Category Archives: The Avengers

‘Agents of SHIELD’ – Five ways to save it

agents of shield cast

Remember way  back in September, when Marvel’s first modern-era TV production, “Agents of SHIELD,” seemed so exciting?

Sure we were all worried about how Marvel and show creator Joss Whedon (“Buffy the Vampire Slayer,” “The Avengers”) would be able to translate the excitement of the big-screen world onto ABC’s small screen. That ABC was showing it at 8 p.m. Tuesdays was also a concern. Nobody expected tough-and-gritty stories and atmosphere anyway, although we might see that with “Daredevil” and the other shows Marvel is doing for Netflix. An 8 p.m. timeslot all but guaranteed a fairly family-friendly aura.

But we were genuinely excited at the thought of everything that might happen. “SHIELD” would be a weekly dose of the greater Marvel  universe, filled with characters we love, characters that have never been portrayed in live action before. Luke Cage! Moon Knight!

At first, “Agents of SHIELD” seemed like a sure-fire hit. The pilot got very good ratings.

But as the first nine episodes continued to air, audience numbers dropped – and so did our expectations of and faith in the show.

Too many episodes, although they seem “thisclose” to really taking off, somehow fail to. The core team of SHIELD operatives isn’t that interesting. Too much time has been spent teasing the audience about what happened to Phil Coulson after Loki “killed” him. And the roster of comic book characters that have been allowed to make an appearance is lackluster. Graviton? Really?

So here’s what the producers of “Agents of SHIELD” need to do before it’s too late. If it isn’t already too late.

nick fury agents of shield

Give us some well-known characters. When Whedon said a while back that “Agents of SHIELD” gave him a few dozen opportunities to make “The Avengers: Age of Ultron” a little less special when it came out in 2015, he wasn’t joking. Obviously nobody at Marvel or Disney or ABC wants to sate the audience’s interest in Marvel heroes before the movie comes out. And obviously Marvel wants to save some characters for big-screen movies, which is why you won’t see Dr. Strange, I’m guessing. But stop with the one-and-done, wannabes and third-raters. There ware many, many Marvel characters the show could introduce.

Retool the cast. Each of the supporting characters is fine, really, but they’re the type of characters that Clark Gregg’s Agent Coulson was in the Marvel movies. In other words, just that: Supporting. I loved episodes of “Buffy” that revolved around that show’s “supporting” cast. Remember “The Zeppo” and Xander as below-the-radar hero? “Agents of SHIELD” hasn’t, so far, been able to do that kind of thing with Fitz or Simmons or May or Skye.

Resolve Phil Coulson’s status now. Or at least take it to the next level. Remember in the final season of “Buffy” when Buffy would make a different version of the “this is gonna be a tough battle” speech what seemed like every week? Jeez, that got old. It seemed like the series was treading water. “SHIELD” seems to have fallen into the same trap with its near-weekly reminder that something is different with Agent Coulson. A while back I suggested they needed to let Coulson – who is blocked from viewing his own medical records – find out he’s a clone or Life Model Decoy or whatever, break ranks with SHIELD and go at least a little rogue. “The good guys versus SHIELD” angle appears to be at least part of the plot of next April’s “Captain America: The Winter Soldier,” so it wouldn’t be totally out of character for the Marvel universe.

aim

Bring on the bad guys. SHIELD’s adversaries in the show so far have been weak to only mildly intriguing. I’m not sure I care a whit about Centipede unless it morphs into HYDRA. How about AIM? Advanced Idea Mechanics was referenced in “Iron Man 3.” In the comics, they were guys in crazy yellow hazmat/beekkeeper outfits. I’m sure the show could come up with an updated uniform.

iron-man-3-after-credits-scene

Give us some star power. Samuel L. Jackson’s blink-and-you’ll-miss-it appearance in an early episode was fine. But we want more meat. Remember Mark Ruffalo’s appearance at the end of “Iron Man 3?” We want that in “SHIELD,” magnified.

Maybe “Agents of SHIELD” will resolve its problems quickly and, by February, be the kick-ass Marvel TV experience we all want. A couple of upcoming episodes hold promise.

But if not, it’s hard to imagine many of us sticking around.

By Selvig’s Chalkboard! More ‘Thor’ sequel Easter eggs

selvig chalkboard thor the dark world

Right before “Thor: The Dark World” opened, I pointed out some of the hidden secrets from the latest Marvel movie and how its first end credit scene – featuring the Collector, a character from next year’s “Guardians of the Galaxy” movie – set up a narrative thread that could carry Marvel movies through “Avengers 3” in 2018.

Turns out there were other Easter eggs also that I’ve been learning about this week thanks to online postings.

The “Cabin in the Woods” whiteboard was a treasure trove of geeky fun for fans of that movie, and the chalkboard Erik Selvig uses to explain the events of the first “Thor” movie are pretty fun too.

Sharp-eyed fans have pointed out the reference on the chalkboard to the “616 Universe,” the name for the Marvel universe all the comic book characters inhabit. Looks like crazy old Selvig knows it exists.

The board also references – in a portion of the board right behind Selvig – “The Fault,” a “tear in the universe” plot point used in comic book stories featuring The Inhumans, the secretive super-powered race that Marvel is said to be interested in bringing to the big screen.

There’s also reference to “The Crossroads,” taken from a past adventure featuring the Hulk and … Dr. Strange, another Marvel character apparently destined for the big screen.

Here’s one I’m actually kinda more excited about, even if it is a longshot:

warlock cocoon thor the dark world

That cocoon-type thing is from the first scene in the end credits of “Thor: The Dark World” and is something that’s apparently been collected by … well, the Collector.

It looks suspiciously like this object:

warlock cocoon-fantastic_four_167_1

That’s from Fantastic Four 67, and that panel shows FF friend Alicia Masters finding the cocoon of Him, the cosmic being later known as Adam Warlock.

Warlock was a favorite of mine from the comics. He was a foe of Thanos, the smiley bad guy from the end credits of “The Avengers,” the guy who’s apparently destined to play antagonist in future Marvel movies, including “Avengers 3.”

Cool, huh? I’m kind of convinced that nothing happens in these Marvel movies by accident. Maybe they’re just in-jokes to entertain fans. Maybe they’re pointing the way toward future adventures. Either way, it’s fun stuff.

What we want from ‘Guardians of the Galaxy’

guardians-of-the-galaxy-footage-leaked

We’ve seen a little bit of director James Gunn’s 2014 Marvel outing “Guardians of the Galaxy,” so we kind of know what to expect.

Granted, we haven’t seen much. Just a half-minute of footage released at Comic Con last year – it’s subsequently popped up online – and a minute of Gunn-directed footage in the middle of the credits of “Thor: The Dark World.”

Yes, the “Thor” footage isn’t from “GOTG.” But Gunn directed it and it features Benecio Del Toro as a “GOTG” character, the Collector. And yes, he’s acting weird. It is Del Toro, and it is a Gunn-directed performance.

So based on what we’ve seen so far and what we hope, what do we want to see next summer?

guardians movie concept art

Action. Based on the Comic Con preview, I don’t think we have to worry about this. The 30 seconds of footage I’ve seen has a ton of fighting and shooting and other good stuff.

Humor, but not too much. All the Marvel movies have their share of humor. The way Gunn is approaching “GOTG,” it looks like it might be the funniest of all the Marvel movies so far. But Gunn has, based on “Slither,” the ability to summon up the dramatic and horrific as well as the funny.

A little bit of weird, but not too much. Okay, so you’ve got Rocket Raccoon, a hard-bitten … raccoon who is an incredible fighter, and you’ve got Groot, an alien that looks like a tree that says only, “I am Groot!” Gunn has to be careful to not push the rest of the movie over the line into total weirdness. I’m a little worried about how Del Toro will come off, but he’s not a central character.

Thanos. We know the Mad Titan is likely to be the Big Bad in “Avengers 3.” But he’s a Guardians antagonist and Gamora, the Zoe Saldana character in “GOTG,” has ties to Thanos. So how about a little Thanos action in “GOTG?”

Ties to the Marvel Universe we know. Considering much of the story is apparently set in another corner of the galaxy, it’s hard to imagine Captain America popping in. But …

iron man in guardians of the galaxy

Iron Man! Tony Stark’s armored avenger is a member of some incarnations of the Guardians in some comics. Wouldn’t it be fun to see Robert Downey Jr. interact with Rocket Raccoon?

And it would be good preparation for “Avengers 3,” when I think all of these colorful characters are going to be all together for a cosmic blowout.

 

‘Thor’ sequel setting the stage for cosmic Marvel

thor and loki thor the dark world

When Marvel released “Thor” in 2011, I doubt that most of us on this side of the screen realized how important the adventures of the Thunder God would become to big-screen Marvel.

I liked “Thor” really pretty well. Maybe not as much as “Iron Man” or “Captain America,” but I thought the movie did a very good job of introducing the more fantastic elements of the Marvel Universe to the moviegoing audience. With “Thor” a success, how far behind could “Dr. Strange” or the cosmic Marvel stories or even the horror-tinged reaches of the Marvel universe be?

As it turns out, Marvel and director James Gunn are making the “Star Wars”-ian “Guardians of the Galaxy” now, for release next year. There’s a connection between “Thor” – spoilers ahead, I’ll warn you before – and “GOTG” but after duty in “The Avengers,” the Asgardian god of thunder returns in “Thor: The Dark World,” which stakes out, even more than the original, the more mystical, more space-bound corner of Marvel.

I won’t go very deep into the plot. Suffice it to say that Thor (Chris Hemsworth) returns to face an enemy (former Doctor Christopher Eccleston) intent on avenging himself on Odin (Anthony Hopkins) and Asgard and recapturing the Aether, force of cosmic power not unlike the Tesseract, the mystical Cosmic Cube from “Captain America” and “The Avengers.”

The movie skips from Asgard to London, where Thor is reunited with Jane Foster (Natalie Portman) and her crew, and to other stops among the Nine Realms.

Director Alan Taylor (“Game of Thrones”) and the screenwriters make this sequel a far grittier – literally and figuratively – story than the original. Asgard has texture and the Dark World itself is a nightmarish landscape. London is the steely blue/gray we’re familiar with in modern-day TV outings like “Sherlock.”

The action is thrilling and the realm-skipping action shows every penny of the production budget.

Hemsworth is so at ease as Thor it’s fun to imagine him  playing the part for years to come. Likewise, Tom Hiddleston is such a welcome presence as Thor’s trickster brother Loki that I hope he becomes omnipresent in movies.

“Thor: The Dark World” could feel like just another step in setting up the decade-long Marvel movie plotline, as I talked about in this recent entry. But it doesn’t. It never feels perfunctory. It’s a grand, thrilling adventure in its own right.

Random observations:

Spoiler this line only: What I reported the other day about the two end credits sequences was correct. The first featured Benecio Del Toro as the Collector and sets the stage for “GOTG.” It’s a fun if oddball scene, directed by “GOTG” director James Gunn. It’ll be interesting to see how “GOTG” comes out next year.

Obviously Chris Hemsworth’s contract calls for a minimum of one shirtless scene per “Thor” movie.

Hiddleston gets to play more vulnerable and more multifaceted here than in “Thor” of “The Avengers.” It’s great and unsettling at the same time.

No spoilers here, but I loved the cameo. That’s the advantage of a shared big-screen universe.

‘Thor: The Dark World” marks the eighth movie in the official big-screen Marvel universe. Eighth.

 

Good time to be a fan

luca parmitano long shot

Those of us who grew up in the 1960s have to be forgiven for occasionally wandering through the world of 2013 and wondering if we’re dreaming.

In the 1960s, comic books and science fiction and horror movies were an almost underground part of the culture, barely more tolerated by adults than eating paste or girlie magazines.

Now, science fiction and fantasy rule TV, from “The Walking Dead” to “Game of Thrones.” Books with sf and fantasy themes like the “Hunger Games” trilogy and the “Harry Potter” books top the best-seller lists.

And at the movies … Marvel’s merry marching movie machine rolls on. The sequel – sequel! – to “Thor” comes out tomorrow. It’s already playing in some theaters. And it’s the latest in a years-long chain of interconnected movies exploring the Marvel universe.

And today Marvel and Netflix announce original series like “Daredevil” and “Luke Cage” are coming, with a “Defenders” team-up series to follow.

If, before “Iron Man” debuted in 2008, anyone thought “The Avengers” was below-the-radar fun only enjoyed by geeks, you can only imagine what a head-snapping development a “Defenders” series would be.

DC is still plugging along with big-screen Batman and Superman movies, but doing impressive work on TV with “Arrow” and other series like “The Flash” still coming.

I sat down and watched an episode of “Arrow” tonight with Green Arrow and Black Canary, for pete’s sake. Tell me who thought that would have been possible a few decades ago.

And the picture above.

On Halloween, Italian astronaut Luca Parmitano, aboard the International Space Station, dressed up like Superman and took advantage of the lack of gravity to fly around.

I don’t care that he looks more like Lex Luthor. He’s flying like Superman!

It’s a good time to be a fan.

‘Thor’ sequel spoilers and Marvel’s long game (maybe)

thor the dark world poster

It has been there, right in front of us, since 2011.

Marvel’s long game, its plan for its big-screen universe, through the next several years.

odin's vault with gauntlet

2011 is when “Thor” came out, and figuring prominently into the plot were MacGuffiins – the objects of desire that spark movie plotlines, rare and powerful objects like the Casket of Winters and other arcane weapons in the arsenal of Odin in Asgard.

Marvel gave us another big hint that same summer, as “Captain America” fought the Red Skull to possess the Tesseract, also known as the Cosmic Cube. Another artifact of power. The Tesseract even showed up at the end of “Thor.”

The Tesseract, lost when the Skull’s airship went down in the ocean after Captain America defeated the villain, figured prominently into 2012’s “The Avengers.” In Loki’s hands, the cube opens a portal that allows an army assembled by Thanos, a cosmic villain, to attack Earth.

thanos avengers credits

Thanos. That smiley purple guy who appeared in the mid-credits scene at the end of “The Avengers.”

Now that Marvel has announced that the next “Avengers” adventure, 2015’s “Age of Ultron,” will be about Ultron, the robotic villain, it became clear that Marvel and Joss Whedon didn’t put Thanos at the end of “The Avengers” for no reason. They were, obviously, building to something bigger for the third “Avengers” movie. And they were laying it out for us to see.

Remember, in “The Avengers,” when Nick Fury asks Captain America about the Tesseract, Cap replies, “You should have left it on the bottom of the ocean.”

Okay, so items of great power. Check.

Here’s where we get to the spoilers for “Thor: The Dark World,” which opens this Friday. So don’t continue reading if you don’t want to know. But it’s essential to my theory about Marvel’s long-term plans.

Ready?

There are two end-credits scenes in “Thor: The Dark World.” The latter scene, at the very end, is a nice character moment and establishes that Thor’s relationship with Jane Foster will continue.

But it’s the mid-credits scene that sets up several years worth of Marvel movies.

In that scene, Sif and Volstagg, two of Thor’s cohorts, have possession of the Aether, a powerful MacGuffin that plays into the plot of “Thor: The Dark World.”

Thor and his allies have captured the Aether and, in the end credits, Sif and Volstagg take the Aether to the Collector, a longtime Marvel Comics character played by Benicio Del Toro, who just so happens to play the same character in “Guardians of the Galaxy” the Marvel movie coming in late 2014.

Thor’s allies give the Collector the Aether and note the Tesseract is in Odin’s arsenal.

“It’s too dangerous to have two Infinity Stones in the same place,” they say.

thanos infinity gauntlet

Six Infinity Stones, or gems, are the power source for the Infinity Gauntlet in Marvel comics. It is a tool and a weapon of … Thanos.

After Sif and Volstagg leave, the Collector says the words that set the next several years worth of Marvel movies on their path:

“One down, five more to go,” he says.

In the comics, the Infinity Gems were not artifacts like the Cosmic Cube or Casket of Winters. They were literal stones or gems, albeit with supernatural powers.

Now consider the plot description Marvel released last year when it announced “Guardians of the Galaxy:”

“In the far reaches of space, an unlikely cast of characters including an American pilot and a group of futuristic ex-cons go on the run with a highly coveted object and must join forces to defeat a cosmic force of epic proportions.”

What highly coveted object? Possibly another Infinity Stone?

It now seems apparent that the Marvel movies are pursuing the years-spanning storyline of Thanos trying to acquire the powerful Infinity Stones and the Avengers, Guardians of the Galaxy and other heroes trying to foil his plans … coming to a theater near you in “Avengers 3,” maybe in 2017 or 2018.

In the meantime …

Marvel movie universe mastermind Kevin Feige has been quoted recently as hinting that the company has its movies roughly planned out into 2021 or so. Considering that’s only three years after the third “Avengers” film completes Phase Three of Marvel’s big screen plans, it’s probably not surprising.

Okay, so bonus round: What’s Marvel planning through and post Phase Three?

What could possibly top the showdown with Thanos?

(FYI, I’m not counting the movies based on Marvel characters that the company doesn’t have the rights to for the screen, so there’s no mention of “Spider-Man” or “X-Men” movies here, although those are certain to continue, as likely will “Fantastic Four” films.)

So here’s the rough timetable as we know it so far.

2014: “Captain America: The Winter Soldier,” “Guardians of the Galaxy.”

2015: “The Avengers: The Age of Ultron,” “Ant-Man.”

2016: Two still-unspecified Marvel films.

2017: One still-unspecified Marvel film, with at least one more likely to come.

2018: The third “Avengers” film maybe, if they continue to turn them out every three years.

Mentioned as likely or possibilities: “Dr. Strange,” “Black Panther.” Possibilities since their rights have reverted to Marvel: “Daredevil” and “The Punisher.”

Also almost certain: “The Inhumans,” about Marvel’s other race of super-powered beings besides “The X-Men.”

Any of these movies would be fine post-Phase Three fare.

And any of them would be appropriate for shoe-horning into the Phase Three build-up to the third “Avengers” movie.

Maybe they’ll turn up in one of those 2016 films, or one in 2017 or 2018.

I don’t know about you, but I’m planning to be there.

Comic Book Odd: Sure they’re superheroes. But they’re girls!

wasp-roomfullofmen

Sure this recurring feature on the blog is Comic Book Odd, but there’s really nothing odd about the history of female characters being treated as punchlines for jokes.

It’s not a surprise, really. Comic books were mostly written and drawn by guys, particularly in the Golden Age and even into the Silver Age. And although girls bought comic books at a much greater rate back then than in later years, boys were still the targeted readers for comic books.

So you have panels like the one above, poking fun at Janet Van Dyne – AKA The Wasp, one of the founding members of The Avengers.

too complicated wonder woman

And this one, taking a shot at everybody except Wonder Woman.

Thank goodness the days of treating women as second-class characters in comics is over, huh?

starfire

Right?

‘Agents of SHIELD’ improving, but what it could learn from ‘Sleepy Hollow’ and ‘The Blacklist’

SHIELD girl in a flower dress

Okay, that was more like it.

Five weeks in. “Agents of SHIELD” feels a little more like it’s finding its way. And who knows, maybe the slow burn strategy of Joss Whedon and his showrunners has been planned this way all along.

But tonight’s episode, “The Girl in a Flower Dress,” took a couple of big steps toward making the show a must-see each week and, in the process, accomplished a couple of things: It (mostly) resolved the “is she or isn’t she a mole?” storyline about hacker Skye, and it furthered a series Big Bad in Centipede, the group that’s continuing the Extremis experiments – giving people superpowers, as in “Iron Man 3” and the “SHIELD” pilot, through dangerous chemicals.

It also established some other nifty ideas, including the fact that “SHIELD” has a list of superpowered people it’s keeping tabs on. This has been a matter-of-fact part of the Marvel movies and needed to be re-established here.

What still needs to be resolved right away: Coulson’s secret. If there’s one more reference to how the unwitting Coulson (the wonderfully deadpan Clark Gregg) has changed since Loki impaled him in “The Avengers,” I’ll cry.

Coulson thinks he died for a few seconds. Higher-ups including Maria Hill know something else is the truth … and think Coulson must never know.

I think everyone suspects that Coulson is a Life Model Decoy – as mentioned in “The Avengers” – or a clone or something. But please, please don’t save the explanation for the end of the season. Coulson needs to find out sooner rather than later, maybe in a November or February sweeps week episode. And then he needs to get pissed, taking it out on Nick Fury – Samuel Jackson’s already appeared in the series, so there’s no reason he can’t come back – and everyone else who deceived him. Knowing how buttoned-down Coulson is, that “taking it out” might consist of an icy glare and a brisk walking away. But do it soon.

That way, expectations will be defied and the next story arc – how Coulson comes back to lead the team – can begin.

Okay, now here’s what I intended to touch on before I saw tonight’s episode: A few things “Agents of SHIELD” could learn from its counterparts on other networks, “Sleepy Hollow” and “The Blacklist:”

Turn up the charisma. Yes, Clark Gregg is no James Spader, who’s chewing the scenery and loving it on “The Blacklist.” But “SHIELD” needs some flamboyance.

Turn up the crazy. “Sleepy Hollow” is getting points for the relish with which it embraces its storyline. “SHIELD” shouldn’t imitate it, but it needs more of the kind of moments that will make fans and casual viewers alike chuckle.

Show why these people are together. A seven-year-must-prevent-the-end-times-like-in-“Sleepy Hollow” plot device isn’t necessary. But there’s got to be more of a reason holding these people together than just the “we’re all in the SHIELD helicarrier break room at the same time” vibe that sometimes seems to be the case.

Give us more surprises. In the first episode of “The Blacklist,” the frustrated FBI agent stabs sneaky fugitive Red Reddington (James Spader) in the neck with a fountain pen. Yikes! It was quick and unexpected and totally justified. Give us more of that kind of “hey did you see that?” moment. (They even had Reddington make a joke about it in a later episode.)

Give us some Marvel comics names. Remember before the series began, people were speculating on which characters would be introduced? Luke Cage? Moon Knight? Who would have thought that “Arrow” would be introducing established DC Comics characters every week and Marvel, the king of synergy, would be running a series of wannabes past us every week?

Give us the goods, “Agents of SHIELD.”

‘Superheroes: A Never-Ending Battle’ on PBS

SUPERHEROES-A-NEVER-ENDING-BATTLE

Truly the geeks have inherited the Earth: A three-hour documentary about comic books on PBS.

“Superheroes: A Never Ending Battle” played on PBS this week and is still available online (if you can put up with PBS.org’s wonky video player).

I didn’t see all of it when it aired last Tuesday – three hours is a big chunk of time – so I watched the unseen balance today online.

A lot of documentaries have been made over the years about comic books, superheroes and their creators. Because of the wealth of interviews, this one is among the best and most entertaining. Maybe that’s in part because the tone is no longer so defensive and “can you believe it?”  The tone is what it is because superheroes are such a big part of pop culture right now, a huge presence in video games, movies and TV shows. Even though a fraction of the number of comic books are sold today as were sold two or three generations ago, their influence on pop culture has never been greater.

The first hour traces the early history of comics, from the first newspaper strips, folded and stapled and re-sold by the father of the creator of MAD magazine, to the heyday of comics in World War II and the 1940s, when virtually every boy and most girls read comics.

Influences like pulp magazine heroes including The Shadow are cited and the origins of Superman and Batman – familiar stories for longtime fans – are told. Before the first hour has ended, Wonder Woman’s kinky origins are recounted. Acknowledgement is made of the less savory aspects of comics, particularly racist treatment of Japanese characters during World War II. The first hour ends with the 1950s campaign against superhero comics.

Besides the classy treatment and nice graphics, the best part of the show are the interviews with pioneers of the early days, including Joe Simon (co-creator, with Jack Kirby, of Captain America) and other artists and writers who got their start in the Golden Age but continued to work in the Silver Age.

Throughout the three-hour documentary, we’re treated to lively interviews with creators, experts and actors. They’re funny and witty and sometimes surprisingly still vital. I swear that great DC artist Neal Adams, one of the driving forces of the 1970s, looks 40 years old.

steranko

 

And “SHIELD” artist Jim Steranko, whose towering head of hair is now quite gray, displays his comic historian side.

steranko SHIELD

The second episode starts in the 1960s and the birth of modern-day Marvel Comics. The impact of comics on the larger world – including the campy 1960s “Batman” series – is explored and, rightfully so, called a “game-changer.” This seques into Steranko and the “pop art” era.

The ground-breaking moments of 1960s and 1970s Marvel – Peter Parker attending an integrated high school, the introduction of black heroes like The Black Panther and Luke Cage – are given their due. Likewise, DC’s experimental book teaming Green Arrow and Green Lantern, tacking injustice and racism, are cited, as are the Comics Code Authority-flouting campaigns against drugs.

The third hour is kind of a victory lap, noting the huge role in today’s pop culture that comic book characters play, particularly due to the big-budget, big-box office movie adaptations of the modern era. As “Spawn” creator Todd McFarlane says, “None of it is silly anymore.”

lynda carter

But one thing is certain: Lynda Carter still looks amazing.

Today in Halloween: Captain America goggles

hallow cap goggles

I think I might have to break down and get these.

Readers of this blog might know that Captain America is, in some ways, my favorite superhero.

avengers 4

My earliest comic-book experiences revolved around a copy of Avengers 4, the milestone silver age comic in which Cap returns from the dead, given to me by a neighbor.

Cap’s costume in the big-screen movies often includes some kind of cowl/mask but often features just helmet and goggles.

You can get Iron Man or Spider-Man versions of these goggles, but really, they only make absolute sense for Cap to wear.

Or Halloween-night versions of Cap.

If I could only find a set big enough for my big Roysdon-sized noggin.