Category Archives: The Amazing Spider-Man
‘Guardians of the Galaxy’ takes us out there
A lot of people are saying “Guardians of the Galaxy” is this generation’s “Star Wars.” I’m not sure that’s the case, or that anything could be this generation’s “Star Wars.” Some people forget just what a game-changer “Star Wars” and, two years earlier, “Jaws,” were. Those two movies solidified summertime as a time for big-screen escapist fare and proved that people would pay to see it.
Others say that “Guardians” is this generation’s “The Last Starfighter” but I think that’s selling “Guardians” short. As fond as my memories of “Starfighter” are, I think “Guardians” is a better movie.
So what role does “Guardians” fill?
Roles, really.
First of all, it’s a really good summer movie. It’s good-natured and funny and full of action.
Secondly, it’s a sure-footed next milestone in the Marvel Cinematic Universe. Although it only slyly references the quest for the Infinity Stones – the sources of power that will, almost certainly lead Thanos to Earth in the third “Avengers” movie, probably in 2018 – it keeps that subplot to the first three phases of Marvel movies in moviegoers’ minds.
Thirdly, it expands the Marvel Cinematic Universe. Here’s how:
The comics published by Marvel in the past half-century-plus have covered a lot of territory, literally and figuratively speaking.
There’s the street-level superheroes, like Spider-Man and Daredevil, dealing with maniacal villains and street punks alike. The non-Marvel Cinematic Universe “Spider-Man” movies and Marvel’s upcoming Netflix series like “Daredevil” map out this world. (They’re the Marvel counterparts of Batman, for you DC lovers out there.)
There’s the global superheroes, like the Avengers, who have the power to face threats to the entire world. The non-MCU heroes like “Fantastic Four” also fall into this category, as does DC’s Superman and Justice League.
What “Guardians” does is give Marvel Studios a beachhead in the cosmic universe where the comic books have played for a half-century.
There’s always been some crossover among all these Marvel realms, such as when Galactus, devourer of worlds, shows up and is tackled by the FF. Cosmic threat comes to global heroes.
But quite often, the links between the cosmic and Earth-based heroes have been only tenuous. Captain Marvel or the Silver Surfer or Warlock show up and fight and eventually team up with the FF or the Avengers to face a menace like the Kree-Skrull War, but by the end of the story, things are back to a Marvel status quo and the Avengers are dealing with Earth-based villains like Doctor Doom.
“Guardians” plunges us headlong into that cosmic Marvel universe with only occasional looks back at Earth.
I won’t recap the plot I’m sure you’re familiar with by now or even go on and on with my thoughts about “Guardians.” Director James Gunn had made a fun, “Star Wars”-ian adventure pitting an unlikely band of heroes against evil forces. Along the way, the movie introduces, more smoothly than most would have thought possible, fantastic creatures like Rocket Racoon, a small but ferocious animal with a pitiable past and a love of big guns, and Groot, a walking, talking (well, a little) tree creature. Space raccoon and gentle plant-based giant you say? Sure, why not. It’s a testament to Gunn’s handling of the characters and plot of “Guardians” that what the characters are matter less than who they are.
If you remember, Thanos, Marvel’s go-to cosmic bad guy, showed up at the end of “The Avengers” to take credit for pitting an invading alien army against Earth and grin at the thought of courting death.
Thanos wants the Tesseract – the Cosmic Cube in the comics – that the Red Skull wielded in “Captain America” and Loki sought in “The Avengers.” Along with the Aether, the cosmic power from “Thor: The Dark World,” and other Infinity Stones, Thanos can make the Infinity Gauntlet, a weapon of unimaginable power. It’s a certainty that will be the major plot point of the third “Avengers” movie.
One of the most amusing things about “Guardians” is that much of the history and power of the Infinity Stones is laid out midway through the movie … but to the protagonists and antagonists of “Guardians,” who don’t even know as much as Captain America and Iron Man about the importance of the Stones but know a thing to keep away from bad guys when they see one.
So the collected Guardians, led by the effortlessly charming Chris Pratt as Peter Quill, take on Ronan, an upstart ally of Thanos, in an effort to keep a handle on their particular Infinity Stone and keep it away from Thanos.
It’s an effort that will continue for another four years before the contest for the Stones pits Avengers – and likely other allies – against Thanos in the third Avengers movie, which will likely act as capper to the first three phases of big-screen Marvel.
“Guardians” is so much fun, so funny, so charming, that it carries all the responsibility of furthering the over-arching plot of big-screen Marvel as if it were a feather. Despite its many accomplishments, that might be the movie’s handiest achievement.
By the way, I wanted to mention Marvel’s other comic-book universes, besides street-level, global and cosmic playgrounds, because the big-screen Marvel universe will no doubt incorporate them as well.
(I won’t get into a couple of lesser-known Marvel comic book universes here because, frankly, I don’t think we’ll see big-screen versions of Marvel’s romance and western comic worlds anytime soon.)
We’re all but certain to see Marvel’s mystical and horror universes come into play in movies before long, perhaps in a combined venture.
The studio has already named a director for its “Dr. Strange” movie, about a physician who became a master of the mystic arts and fought supernatural creatures. It’ll be interesting to see who the studio picks to play the part because Strange could be as much of an anchor for ongoing Marvel movies as Robert Downey Jr. has been as Tony Stark.
A “Strange” movie would not only introduce the mystical and supernatural Marvel universes to the big screen but could encompass the company’s long history of horror characters, some of whom regularly cross paths with heroes like Spider-Man (I’m looking at you, Moebius the Living Vampire) but operate in a realm that ranges from the dark corners of the Earth to other dimensions. It’s a world of magic – already explained in the “Thor” movies as simply science that humans can’t understand – and wild creatures.
If the idea seems strange to you, consider how strange a space raccoon and a talking tree might have seemed before this record-breaking opening weekend for “Guardians of the Galaxy.”
Aww! Spidey just wants to play with the Avengers
Love this.
Artist Mauricio Abril imagines just how much Spider-Man wants to play with his colleagues the Avengers.
Alas, Marvel sold the rights to Sony and Spidey is in his own playground.
Maybe someday.
In the meantime, check out Abril’s wonderful art.
‘Arrow,’ ‘SHIELD’ look to finish strong
I’m not one of those fans that has to declare a victor in the war between Marvel and DC. They’re both doing well – if very differently – in particular areas outside comics, including live-action movies and TV and animation.
Marvel’s big-screen universe is firing on all cylinders through a timetable that, if we’re to believe a recent interview with mastermind Kevin Feige, is loosely planned through 2028. The producers of Marvel movie outliers like the “Spider-Man” and “X-Men” series are trying to build their own universes, although that could be a challenge. I still wish we’d see the universes combined on screen someday.
As for DC, Warner Bros. is flat-out struggling to build a cohesive movie universe. The “Man of Steel” sequel featuring Batman – with Wonder Woman and Cyborg and possibly other characters in supporting roles – could be cool or it could fall as flat as “Green Lantern.” And DC has just announced that director Zach Snyder will follow the “Man of Steel” sequel with a “Justice League” movie.
DC’s plans feel a little rushed, with none of the universe-building that Marvel has engaged in with its “Avengers” lead-ins and follow-ups. But maybe it’ll turn out nifty.
On TV, there’s no question that “Arrow,” the second-season CW adaptation of Green Arrow, is the best superhero series ever.
And over on ABC, “Agents of SHIELD” – after a first half of this debut season that felt like wheel-spinning or slow burn, depending on how charitable you might be – is building to what might be a genuinely thrilling climax.
Both series have three episodes left this season. Here are some thoughts:
“Arrow”: After setting up Slade (Deathstroke) Wilson as the good-guy-turned-bad-guy this season, the series has let Slade run rampant on Oliver Queen and his city, family and team. Last week’s episode ended with Slade killing Oliver’s mother, Moira, in a cruel mirror to the “choice” Oliver was given by Ivo on the island.
What we want to see: More DC characters – including Ravager, pictured above, who appears in “City of Blood,” the next episode – more twists, more peril, more return visits from past favorites and more triumph for Team Arrow.
What we don’t want to see: An easy way out for anybody.
“SHIELD”: Spinning off events in “Captain America: The Winter Soldier,” “SHIELD” finds itself in a world where SHIELD itself is in shambles. The agents are on the run, striking back at enemy organization HYDRA and building alliances. All the while, they’re dealing with the treacherous Agent Ward, who has turned out to be a HYDRA agent and has been killing SHIELD agents right and left.
What we want to see: Well, we already know Agent Maria Hill (Cobie Smulders) returns in this week’s episode, “Nothing Personal,” and Samuel L. Jackson is supposed to return as Nick Fury in “Beginning of the End,” the season finale set for May 13. So we’re getting return visits from some favorites. We also want more revelations, including more big-picture tie-ins to the movie universe.
What we don’t want to see: The redemption of Agent Ward. We want him and Agent Garrett (the great Bill Paxton) to continue as our favorite HYDRA turncoats into the second season.
The longterm big picture for both series – if “SHIELD” returns for a second season – could be fantastic. “SHIELD” will be building toward the May 2015 premiere of “Avengers: Age of Ultron.”
And although it’s unlikely, it’s possible Warners will tie “Arrow” to its big-screen franchise in some way. Warners could do a whole lot worse – and likely will – if it ignores the universe created for the small screen.
Ranking the Marvel movies
Here’s a pointless exercise but maybe a fun one.
I decided to rank, in order of how much I enjoyed them/how good I thought they were, the big-screen Marvel movies.
It’s not too hard to tell that I prefer the official Marvel Cinematic Universe movies over the random Fox and Sony movies, I know.
A few provisos:
I’m not dipping back into pre-history far enough to drag “Howard the Duck” into this. And I haven’t seen it in a couple decades.
And I’m not including the 1994 “Fantastic Four” movie because it wasn’t released – I’ve only seen it on a bootleg DVD bought at a convention – and it doesn’t belong on this list any more than the awful “Captain America” TV movies do. Same for the “Blade” movies, which had their moments but seem as remote as the 1944 “Captain America” serial now.
Be aware, I’ve only glimpsed moments of the “Ghost Rider” movies on TV. And I’ve never seen the “Punisher” movies at all.
Two lists: First, just the “official” Marvel movies, then the list with the non-Marvel-overseen movies mixed in.
The Avengers
Captain America: The First Avenger
Iron Man
Thor
Thor: The Dark World
The Incredible Hulk
Iron Man 3
Iron Man 2
If you add the other post-2000 Marvel movies that aren’t part of the official Marvel Cinematic Universe into the mix, it’s still weighted pretty heavy toward the official Marvel canon.
The Avengers
Captain America: The First Avenger
Iron Man
Thor
Thor: The Dark World
X-Men 2
Spider-Man 2
X-Men
X-Men: First Class
The Incredible Hulk
Spider-Man
Iron Man 3
The Wolverine
The Amazing Spider-Man
Daredevil
Iron Man 2
X-Men 3
Fantastic Four
Fantastic Four: Rise of the Silver Surfer
Spider-Man 3
X-Men Origins: Wolverine
Hulk
Elektra
Looking at that list, it seems like “Iron Man 3” is way too far down. But maybe not. I need to see it again.
Something tells me my list will see a big shake-up next month, when “Captain America: The Winter Soldier” opens.
Classic comics cover: ‘Amazing Spider-Man’ 39
Sometimes a classic comic book cover is just a cover. Sometimes it’s a classic cover not only because of the awesome and effective cover art but because of the story inside.
The 39th issue of “The Amazing Spider-Man” was a classic inside and out.
Back in the day, Marvel knew how to play the long game. The Green Goblin had been introduced in the pages of the Spidey comic in issue 14 in July 1964. But it wasn’t until issue 39, with a cover date of August 1966, that the true identity of the villain was revealed.
At the end of this comic, which saw the Goblin not only best a flu-weakened Spider-Man, the Goblin himself was revealed as Norman Osborn, businessman and father of Peter Parker’s friend, Harry.
Just look at that cover, by John Romita. If anything, it might have promised even more than the comic inside delivered. If that’s possible.
Comic book urban legend says writer and co-creator Stan Lee’s decision to make Osborn the Goblin so offended artist and co-creator Steve Ditko that Ditko wanted out of the series. At any rate, Romita completed the issue and gave us this classic cover.
Shocking: Electro and Spider-Man
First look: Paul Giamatti as the Rhino
Hmm. Well, it’s interesting.
When director Marc Webb cast character actor Paul Giamatti as veteran Spider-Man villain the Rhino in his “Amazing Spider-Man” sequel, some of us wondered. Giamatti just didn’t seem to fit the part.
Now we have the picture above, tweeted by Webb, of Giamatti from production of the movie, which comes out in summer 2014.
It’s a different look, for sure.
Maybe he doesn’t have his Rhino onesie and horn yet. As various websites have noted today, he definitely has the roid rage look, though.
Marvel movies: What we want to see in Phase 3
If you’re only a casual fan of the movies made from Marvel comics in the past four or so years, you might not be familiar with the “phases” that the company is moving through as it brings its complex universe to the big screen.
Phase 1, as dubbed by Marvel, began in 2008 with “Iron Man,” moving through solo adventures for the Hulk, Thor and Captain America and culminating in last summer’s “The Avengers.”
“Iron Man 3” kicks off Phase 2 this May, with “Thor: The Dark World,” “Captain America: The Winter Soldier” and “Guardians of the Galaxy” to follow, and Marvel films honcho Kevin Feige has indicated that series will sew the seeds for the “Avengers” sequel in 2015, even if moviegoers don’t recognize those seeds at the time. (Talk about a crazy Easter egg hunting challenge!)
“Ant-Man” is already on the schedule for late 2015, a few months after the “Avengers” sequel, and would kick off Phase 3. Marvel films honcho Kevin Feige hinted recently that “Dr. Strange” might also follow in Phase 3.
Remember that Hawkeye was introduced in “Thor,” so it’s possible we’ll see more Marvel characters introduced in Phase 2.
But here’s what we want to see in Phase 3:
Diversity. Luke Cage and the Black Panther are two longtime Avengers who would not only be great additions to the team but bring needed color to the movie line-up.
Women, including Wasp! She was a founding member of the Avengers, for pete’s sake. It would make sense that she’s introduced in the “Ant-Man” movie.
More Hulk. Even better, a Hulk/Iron Man Marvel Superhero Team-Up.
Big and small. A good mix of personal, high-stakes stories – which “Iron Man 3” appears to be, as much as any Marvel superhero movie can be – with the grand-scale action plots we know from Marvel.
Dare I say it: Crossover with characters whose big-screen rights are owned by other companies, namely “Fantastic Four,” “X-Men” and “Spider-Man.” Surely with lots of money to be made this can be worked out, right?
Come on, Marvel. Make it happen!
My favorite movies of 2012
Here’s another “let’s pretend it’s the end of the year instead of a couple of days into the new year” recap of what I enjoyed in pop culture in 2012.
This time, movies.
For more than a decade, from the late 1970s to the early 1990s, I reviewed movies as part of my job. I saw a movie or two or three every week. Considering I was a lifelong movie fan, it was cool to be paid (even minimally) to review them.
Reviewing movies for a living meant going to see movies even if you didn’t feel like it and – goes without saying – movies that you had no interest in seeing. I still haven’t fully recovered from “My Dinner with Andre.”
All this is by way of saying that I don’t see nearly as many movies in theaters nowadays. When I do see a movie, I’m pretty likely to really want to see it and have a good idea of how much I’ll like it.
So here’s a look at a few favorite movies – and why they were favorites – for 2012.
For me, no pop culture movie of 2012 topped “The Avengers.” Joss Whedon’s very-nearly-perfect big-screen version of Marvel’s ultimate superhero team was the culmination of four years of Marvel solo superhero movies that kicked off with “Iron Man.”
I don’t have to tell you that Whedon’s “Avengers” worked and worked beyond the expectations of most fans, expectations that have been building since the early 1960s but seemed pretty unlikely during the dark days of lame “Captain America” TV movies with Cap sporting a motorcycle helmet. And now, on to Marvel’s big-screen phase two!
“Dark Knight Rises” and “The Amazing Spider-Man” were, in ways different than “The Avengers,” good treatments of their durable comic book characters. “Dark Knight” had a fairly lame villain but still thrilled with its dark vision. “Spider-Man” promised something it didn’t deliver – a mysterious reworking of Peter Parker’s origin – but it didn’t matter. The characters and performances really swung.
“Chronicle” was a dark and unsettling take on the kind of superhero/super villain fodder that sprang from “The X-Men” stories. Bonus: The director is remaking “Fantastic Four.”
Outside the realm of superhero stories, another movie with Whedon’s imprint, “Cabin in the Woods,” was very nearly as good as “The Avengers.” “Cabin” was a first-rate thriller with a great, twisty plot.
Backlash to the absurd title or not, “Abraham Lincoln Vampire Hunter” was a competent version of a really very good fantasy novel.
Likewise, “The Hunger Games” was a good approximation of a really good book. I’m looking forward to the sequels.
And I guess we’re back in the realm of superheroes for “Skyfall,” but the latest James Bond action picture was one of the best in the series. It felt like a reboot, in some ways, and has me looking forward to the next adventure of 007.
















