Category Archives: DC Comics movies

Goyer’s comments shame DC, ‘Superman v Batman’

batman v superman dawn of justice

It gets a bit silly, all the outrage on the Internet.

But then again, people keep saying stupid things.

No matter if they’re fanboys acting like assholes on the topic of female fans or they’re … well, I don’t know how to describe “Man of Steel” screenwriter David S. Goyer, who was all over the web today for really stupid comments he made in a recent interview.

You see, today was supposed to be DC’s big day, announcing the title of that “Man of Steel” sequel coming out – maybe – in a couple of years. It’s “Batman v Superman: Dawn of Justice,” a title so stupid it immediately inspired exactly the opposite reaction that DC must have wanted.

Not only doesn’t the title – really, it’s just too stupid for me to write again – make anyone think that Warner Bros. and DC have their shit together in their efforts to be more like Marvel and create a big-screen universe.

It sounds obvious, even desperate and grasping. I’ve seen it lampooned today as a courtroom drama and Lifetime movie.

Compare that reaction to the Comic Con reveal of “Avengers: Age of Ultron.” Fandamonium.

Anyway, Warners and DC might have only just begun regretting their title decision when Goyer, who as writer of most of DC’s very uneven efforts to bring its iconic superheroes to life, was widely quoted for some boneheaded remarks he made in a recent Scriptnotes podcast.

First, Goyer insulted the longtime Marvel hero She-Hulk – who, admittedly, does have a silly name – by noting that she was clearly superhero porn and served only as someone to have sex with the Hulk.

I wonder, did Goyer know before today that the characters of Hulk and She-Hulk were cousins? I’m assuming he does now.

Then Goyer went on to say an incredibly stupid thing that shows just how tone-deaf he is.

In talking about Martian Manhunter, a long-established character made popular on the “Justice League” and “Justice League Unlimited” animated series a few years ago, Goyer made fun of the character and asked how many people had heard of him.

Of course, most of those in attendance had. Probably surprised by this, Goyer then said:

“How many people that raised their hands have ever been laid?”

Really?

In one utterance, Goyer shows his ignorance about Martian Manhunter – a major character from the ONLY truly successful iteration of DC characters in the past decade – and also insults comic book movie fans.

You know, the people who pay to see his movies.

Ross Lincoln summed up Goyer’s attitude nicely on his “The Escapist” blog: Goyer and his partners at Warner Bros. are ashamed they’re making superhero movies.

Think about it. Nolan’s Batman movies, which had some strong points, dwindled to awkward absurdity through Goyer’s scripts. “Man of Steel” was awful. Hell, it couldn’t even see fit to actually call its hero Superman.

It’s sad, really, that three quarters of a century of great characters and stories are squandered in such hands.

 

Comic book ads: Superman on TV

superman on tv

I poured over comic books when I was a kid, memorizing not only the stories but artist and writer credits and even the ads.

This one pre-dated me – it ran in DC comics when the original “Adventures of Superman” series ran on TV, 1952 to 1958 – but it’s a nice example of cross-promotion in house ads.

And how nice that it steered people toward their daily newspaper.

‘Arrow,’ ‘SHIELD’ look to finish strong

arrow ravager city of blood

I’m not one of those fans that has to declare a victor in the war between Marvel and DC. They’re both doing well – if very differently – in particular areas outside comics, including live-action movies and TV and animation.

Marvel’s big-screen universe is firing on all cylinders through a timetable that, if we’re to believe a recent interview with mastermind Kevin Feige, is loosely planned through 2028. The producers of Marvel movie outliers like the “Spider-Man” and “X-Men” series are trying to build their own universes, although that could be a challenge. I still wish we’d see the universes combined on screen someday.

As for DC, Warner Bros. is flat-out struggling to build a cohesive movie universe. The “Man of Steel” sequel featuring Batman – with Wonder Woman and Cyborg and possibly other characters in supporting roles – could be cool or it could fall as flat as “Green Lantern.” And DC has just announced that director Zach Snyder will follow the “Man of Steel” sequel with a “Justice League” movie.

DC’s plans feel a little rushed, with none of the universe-building that Marvel has engaged in with its “Avengers” lead-ins and follow-ups. But maybe it’ll turn out nifty.

On TV, there’s no question that “Arrow,” the second-season CW adaptation of Green Arrow, is the best superhero series ever.

And over on ABC, “Agents of SHIELD” – after a first half of this debut season that felt like wheel-spinning or slow burn, depending on how charitable you might be – is building to what might be a genuinely thrilling climax.

Both series have three episodes left this season. Here are some thoughts:

“Arrow”: After setting up Slade (Deathstroke) Wilson as the good-guy-turned-bad-guy this season, the series has let Slade run rampant on Oliver Queen and his city, family and team. Last week’s episode ended with Slade killing Oliver’s mother, Moira, in a cruel mirror to the “choice” Oliver was given by Ivo on the island.

What we want to see: More DC characters – including Ravager, pictured above, who appears in “City of Blood,” the next episode – more twists, more peril, more return visits from past favorites and more triumph for Team Arrow.

What we don’t want to see: An easy way out for anybody.

agents of shield nothing personal

“SHIELD”: Spinning off events in “Captain America: The Winter Soldier,” “SHIELD” finds itself in a world where SHIELD itself is in shambles. The agents are on the run, striking back at enemy organization HYDRA and building alliances. All the while, they’re dealing with the treacherous Agent Ward, who has turned out to be a HYDRA agent and has been killing SHIELD agents right and left.

What we want to see: Well, we already know Agent Maria Hill (Cobie Smulders) returns in this week’s episode, “Nothing Personal,” and Samuel L. Jackson is supposed to return as Nick Fury in “Beginning of the End,” the season finale set for May 13. So we’re getting return visits from some favorites. We also want more revelations, including more big-picture tie-ins to the movie universe.

What we don’t want to see: The redemption of Agent Ward. We want him and Agent Garrett (the great Bill Paxton) to continue as our favorite HYDRA turncoats into the second season.

The longterm big picture for both series – if “SHIELD” returns for a second season – could be fantastic. “SHIELD” will be building toward the May 2015 premiere of “Avengers: Age of Ultron.”

And although it’s unlikely, it’s possible Warners will tie “Arrow” to its big-screen franchise in some way. Warners could do a whole lot worse – and likely will – if it ignores the universe created for the small screen.

 

Jesse Eisenberg as Lex Luthor? Uh ….

jesse eisenberg lex luthor EW

So Warner Bros. has announced they’ve cast Jesse Eisenberg as Lex Luthor in the “Man of Steel” sequel, the one with Ben Affleck as Batman. The one that’s called … well, we might know the official title around the time of Comic Con.

So Eisenberg as Luthor (matchup in the Entertainment Weekly illustration above.

What do we think of this?

Eisenberg will always be the sarcastic nerd hero of “Zombieland” and the sarcastic nerd billionaire-in-the-making anti-hero of “The Social Network” to me.

Do I want them to bring Kevin Spacey or Gene Hackman back? No.

lex luthor animated

But my image (and aural impression) of Lex Luthor just might always be the Bruce Timm version, voice by Clancy Brown, from the animated “Superman” and “Justice League” series.

I’m not sure Eisenberg can top that.

And Jeremy Irons as Alred Pennyworth? That’s fine. Nobody will top Michael Caine.

Here’s the WB press release:

Warner Bros. Pictures announced today that Jesse Eisenberg has been set to star as Lex Luthor and Jeremy Irons will play Alfred in the upcoming Zack Snyder untitled Superman/Batman film. The dual announcement was made today by Greg Silverman, President, Creative Development and Worldwide Production, and Sue Kroll, President, Worldwide Marketing and International Distribution, Warner Bros. Pictures.

Snyder stated, “Lex Luthor is often considered the most notorious of Superman’s rivals, his unsavory reputation preceding him since 1940. What’s great about Lex is that he exists beyond the confines of the stereotypical nefarious villain. He’s a complicated and sophisticated character whose intellect, wealth and prominence position him as one of the few mortals able to challenge the incredible might of Superman. Having Jesse in the role allows us to explore that interesting dynamic, and also take the character in some new and unexpected directions.”

The director added, “As everyone knows, Alfred is Bruce Wayne’s most trusted friend, ally and mentor, a noble guardian and father figure. He is an absolutely critical element in the intricate infrastructure that allows Bruce Wayne to transform himself into Batman. It is an honor to have such an amazingly seasoned and gifted actor as Jeremy taking on the important role of the man who mentors and guides the guarded and nearly impervious façade that encapsulates Bruce Wayne.”

Snyder’s film stars Henry Cavill, reprising his role as Superman/Clark Kent, Ben Affleck as Batman/Bruce Wayne, and Gal Gadot as Wonder Woman/Diana Prince. The film also reunites “Man of Steel” stars Amy Adams, Laurence Fishburne and Diane Lane.

The new film is currently being written by Chris Terrio, from a screenplay by David S. Goyer. Charles Roven and Deborah Snyder are producing, with Benjamin Melniker, Michael E. Uslan, Wesley Coller, David S. Goyer and Geoff Johns serving as executive producers.

The film is set to open worldwide on May 6, 2016, and is based on Superman characters created by Jerry Siegel & Joe Shuster, Batman characters created by Bob Kane, and Wonder Woman created by William Moulton Marston, appearing in comic books published by DC Entertainment.

‘Arrow’ – Best superhero TV of all time?

Three GhostsHow can you – well, I, really – proclaim anything the best of its kind of all time when it’s still relatively new and hasn’t withstood the test of time?

Beats the heck out of me. But I’m inclined to call “Arrow” the best live-action superhero series of all time. And yes, we’re not quite half-way through the CW network show’s second season.

But the gritty and stylish Greg Berlanti-developed series, featuring Stephen Arnell as millionaire crimefighter and adventurer Oliver Queen, who uses gimmicky arrows and amazing trick shots to fight crime, is tops.

Believe me, I didn’t expect to go into this fall season liking “Arrow,” the DC Comics-based show about a Batman-style vigilante in its second season, better than “Agents of SHIELD,” the TV beachhead for the Marvel movie universe.

And yet …

Crowning “Arrow” might sound like heresy for people who loved the simple pleasures of the 1950s “Adventures of Superman” series or the camp 1960s classic “Batman” or even more recent ventures like “Lois and Clark” or “The Flash” or “Birds of Prey,” all of which have their strong points.

But no, “Arrow” is better than all of them, a truly satisfying experience for comic book fans.

I was a little worried about “Arrow” when it was announced by the CW a couple of years ago. The Green Arrow character had been a nice addition to the network’s “Smallville,” the 10-season show about the growing years of Superman and, for me, marked when the series finally got interesting. The Clark and Lex theme of the show was always good but the writers were just too coy for too long. And I have to say I was kind of ticked off when they never actually showed Clark in the suit, even in the final episode. It all reeked of superhero shame.

But despite some coyness of its own – “Arrow” instead of “Green Arrow” as a title – “Arrow” has the courage of its convictions. The series put millionaire Oliver Queen into a green hood right from the word go and put him on the path to avenging criminal activity. He’s surrounded by an engaging supporting cast.

barry allen on arrow

And the series has aggressively set about building its own universe, adding characters like Black Canary, Slade Wilson, Huntress and, this week, Barry Allen, a young police scientist who’s not yet the Flash. The character, as played by Grant Gustin, is apparently destined for his own CW show. If it’s handled like “Arrow,” we’ll have another classic on our screens.

“Arrow” has some problems, certainly. But it feels like they recognized most of them early.

Chief among them is Katie Cassidy, cast as Oliver’s ex-girlfriend Dinah Laurel Lance, who comic fans know is destined to become Black Canary, a tough-as-nails hero and companion to Green Arrow.

But it’s almost as if the producers decided early on that the character and actress combination was just too … I don’t know, awkward? Cassidy seems like she would never for a moment be believable as a street-fighting gal. The show has introduced a new Black Canary, Dinah’s sister, played by Caity Lotz, and she’s more believable.

The cast is pretty uniformly good, from thinking man’s hunk Arnell to David Ramsey as Dig, Oliver’s cohort, to Emily Bett Richards as Felicity, Oliver’s Gal Friday and tech guru who deserves all the online worship she gets.

The show flips back and forth from Arrow’s exploits fighting crime in present-day Starling City (an inexplicable change from Star City in the comics) to five years earlier, when Oliver was shipwrecked on a not-even-remotely-deserted island and learned his survival skills.

The first season gave us an Oliver on a mission to clean up his city and willing to casually kill bad guys. The second season has Oliver pursuing a less murderous campaign. Heck, he’s apparently even about to start wearing the mask seen in the photo at top here.

All the while, “Arrow” is adding characters and mythology and feeling stronger and stronger.

Good time to be a fan

luca parmitano long shot

Those of us who grew up in the 1960s have to be forgiven for occasionally wandering through the world of 2013 and wondering if we’re dreaming.

In the 1960s, comic books and science fiction and horror movies were an almost underground part of the culture, barely more tolerated by adults than eating paste or girlie magazines.

Now, science fiction and fantasy rule TV, from “The Walking Dead” to “Game of Thrones.” Books with sf and fantasy themes like the “Hunger Games” trilogy and the “Harry Potter” books top the best-seller lists.

And at the movies … Marvel’s merry marching movie machine rolls on. The sequel – sequel! – to “Thor” comes out tomorrow. It’s already playing in some theaters. And it’s the latest in a years-long chain of interconnected movies exploring the Marvel universe.

And today Marvel and Netflix announce original series like “Daredevil” and “Luke Cage” are coming, with a “Defenders” team-up series to follow.

If, before “Iron Man” debuted in 2008, anyone thought “The Avengers” was below-the-radar fun only enjoyed by geeks, you can only imagine what a head-snapping development a “Defenders” series would be.

DC is still plugging along with big-screen Batman and Superman movies, but doing impressive work on TV with “Arrow” and other series like “The Flash” still coming.

I sat down and watched an episode of “Arrow” tonight with Green Arrow and Black Canary, for pete’s sake. Tell me who thought that would have been possible a few decades ago.

And the picture above.

On Halloween, Italian astronaut Luca Parmitano, aboard the International Space Station, dressed up like Superman and took advantage of the lack of gravity to fly around.

I don’t care that he looks more like Lex Luthor. He’s flying like Superman!

It’s a good time to be a fan.

‘Superheroes: A Never-Ending Battle’ on PBS

SUPERHEROES-A-NEVER-ENDING-BATTLE

Truly the geeks have inherited the Earth: A three-hour documentary about comic books on PBS.

“Superheroes: A Never Ending Battle” played on PBS this week and is still available online (if you can put up with PBS.org’s wonky video player).

I didn’t see all of it when it aired last Tuesday – three hours is a big chunk of time – so I watched the unseen balance today online.

A lot of documentaries have been made over the years about comic books, superheroes and their creators. Because of the wealth of interviews, this one is among the best and most entertaining. Maybe that’s in part because the tone is no longer so defensive and “can you believe it?”  The tone is what it is because superheroes are such a big part of pop culture right now, a huge presence in video games, movies and TV shows. Even though a fraction of the number of comic books are sold today as were sold two or three generations ago, their influence on pop culture has never been greater.

The first hour traces the early history of comics, from the first newspaper strips, folded and stapled and re-sold by the father of the creator of MAD magazine, to the heyday of comics in World War II and the 1940s, when virtually every boy and most girls read comics.

Influences like pulp magazine heroes including The Shadow are cited and the origins of Superman and Batman – familiar stories for longtime fans – are told. Before the first hour has ended, Wonder Woman’s kinky origins are recounted. Acknowledgement is made of the less savory aspects of comics, particularly racist treatment of Japanese characters during World War II. The first hour ends with the 1950s campaign against superhero comics.

Besides the classy treatment and nice graphics, the best part of the show are the interviews with pioneers of the early days, including Joe Simon (co-creator, with Jack Kirby, of Captain America) and other artists and writers who got their start in the Golden Age but continued to work in the Silver Age.

Throughout the three-hour documentary, we’re treated to lively interviews with creators, experts and actors. They’re funny and witty and sometimes surprisingly still vital. I swear that great DC artist Neal Adams, one of the driving forces of the 1970s, looks 40 years old.

steranko

 

And “SHIELD” artist Jim Steranko, whose towering head of hair is now quite gray, displays his comic historian side.

steranko SHIELD

The second episode starts in the 1960s and the birth of modern-day Marvel Comics. The impact of comics on the larger world – including the campy 1960s “Batman” series – is explored and, rightfully so, called a “game-changer.” This seques into Steranko and the “pop art” era.

The ground-breaking moments of 1960s and 1970s Marvel – Peter Parker attending an integrated high school, the introduction of black heroes like The Black Panther and Luke Cage – are given their due. Likewise, DC’s experimental book teaming Green Arrow and Green Lantern, tacking injustice and racism, are cited, as are the Comics Code Authority-flouting campaigns against drugs.

The third hour is kind of a victory lap, noting the huge role in today’s pop culture that comic book characters play, particularly due to the big-budget, big-box office movie adaptations of the modern era. As “Spawn” creator Todd McFarlane says, “None of it is silly anymore.”

lynda carter

But one thing is certain: Lynda Carter still looks amazing.

75th anniversary: Superman’s history in 2 minutes

superman 75th anniversary film shot 1

Well, this is kind of wonderful.

To mark the ongoing celebration of Superman’s 75th anniversary – it was 1938 when Jerry Siegel and Joe Shuster’s superhero debuted – the people at DC Comics got DC animated universe mastermind Bruce Timm and “Man of Steel” director Zach Snyder to collaborate on a two-minute history of the character.

The look of Superman changes throughout, from the original design of the Man of Steel to the Fleischer animated shorts to faithful cartoon renditions of live-action Supermen like George Reeves and Christopher Reeve.

Some of the great characters and storylines – Bizarro, the death of Superman – are here too, as are many of the great artists.

superman 75th anniversary film family

And this just makes me smile.

See the video here at Entertainment Weekly.

Wonder Woman done right

wonder woman fan film close

It’s puzzling how Wonder Woman has eluded film and TV makers.

Of course, we can’t be sure what Joss Whedon would have done with his Wonder Woman movie that got spiked, but we’ve seen DC Comics, Warner Bros. and other filmmakers stumble more than once in their attempts to do a live-action Wonder Woman.

I’ve always said the DC Comics animated universe treatment of Wonder Woman in the “Justice League” series could serve as a ready blueprint for how to make a serious, ass-kicking live-action version of the Amazon warrior princess and her world.

wonder woman fan film medium

It looks like Rainfall Films has, in its two minute Wonder Woman short, opted for a “Man of Steel” treatment, which makes sense since that’s the way DC and Warner Bros. are headed. By adding Batman to the “Man of Steel” sequel, maybe they’re building to a movie featuring the DC trinity – those two plus Wonder Woman.

At any rate, the short film would serve nicely as a model for the big studio.

And you could do a lot worse than having Rileah Vanderbilt play the role in a full-length movie. She looks great in the short.

As more than a few people have said online: Okay. Go do this.