – and a few in the future – in one episode to another in the next, they get involved not only in the course of human events but, often, try to change the course of human events.

Let’s think about this for a minute: Is there anything less scientific when you’re time traveling than trying to persuade the captain of the Titanic to cross the ocean just a little further to the south? Humanitarian, maybe; maybe even purely an instance of self-preservation, since the scientists in question had time-jumped onto said “unsinkable” ocean liner. But not very impartially scientific.

Anyway, whole genres of time travel stories have demonstrated that, even if you could change the course of history, you shouldn’t. That wasn’t a big stumbling block on “The Time Tunnel,” however.

The show is available on Hulu.com and is pretty fun to sample.

Some stray observations:

If you want to see all the great sets – the mammoth underground research project, code-named Tic-Toc, buried hundreds of stories below the desert floor – you need only watch the first episode. The sets and special effects, which echo the great Krell laboratories of “Forbidden Planet,” are all out there in the pilot. Then repeated endlessly in later episodes.

There’s a wonderful contingent of actors in the show, from Whit Bissell as the military man in charge of the project to guest-stars like Robert Duvall.

Lee Meriwether, who was an also-also-ran among Catwoman fans for her work in the big-screen “Batman” movie, has a nice role as a scientist here.

Allen set up this show like he did with “Lost in Space,” with a teaser ending that led into the next episode.

The show gave plenty of airtime to stock footage from old movies, the kind of Hollywood economizing that probably made the series possible. Why shoot new footage for a Battle of Little Bighorn sequence when Hollywood has already told General Custer’s story?

time-tunnel tumble

The way the time travelers tumbled through time was endlessly amusing and must have seemed as silly to the cast as the “throwing yourself back and forth across the bridge of the Enterprise” scenes were to the cast of “Star Trek.”

‘Dallas’ returns strong, builds to goodbye to JR

larry_hagman_dallas_season two

It was, perhaps, inevitable. After battling cancer for years, Larry Hagman – beloved by a couple of generations of soap opera watchers as J.R. Ewing of “Dallas” – succumbed last November, after filming a few episodes of the second season of the “Dallas” revival on TNT.

TNT and producer Cynthia Cidre – the latter responsible for the topnotch return of the series last year – have said they’ll pay homage to not only Hagman but the famous “Who Shot J.R.” storyline from the show’s original run decades ago by killing off J.R. in an upcoming episode.

The passing of the Texas oil man and winking conniver and womanizer will have a big impact on the show. I’m not convinced we’ll see a third season, but that depends on how much viewers judge the series has lost because of Hagman’s passing.

In the meantime, let’s all raise a glass – even if imaginary – of bourbon and branch and enjoy Hagman as J.R. while we still have him. We can start Monday night, when the new season begins.

I’ve seen the first two hours and found them like the best of the first season: Enjoyable soapy goings-on with misunderstandings, back stabbings and intrigue aplenty.

As Bobby, his son Christopher and J.R.’s son John Ross jump-start Ewing Energies, all the characters have some good scenes. John Ross picks up the bride to be at a bachelorette party and beds her to blackmail her father, uttering the immortal phrase, “Love is for pussies.”

Christopher’s bride, Rebecca – revealed last season to be the daughter of longtime Ewing rival Cliff Barnes – returns and a custody battle will soon be brewing over the twin babies she’s carrying.

Bobby continues to investigate the circumstances behind the kidnapping, 20 years earlier, of wife Anne’s child.

And Sue Ellen’s political fortunes very nearly drive her to drink again.

Dallas / EP201

I really, really want this new “Dallas” to succeed, but they might have a tough row to hoe without Hagman. If the producers focus on snappy lines and meaty stories for Josh Henderson as John Ross, they might create a truly worthy follow-up.

It’ll be hard to top Hagman’s character or his delivery, though. Example: A line in the second half of the premiere when J.R. turns to a Barnes family henchman and asks, “How does it feel to be a poodle?”

J.R., we’re going to miss you.