Category Archives: geek culture

First look at Tyreese in ‘The Walking Dead’

The first seven episodes of the third season of AMC’s “The Walking Dead” have blown past us at an alarmingly fast rate – especially when compared to the second season on Hershel’s farm.

So it’s startling that we’re already approaching the mid-season finale, this Sunday, when “Made to Suffer” airs.

I’ll be looking forward to this one for a number of reasons, including the first appearance for Tyreese, a fan favorite character from the comics who’ll be played by Chad Coleman on the series.

Above is a screen grab from a Spanish-language trailer that purports to show Tyreese and a small group of survivors walking into what appears to be a demolished facility.

Here’s some questions we want to know:

What’s up with Tyreese and the other survivors? We know from the comics that Tyreese soon becomes a staunch ally of Rick. But it almost looks like they enter the prison after it’s been demolished and deserted.

If that’s the prison, what happened to it? We can’t forget that the Governor stole some National Guard equipment from an armory earlier in the season. Does he use it to attack the prison, which he had apparently considered impossible to clear of walkers?

What happens when Michonne takes the bag off the Governor’s walker daughter?

What happens when Merle and Daryl are reunited? Will they clash? Will they make peace?

What happens in the second half of the season, which begins early next year? Is the prison rubble? Will the Governor’s town of Woodbury survive? Will our heroes find themselves on the road again?

We’ll know some of those answers, maybe, this Sunday.

 

‘Oz the Great and Powerful’ trailer fascinates

I’ve watched the trailer for “Oz the Great and Powerful” a few times now and I’ll probably watch it again tonight. The preview for Sam Raimi’s return to Oz – with the backstory of the Wizard from Kansas and those sisters who become witches – is loaded with beautiful shots and glimpses of the movie.

Part of what’s fascinating is how the trailer for the film, starring James Franco, Mila Kunis, Rachel Weisz and Michelle Williams, exploits the visual iconography of the “Wizard of Oz” story.

Want proof? Check this out:

What about that image doesn’t remind you of Margaret Hamilton’s appearance as the Wicked Witch of the West?

Author L. Frank Baum’s “Oz” stories were all over the place not only in terms of the geography of Oz but also the stories and characters.

But the trailer, at least, sticks mostly to territory familiar to lovers of the 1939 Judy Garland movie as well as “Wicked,” the book and play that explores the lives of the witches before they were witches.

Random thoughts about the trailer:

I like the switch from small, black-and-white screen to widescreen, CGI-filled color. I’m guessing the movie follows the format of the 1939 film in that respect, but if not, at least the trailer creates a connection to the classic film by doing so.

The movie looks to be exploring the iconography of the books. The fragile little doll in the movie appears to be a resident of The Dainty China Country, from the first book.

There’s also plenty of familiar characters and imagery, including a healthy dose of Munchkins.

Is the flying monkey who accompanies the wizard comic relief? If so, that will contradict the nightmares of a few generations of little kids.

Who’s the wicked witch? I guess we’re to assume it’s one or both of the dark-haired sisters played by Kunis and Weisz. Or is it a character we don’t see until her appearance in that swirling red cloud?

We’ll know the answers to all our questions in March.

 

What we want to see in new ‘Star Wars’ movies – and what we don’t

The announcement that George Lucas had sold Lucasfilm to Disney for $4 billion – and that Disney intended to release new “Star Wars” movies, beginning in 2015 – was just the beginning.

Then came news that “Toy Story 3” writer and Oscar-winner Michael Arndt was writing the first movie and, in fact, had written a lengthy treatment for all three movies.

All of a sudden the possibility of new “Star Wars” movies was real. And then word came out that Harrison Ford wasn’t actively opposed to making an appearance in a new movie, presumably as an aging Han Solo, and that Carrie Fisher and Mark Hamill were enthusiastic about reappearing as Luke and Leia.

So since this is really happening, what do we want to see in new movies?

Keep in mind that I’ve only read one “Star Wars” original novel, “Splinter of the Mind’s Eye,” that came out while the original trilogy was still being made. I know only a little about what happened in the later books that took the form of sequels and prequels and killed poor old Chewbacca.

In other words, I don’t know if these ideas have already been out there. I just know that they intrigue me.

Consider mixing things up in time. While the stories will likely take place after the original trilogy, it’s not a given that they take place 40 years later. Maybe recast the main characters for action that takes place right after the timespan of the original movies but have some scenes featuring the original actors playing older versions of their characters. It worked to have Ford play an older Han Solo in Lucas’s “Young Indiana Jones” TV series.

Let us have more Luke and Leia and maybe more Han Solo, even if they’re in cameos. But make it dignified and make it make sense.

Don’t bring back Darth Vader. I know it would be tempting to resurrect the former Anakin Skywalker. But the first two trilogies were all about his fall and redemption. It would cheapen everything to bring him back.

Bring back, or at least make reference to, the occasional supporting character. Lando, Chewie and others would be a nice presence.

Make the scope of the movies range from the personal to the epic. It would be great to see intimate drama and suspenseful stories about characters in the huge “Star Wars” universe, even characters we don’t know yet. Take a cue from the “Clone Wars” series here. But also consider the type of galaxy-spanning action the earlier movies specialized in as an essential element.

Maybe take a pass on the droids. We can have some robots, for sure. But I don’t know that I ever need to see C3PO and R2D2 again.

While you’re at it, lose all the cute characters. No Ewoks. No Gungans. And yes, I realize that might feel like the path to alienating the younger kids who will be the primary audience for the ongoing movies. But, again, take a cue from the “Clone Wars” animated series. They’re fun and action-filled and respect their audience.

Jedis would be good.

Lots of the Force. And not Midi-Chlorians.

Yoda. I wouldn’t mind seeing Yoda again. And yes, I know he’s a glowy Jedi ghost now. But a smart guy like Arndt can find a way to make it work.

 

The Essential Geek Library: ‘A Pictorial History of Horror Movies’

As a young science fiction and horror movie fan, I watched every movie I could see, a challenge sometimes in those pre-home video days. So I spent endless hours checking out books about the genre. I’m noting a few of them here in this recurring space.

If Famous Monsters of Filmland was my favorite magazine, Denis Gifford’s “A Pictorial History of Horror Movies” was my standard reference, my bible.

Gifford’s book, published in 1973, was a scholarly but loving look at several decades of horror movies.

Gifford, a British writer of comic books and books about pop culture, apparently amassed what was considered one of the biggest collections of British comic books in existence.

But it’s his love for and knowledge of horror movies that endears him to me.

His book truly lived up to its name. “Pictorial History” is loaded with vintage photos from horror films from the 1920s to the 1970s. Even before I saw some movies, Gifford’s look at them gave me a good visual frame of reference. Some movies, like the silent version of “Frankenstein,” are completely represented in my mind by the pictures included in Gifford’s book.

As a young man who loved to draw, I would study those stills and try my hand at reproducing them with pencil and paper.

And Gifford’s book didn’t discriminate. He included movies from the Universal classics to low-budget movies made here and abroad.

Gifford passed in 2000. I’m hoping he knows what a milestone he left for all of us fans. I’m guessing he knew.

As a side note, by the way, the hardcover cost only a few dollars in 1973. In doing research for this, I found it for sale online as high as $199. I showed that to my son, who said, “You should sell it!” Never.

Thoughts on Disney becoming the master of jedis

So you might have heard this a few days ago, but Disney – home in recent years to Pixar and Marvel – bought Luscasfilm. For a cool $4.05 billion.

Setting aside that staggering figure for a moment – hella big even though the price tag was probably a bargain – the announcement made the Internet freak out and produced wonderful memes like the one above by Geek Girl Diva.

It also left us wondering what happens next. Well, some of that we already know. Disney immediately announced it would make three more “Star Wars” films, with the first coming out in 2015 (the summer of the “Avengers” sequel). The films would be episodes 7, 8 and 9, the long-rumored continuation of the story that left off with “Return of the Jedi.” Will we see aging Han Solo? Luke leading a rebuilding of the Jedi order?

There was some degree of fanboy moaning about the news, but probably less than there might have been if “Star Wars” creator George Lucas hadn’t made so many mis-steps with the prequel trilogy beginning in 1999.

A lot of people – and I think I count myself in this crowd – think that it’s perfectly fine for somebody other than Lucas to oversee the fate of his creations, for a couple of reasons:

Lucas has been pretty tone-deaf about what’s wrong with the (particularly later) movies.

A billionaire many times over, he’s shown little inclination to make new “Star Wars” movies (maybe that’s not a bad thing considering the prequels).

I will say, however, that Lucas and his people made a very good decision regarding the “Clone Wars” animated series on Cartoon Network. The series has been far more adult, far more diverse and far more interesting than the prequel movies.

Most importantly, although 30- and 40- and 50-something fans don’t like to admit it, the “Clone Wars” series reached a whole new generation of fans.

I just asked my son if, when he thought of “Star Wars,” he thought of the movies or “Clone Wars.” He answered, “Clone Wars.” He’s seen the live-action movies on DVD but that didn’t have the impact on him that seeing the original trilogy had on me, as a teenager and young adult.

“Clone Wars” has kept “Star Wars” alive and relevant for a new generation.

Although a lot of people have complained about changes Lucas made to the original movies – the Han Solo/Greedo shootout comes to mind, of course – for subsequent re-releases, he has, at least, kept them in the public eye and at the top of fanboy discussions. When was the last time somebody had an Internet meltdown about “The Last Starfighter?”

Beyond the new trilogy, what are we likely to see?

More merchandising, of course. Not that there wasn’t plenty of that anyway.

Regular theatrical movies and new TV series and releases of original content on disc.

Someday, in the future, dramatic mashups and re-imaginings of the existing movies and characters. Disney based “Pirates of the Caribbean” on a Disney park ride, after all, so there’s a willingness to try new things if audiences will respond. Who’s to say we won’t see feature films or series based on minor characters and events from the familiar stories, ala “Rosencrantz and Guildenstern are Dead?”

And that’s a good thing. There’s always been debate about whether “Star Wars” was for kids or for the general moviegoing audience or for the fans who’ve kept it alive and relevant and in the public eye for decades, even during some pretty lean times.

I think the answer is that “Star Wars” has been for all of those audiences. And Disney has the power to reach all them.

Today in Halloween: ‘It’s the Great Pumpkin, Charlie Brown’

My lifelong love of all things Halloween is no doubt based, to a great extent, on the Charlie Brown Halloween experience.

I’m not sure I saw “It’s the Great Pumpkin, Charlie Brown” when it first aired in 1966. Even if I saw it the following year, it quickly became part of my Halloween ritual, skipped only when – gasp – it conflicted with actual trick-or-treating.

But what a sublime show.

The TV take on Halloween (and fall) storylines from Charles M. Schulz’ classic “Peanuts” comic strip, written by Schulz, directed by Bill Melendez and featuring another classic “Peanuts” score by Vince Guaraldi, “Great Pumpkin” became the embodiment of Halloween for many of us:

The opening sequence, as Lucy and Linus pick out a pumpkin to carve, much to Linus’ horror.

Linus’ letter to the Great Pumpkin and the seduction of the innocent, Sally.

Trick-or-treating after Charlie Brown has some trouble with the scissors and gets more than his share of rocks.

The Halloween party.

Snoopy – or the World War I flying ace – making his way across a scarred landscape, in a series of shots so moody and somber they would never see air in a new special today.

The disappointment in the pumpkin patch.

ABC is showing “It’s the Great Pumpkin, Charlie Brown” at 8 on Halloween night. Beware half-hour TV timeslots, because the show has been edited over the years. Better to enjoy the full special on disc.

 

 

Today in Halloween: ‘Chilling, Thrilling Sounds …’

If you grew up in the 1960s, the Disney record “Chilling, Thrilling Sounds of the Haunted House” was the soundtrack to every Halloween party ever.

Released in 1964 on the Disneyland label, the vinyl LP featured a mix of spooky sounds and narration, but the Disney sound effects – whistling wind, driving rain, ghostly moans and horrible screams, not to mention creaking doors – was perfect for mood-setting background “music” for Halloween parties.

Bits and pieces of the album are all over the Internet. Here’s a taste.

Happy Halloween party!

Clark Kent quits? Give me a break

The comic book world – heck, the world in general – noticed something interesting in 1992. That was the year that DC Comics decided to kill off Superman, who died in an epic fight with the bizarre creature Doomsday in the streets of Metropolis.

Now, Superman had died before. Just a few short years earlier, in 1986, the Superman that fans had known since his debut in Action Comics in June 1938 died – in a manner of speaking – when DC decided to reboot the character and jettison a lot of Superman history.

Over the decades, Superman and his alter ego, Daily Planet reporter Clark Kent, had gone through a lot of changes. Kryptonite had come and gone and come again. Clark and Lois married. Heck, Clark even – in the early 1970s – had gone to work in TV, for a Metropolis station owned by the conglomerate that owned the Planet.

But the death of Superman in 1992 drew attention from the world’s news media. I was sitting in a journalism awards ceremony a few months later and heard a clever real life newspaper headline – “Superman rests in crypt tonight” – recognized.

So the world at large paid attention to that development and many others since, including the more recent death of Captain America, the “coming out” of the original Green Lantern and other happenings.

Of course, these comic book developments are common and are frequently undone. Captain America’s sidekick Bucky stayed dead only for so many decades.

So when news broke the other day that Clark Kent had quit his job at the Daily Planet, I rolled my eyes.

Not just because it was another case of the media paying attention to the latest deviation in the quickly-approaching-a-century history of comic books.

But because it seemed like just another cheap stunt to shake things up in comics, an entertainment that does pretty well at movie theaters but struggles in its original print medium sometimes.

But I was also shaking my head because this wasn’t the Clark who had covered every major event since the dawn of World War II, the guy who wore a fedora and raced to the scene of a catastrophe – with a layover to quickly change into red-and-blue tights and take care of the problem.

This wasn’t even the “groovy” Clark who reported on the air for TV in the 1970s.

No, this was the recently rebooted Clark, just 27 years old and a veteran of five whole years in journalism.

This Clark was frustrated by the focus of the Planet and girlfriend-no-more Lois Lane on the trivial: Entertainment and celebrities and fringe players looking to be famous for no good reason.

So that Clark decided, rather than write stories so meaningful that Perry White couldn’t NOT put them on 1-A, to call it quits.

It’ll be interesting to see how long this change lasts – I predict a year, tops – before he goes back to the Planet.

Or maybe DC will do something truly surprising and truly reboot Superman, totally reinventing the character.

I somehow doubt that’ll happen, though.

After all, there’s a reason Superman adopted the identity of Clark Kent. It’s because Clark and other reporters are where the action is. They quickly recognize problems that need to be addressed – particularly in Superman’s early career as a social crusader – and define them as a job for Superman or fodder for a well-written news article.

Want to surprise us, truly surprise us, DC? Either kill Clark Kent – more effectively than you killed Superman two decades ago – and truly shake up the Super status quo or get Clark the hell back to work.

And get off my lawn while you’re at it.

 

Today in Halloween: Don Post masks

If, like me, you grew up reading Famous Monsters of Filmland magazine, you remember ads featuring Don Post Studios masks.

Post, who died in 1979, was famous for creating deluxe, top of the line Halloween masks. Before Halloween was the industry that it is today, Post’s masks were the stuff of legend, the go-to masks for Halloween parties and trick-or-treating.

Post’s masks were not your typical dime-store stuff. Looking at vintage ads now, I’m surprised that some of them sold for nearly $10. That was a lot of money for kids in the 1960s but these were beautiful, full over-the-head latex creations.

Post’s masks have taken on a life of their own that has continued through the decades. Some of us fondly remember the masks Post created for the ersatz “Silver Shamrock” company for “Halloween III: Season of the Witch.”

His William Shatner mask was, famously, used as Michael Myers’ mask in the first “Halloween” movie.

Of old-school Post masks, I will always think of his Tor Johnson mask, based on the 1950s wrestler/actor in classics like “Plan 9 From Outer Space.” It’s the scary fellow at the top of this item.

Here’s to Don Post and his masks, Halloween fixtures.

By the way, there’s a blog out there with everything you could possibly want to know about monster masks. It is http://monstermasks.blogspot.com/

 

‘Evil Dead’ remake: Trailer is released

Yeeesh.

Yes, Sam Raimi’s horror classic “The Evil Dead” is getting remade. Raimi, who more recently graduated to the likes of the (also recently rebooted) “Spider-Man” movies, is producing the remake, which comes out in April 2013.

Some observations on the “red band” – or age restricted – trailer:

Yes, yes, we all know that the original “Evil Dead” preceded “Cabin in the Woods” by about three decades. But I can’t get over how much this trailer reminds me of the horror movie set-up – certainly not the behind-the-scenes story – of “Cabin.”

First … there’s a cabin in the woods. Yes, I know. Right out of the original “Evil Dead.”

But there’s the whole “Don’t go into the basement” and “Don’t touch anything from the basement” deal. Again, I know what was below the trap door was part of the original movie. But still. It just conjures up memories. Just saying’.

Not surprisingly, this is one gory movie. Any movie that features a tongue-splitting is gory.