Category Archives: monster kids

Today in Halloween: Topstone monster masks

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I probably had some Topstone Halloween masks and didn’t realize it. You probably did too.

Unlike Don Post Halloween masks, Topstone were more reasonably priced masks. They were latex/rubber masks like the Don Post masks but were thinner and sold for two or three bucks – a third of the price of the most affordable Don Post masks – through stores and Captain Company ads in magazines like Famous Monsters of Filmland back in the 1960s.

As a kid, I certainly didn’t notice the brands of masks I eagerly bought around Halloween time, so I’m mostly guessing some of mine were made by Topstone. And needless to say many of the masks don’t exist any more. They were never meant to survive for four decades or more.

Topstone sold full over-the-head masks, but I think most familiar to some of us were the “full face” masks, both soft latex and harder plastic, that were common at the time.

Topstone Rubber Toy Company, according to online histories, began making masks in the 1930s. Besides horror masks, the company made clowns, “goofs” and – unfortunately – race-based caricatures like “Remus” and “Chinaman.” As late as 1960, the company marketed “colored” masks.

The company’s heyday was in the 1950s and 1960s, when the advent of the “Shock Theater” package of classic Universal horror films became popular on TV stations and spawned not only magazines like Famous Monsters of Filmland and TV horror hosts like Indianapolis’ Sammy Terry but also a craze for scary monster masks.

Particularly memorable was the “Shock Monster” mask that was aggressively marketed to young geeks like me.

Keith Ward, whose other famous designs included Elsie the Cow and Elmer the Bull (the latter for Elmer’s Glue) designed many of the classic Topstone masks.

Ray Castile is an acknowledged expert on Topstone, its history and its masks. He also produced thegalleryofmonstertoys.com.

Everything you want to know about Topstone masks can be found here.

Today in Halloween: A witch and … a what?

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It’s time for another dip into the misty days of Halloween long gone. It’s another snapshot of creepy trick-or-treaters!

I’ve been trying to run some of these masks through Google image search, hoping I can identify them.

The little kid on the left is, obviously, a witch. It’s a pretty classic mask, hat and outfit.

But the guy on the right? A Google image search mostly produced photos of bald old men from Russian websites. True story.

So, based on the bumpy skin, the big pointy teeth and the outfit that looks like it might be some kind of medieval armor, I’m gonna say this kid was ahead of his time and decades ahead of Peter Jackson’s “Lord of the Rings” costume designers.

Looks like an orc to me.

Today in Halloween: Scaring trick-or-treaters

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Because I lived in the country when I was growing up, I’d venture into the city and go trick-or-treating every Halloween with my cousins and some friends, who lived in a densely-populated part of town with what seemed like a bazillion trick-or-treaters.

Seriously, you almost couldn’t make your way down the sidewalk without tripping over some other pint-size goblin or superhero.

We did it every year, but one year in particular stands out in my memory.

My cousin, friends and I made our way from house-to-house, like we always did. I was at a disadvantage, as always, because of my mask. I’m pretty sure this year it was a cheap rubber monster mask of some kind, but the disadvantage came in because I had to wear it over my glasses.

As a kid who got glasses in the middle of first grade, I had grown accustomed to all the drawbacks of being a four eyes. But one of the worst was how anything that covered your nose and face – winter weather knit ski masks, for example, but especially Halloween masks – would make my glasses fog up.

So I was flying blind. Or walking blind.

My group walked up the sidewalk to a house much like every other house we had visited that night. But this one was different.

Inside lived someone who loved Halloween very much. That or a sadist who hated kids.

As we drew near the door, someone on the front porch pulled a rope and a dummy fell out of a tree in front of us. It was obviously a stuffed figure but freaked us out anyway. We turned to run.

But they weren’t done with us yet. The homeowner had stationed friends or, most likely, teenage offspring, behind bushes and trees in the front yard. As we beat a hasty retreat they popped out at us, yelling and growling.

We all ran like crazy. Some of us missed the sidewalk and burst out into the nearby street. Luckily cars were moving along at a crawl because of all the kids who were out.

I’ve never forgotten that night. I still think of it when I’m walking my son through our neighborhood and somebody has obviously replaced a stuffed figure in a porch chair with a living, breathing person, ready to jump at us.

It’s fun to be scared on Halloween. A little bit.

Today in Halloween: More creepy trick-or-treaters

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No, nothing creepy about that picture at all.

As part of our continuing series of snapshots – many of them vintage – of old Halloween costumes and trick-or-treaters, we present this picture, undated but certainly from the mid 1900s or earlier.

Maybe it’s the lack of costumes other than the masks.

Maybe it’s the pose, the body language that says, “Please, father, would you finish taking the picture?”

That or, “When you wake up in the middle of the night we’re going to be standing by your bed wearing these masks.”

Or maybe it’s just the ears on the little boy.

 

Today in Halloween: Good candy and bad candy

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During the Halloween season, I’m looking at some of the things that make Halloween … Halloween.

There’s a pecking order in the world of Halloween candy. At least there is in my household.

Hard, relatively flavorless candy like Tootsie Rolls and Bit-O-Honey rank very low on the list, just above the kind of generic candy that people can buy in bulk at discount stores.

Really, has any kid in the past 30 years been excited by the prospect of getting a Tootsie Roll tossed in their bag?

The middle-ground is held by a variety of treats, including some that don’t really get distributed much anymore. when I was a kid, people made popcorn balls and handed them out to trick-or-treaters. But many parents discourage consumption of homemade treats these days, so popcorn balls have faded in popularity. A few years ago I discovered that some company actually made and wrapped popcorn balls for Halloween distribution.

The best case scenario – realistically speaking – for trick-or-treaters is probably the “fun size” versions of popular candy like Twix and Snickers. They’re recognizable candies and actually welcome in a treat bag – and on the kitchen table back at home.

The top of the line, given out only by only some households in some neighborhood, is the stuff of legend: Full-size candy bars.

Each year I tease my wife that we’re going to take any trick-or-treaters we’re responsible for to the ritziest neighborhood around, where legend has it they give out the full-size bars. I’m not sure that such a practice actually exists because she always pooh-poohs the idea.

But a lifelong appreciator of trick-or-treating can dream, can’t he?

Classic TV: ‘Night Gallery’

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“Night Gallery” has, since the day it debuted as an irregularly recurring series on NBC in 1970, gotten a bad rap. During its three-year run, critics – and many viewers – alike judged it as Rod Serling’s unworthy follow-up to his ground-breaking anthology series “The Twilight Zone.”

And to be fair there aren’t many episodes of “Night Gallery” that have reached the iconic status of many episodes of “The Twilight Zone.” I recently watched “TZ’s” classic 1960 episode “The Monsters Are Due on Maple Street” and found its compact tale of paranoia and mob mentality still compelling, especially in these times.

But I’ve always loved “Night Gallery,” probably in part because it aired during my formative TV-watching years. I was devouring any kind of genre material in those days – movies, TV, comic books, novels, short stories – and “Night Gallery” fit a couple of those categories.

The show, hosted by Serling, just like “Twilight Zone,” and frequently featuring episodes he wrote, was as satisfying, to my young eyes, a presentation of the weird and the spooky as anything airing back in the day.

The pilot episode, which aired in 1969, was directed by Steven Spielberg and featured Joan Crawford, for goodness’ sake.

And how can we not love Serling? The gifted writer passed on in 1975, just two years after “Night Gallery” ended. He wasn’t much satisfied with the show by the end but that’s probably understandable. Serling’s talents no doubt made him less an artist and more a commodity to TV executives.

I’ve watched a couple of classic episodes recently on Hulu and thoroughly enjoyed them.

“They’re Tearing Down Tim Riley’s Bar,” from 1971, was written by Serling and comes across as more of a “Mad Men” story of corporate desperation than a spook story with William Windom as a business executive who’s been left behind in the rat race and longs for a past that lives on only in a shuttered neighborhood bar.

 

And bonus: Bert Convy plays Windom’s smarmy, conniving underling/usurper.

Much more straightforward, slow-burn horror could be found in “Pickman’s Model,” an episode I remembered quite well. Bradford Dillman played a turn-of-the-century artist who literally “paints what he sees.” The problem? He’s painting horrifying scenes of a monstrous ghoul that climbs out of the sewers and snatches people off the streets in a bad part of town.

From Larry Hagman to Leslie Nielsen to Victor Buono to Vincent Price, “Night Gallery” had an amazing rotating cast.

And presiding over it all was Serling, looking more dated in his shaggy haircut and mod jackets than he had as the buttoned-down host of “Twilight Zone,” but a welcome presence to be sure.

Check out Hulu’s collection of “Night Gallery” episodes. They’re also airing on MeTV, a nostalgia channel. “Night Gallery” was an immensely enjoyable follow-up to “The Twilight Zone” and, for me anyway, a fond send-off for Serling.

iPhoneography: Cool Halloween stuff

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Has it been a year already? Can it possibly be the weeks leading up to our favorite geeky and spooky holiday?

It’s twue, it’s twue. It’s not all that long now until Halloween.

And that means it’s time for our first 2012 installment of iPhone photos of freaky Halloween stuff.

If you remember from last year, I snap iPhone pics of fun, cool and unappetizing Halloween costumes, masks and decor. Considering that I saw my first Halloween stuff in the stores in July this year, I think I’ve demonstrated remarkable restraint in waiting until September.

Anyway, here goes:

Let’s start with the Zombie Baby pictured above. Remember Zombie Babies? I saw them for the first time last year and was immediately taken (and taken aback) with how twisted they were. Really. A co-worker put one in another co-workers chair last year. This year I’m waiting to see if anyone is brave enough to surprise a new parent with a Zombie Baby (like Freaky Frankie here; yes they all have names) in a playpen. They make quite a strong visual impression.

Ah, the classics. You can’t go wrong with a Michael Myers motif, copying the killer from John Carpenter’s classic “Halloween.” The original was apparently a modified William Shatner mask.

And speaking of classics: This officially sanctioned by Universal Studies mask of the classic Frankenstein monster is beautiful. This photo doesn’t do justice to how detailed it is.

Another classic, more recent: Pinhead from the “Hellraiser” movies. The pins are rubbery, of course. No need to worry about what damage you’ll do to the couch when you fall asleep, still wearing it, after the party.

And classics, part three: For decades, Don Post masks have been Halloween standards. Tor Johnson, anyone? (Remind me to do a special Don Post … er, post … in the coming weeks.) This one – Old Lady with Scarf – isn’t top-of-the line Don Post, but it’s nice to see the brand in Halloween stores.

How about a black rubber fetish mask? (The zipper doesn’t work; sorry.) How about standing in a dark room, after everyone else has gone home, wearing a black rubber fetish mask? How about someone calling 911 for me?

If you’re interested in something a little more light-hearted, you could do the time warp clear back to the 1970s with these sideburns …

Or this tambourine. Be cool, man. Some of us were alive during the ’70s.

If you prefer something of a more recent vintage. I imagine Eminem fully sanctioned and licensed this “White Rapper” mask.

As I’m sure that Tupac’s estate approved this “Thug Life” mask.

Getting away from masks for a moment: This scary clown piece would be perfect to hang in the aforementioned dark room. Now with extra creepy!

Last but not least for this time around: Pizza face for your coffee table.

More next time.

The Essential Geek Library: The Film Classics Library

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It was 1974 and the videocassette recorder was, at least for home use, still on the distant horizon. If movie fans wanted to relive a favorite classic movie, they had few choices. The could wait for an art-house re-release. They could hope to catch it on late-night local TV.

Or they could buy Richard J. Anobile’s Film Classics Library.

Published by Avon and selling for the then-substantial price of $4.95, Anobile’s Film Classics Library was the closest thing to owning a copy of a favorite film that most of us fans could imagine … up until the time we could actually own a copy of a favorite film.

Looking back from the perspective of today’s instant access for movie fans – Want to see a movie? Pop in your disc. Watch it on On Demand. Stream it online. – Anobile’s books were ingenious and just what we needed back then.

Each movie was recreated in the pages of the oversize paperback through every line of dialogue and more than 1,000 frame blow-ups.

The books were, in a way, like comic books. Anobile took images and dialogue from the movies and reproduced them, in sequence, in such a manner that readers could relive the films.

Everything was included except for movement and audio. Opening and closing credits are included, as are lap dissolves and fades, which, Anobile noted, preserve the feel of the film.

I spent hours of my adolescence studying these books, looking at the still shots and reading the dialogue.

I still own two of the entries from the series, covering James Whale’s “Frankenstein” and Alfred Hitchcock’s “Psycho.” I remember but don’t own Anobile’s recapturing of “Casablanca.” Checking around online today, it appears editions of “The Maltese Falcon” and Buster Keaton’s “The General” were also released.

A few other movies and TV shows, including “Star Trek,” received a similar treatment before the advent of VCRs. None of those later books could match the classic appeal of the FIlm Classics Library.

Monster World memories: Captain Company

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How many of us monster kids, living in the heyday of the Monster World in the 1960s, saved up our nickels until we could stop thumbing through the pages of Famous Monsters of Filmland and actually order something from those Captain Company ads?

It appears there isn’t a definitive history of Captain Company online, which is too bad. I’d love to know more about the mail-order company, which was purportedly based on the East Coast and was the mail-order sales division of Warren Publishing, which unleashed Famous Monsters, Creepy and other mags on the world.

Looking around the Interwebs, though, I see a few people with some of the same memories of Captain Company.

Especially the Captain Company ads: Like their comic book counterparts for X-Ray Specs and the like, the Captain Company ads were a riot of amateurish drawings, over-eager copy and outright misrepresentations.

I ordered back issues of FM through Captain Company as well as a few other items, the details of which I’ve long forgotten. It’s possible I bought some of those little 8 millimeter films — digest versions of classic Universal horror movies — through Captain Company.

I believe Captain Company has been revived, in some form, as a merchandising arm of the new Famous Monsters. It’s not the same, of course, but neither are we.

Here are some ads, many of them collected by http://www.diversionsofthegroovykind.blogsppot.com