Category Archives: monster movies

‘Monarch: Legacy of Monsters’ is the Godzilla story I was waiting for

I should make this clear up front: I’ve never been the biggest fan of Godzilla movies.

I know that sounds like sacrilege coming from a lifelong monster movie fan. But while I can appreciate on-screen destruction and bellowing creatures as much as anyone, the Godzilla movies left me a little cold. Even the best of them, from the 1954 original with its nightmarish echoes of the atomic war waged on Japan, seemed to have a chasm between the huge creatures, called kaiju, and the people who had to contend with them.

I liked random moments in the many movie versions, including the 1980s reboot of the series and some of the 2010s films produced with bigger budgets. Frankly, the most enjoyable of them might be “Kong: Skull Island,” the 2014 film that worked to establish a shared universe between King Kong and Godzilla and the other giant creatures. The plan led to “Godzilla vs. Kong” in 2021.

But my leeriness about that divide between kaiju and people caused me to delay watching “Monarch: Legacy of Monsters,” airing on AppleTV+ starting in November. There was a lot of appeal to the show, to be sure, mostly father and son actors Kurt and Wyatt Russell playing the same character, Lee Shaw, at two points in the storyline, decades apart. So it’s a little stunty. Who doesn’t like a good stunt?

But if you come for the premise of a shadowy organization tracking, fighting and manipulating kaiju – here referred to as “Titans” – over more than a half a century – you’ll enjoy not only charismatic performances by the Russells but also one of the most photogenic and sympathetic casts in recent years, including Anna Sawai, Kiersey Clemons, Ren Watabe and Anders Holm. Not to mention the wonderful Tamlyn Tomita, who we last saw recreating her 1980s “Karate Kid” role in “Cobra Kai.”

There’s a pretty good amount of special effects spectacle in “Monarch” but it never gets repetitive. It punctuates the storyline with the appropriate level of terror mere humans would feel when confronted with literally dozens of Titans.

“Monarch” is carried by the intrigue of its plot, as Sawai and Watabe try to find the father they didn’t know they shared and turn to the elder Russell for help.

“Monarch” is set to run for 10 episodes through mid-January, so you have time to catch up. It’s fun and intriguing.

And it’s gone: 3490 Bluff Road

3490 tower

I’m startled that, after I finally made a pilgrimage to 3490 Bluff Road, it’s now gone.

A few weeks back in this spot, I talked about visiting 3490 Bluff Road this fall. The address, on Indianapolis’ south side, was for decades the studio of WTTV 4, the independent TV station that was the home of Dick the Bruiser and other wrestlers, kids’ show hosts Cowboy Bob and Janie and late-night horror host Sammy Terry.

I just got around to going to see the station building, which hadn’t been used in a decade and had been for sale for several years … and now it’s gone.

3490 addy sign

The Indianapolis Star reported recently that 3490 Bluff Road was demolished.

It’s no more.

I’m glad I got a chance to check it out before it was gone.

Warm hands?

  
This ad for William Castle’s 1959 fright flick “House on Haunted Hill” has me all “huh?”

See it with someone with warm hands has a more than devilish meaning, seems like.

Also – a blurb from Louella Parsons? Was Hedda Hopper out of town?

Have a Boris Karloff Fourth of July

karloff fourth of july

You don’t necessarily think about Boris Karloff, king of the Universal monsters, on the Fourth of July.

You do think about drive-in movies on the Fourth, and here’s a Karloff-centric drive-in quintuple feature ad.

It’s likely this drive-in Karloff marathon took place in 1965. The top-billed picture, “Die, Monster, Die,” was released that year. All the others were older.

Karloff had been well-known as a horror film actor for decades by that point, since 1931’s “Frankenstein,” and continued to appear in movies and TV up until his death in 1969. Beyond his death, actually. Although his health had declined over the years and he was often confined to a wheelchair, Karloff worked on movies late in life and some of those were released as late as 1971, two years after his death.

In 1965, when this quintuple feature was released, he was considered a horror movie elder statesman at age 77.

Karloff wasn’t known to a new generation of fans, by the way, until he narrated “How the Grinch Stole Christmas” in 1966.