Category Archives: TV

‘I Want My MTV’ book a fun look behind-the-scenes

Most of us remember what we were doing on or shortly after Aug. 1, 1981.

We were watching MTV, of course.

The channel’s first decade — when music videos, many of them awful, ruled the airwaves and VJs like J.J. Jackson and (sigh) Martha Quinn were our best friends — is chronicled in “I Want My MTV,” the recent book by Craig Marks and Rob Tannenbaum.

The two have compiled the definitive oral history of the channel, which was one of the biggest gambles in TV history. Who could have imagined, more than 30 years ago, that teens and young adults would watch a channel devoted to music videos 24 hours a day?

Not to mention that a lot of the videos sucked.

The book is stuffed with interviews about the early days of the channel, when only a handful of videos were available; the complaints that helped get more videos from black artists on the air; the advent of Michael Jackson on MTV; and the behind-the-scenes of the channel’s daily struggles. To say that the channel’s executives, staff, artists and video crews were drug-fueled is an understatement. Maybe one of the greatest of all time.

A couple of anecdotes were especially amusing.

Many of the videos now considered classics were very off-the-cuff. The director of the memorable ZZ Top videos like “Sharp Dressed Man” and “She’s Got Legs” just happened to have the inspired idea of putting the Texas blues band in the background in favor of Playboy models.

And the video for Bill Squier’s “Rock Me Tonight” gets special treatment in a chapter about how bad it was and how it pretty much destroyed the rocker’s career.

If you don’t remember the video — and I wish I could embed it here (I’m looking at you, WordPress) — it featured Squier prancing around a loft apartment and tearing his shirt off.

The book carries the MTV story into the early 90s, when the channel began airing the first “Real World” season and began shifting its focus from music videos to reality and lifestyle programming.

Theres a lot to get through here, and the authors probably include a few too many anecdotes about channel executives snorting cocaine and too few anecdotes about the on-air personalities and musicians. But if you were a fan of MTV in its heyday, the book’s worth a look.

Here’s a little teaser for ‘The Walking Dead’

Yes, yes, I know that you know: I’m looking forward to the return of “The Walking Dead” on AMC on Feb. 12.

Here’s hoping the second half of this second season of the show has the fun character conflict that marked the first half of this season — plus lots of zombie goodness.

Because WordPress still won’t let me post videos, for some reason, here’s a link to the short but exciting teaser trailer for the show’s mid-season return.

‘Alcatraz,’ ‘Justified’ have strong second weeks

What a fun feeling when two TV shows — one a returning favorite in its third season, the other brand new out of the box — start off strong.

I’m playing catch-up here, but I wanted to mention this week’s installments of “Justified,” airing Tuesdays on FX, and “Alcatraz,” airing Mondays on Fox.

In the second week of it’s third season, “Justified” continues the compelling story of Kentucky’s small-time crooks and the federal marshals who must deal with them, particularly Boyd Crowder (Walton Goggins) and Raylan Givens (Timothy Olyphant) respectively.

In Tuesday night’s episode, Givens was reunited with an old partner — and an old flame, from the sexual tension on display — named Karen Goodall. The inside joke here is that Goodall is actually Karen Sisco, a federal deputy previously played in the movie “Out of Sight” by Jennifer Lopez and — in a TV series a few years back — Carla Gugino. Like “Justified,” Sisco’s stories are drawn from the works of author Elmore Leonard.

Gugino returns to the character in “Justified” — she’s apparently signed for a few episodes — and it’s fun watching her and Olyphant kind of circling each other, particularly since Goodall/Sisco returns just as Givens is about to settle down with his ex-wife, Winona.

Tuesday’s episode — dealing with the murder of another marshal — wasn’t as strong as last week’s season premiere. But you can’t beat any show that features Olyphant, Gugino, Nick Searcy as Chief Deputy Art Mullen and Goggins.

There’s also a good introduction of Mykelti Williamson as a new character, a bad guy who is as menacing as he is folksy.

As for “Alcatraz,” I think this week’s episode, “Kit Nelson,” was my favorite so far.

If you haven’t seen “Alcatraz,” the show’s mythology is that, in 1963, the San Francisco island prison wasn’t shut down because all the prisoners were transferred. No, it was shut down because 300 prisoners and guards disappeared.

Now, a half-century later, those prisoners are reappearing, and a crew of cops and experts is pursuing them. Sam Neill, Sarah Jones and Jorge Garcia make up the solid cast of investigators.

This week’s show teased us with a little more mythology of the show. Remember Dr. Beauregard, the unseen medical officer of the modern-day prison in which Neill’s character is lodging recovered prisoners? This week’s episode revealed that Beauregard is not only Neill’s medical shaman in the present but was also the sinister doctor at the prison in the 1960s. And he hasn’t aged a day.

That little revelation, plus the beginning of a mystery involving Jones’ grandfather — a convict on the loose in modern San Francisco — and tidbits about the traumatic past of Garcia’s character are enough to allay my worries that the show might too easily fall into the “escaped prisoner of the week” trap.

And since the show is from “Lost” producer J.J. Abrams, I had to laugh when, out of nowhere, the show introduced a hatch in the middle of the woods from which a kidnapped boy escaped.

I’m not surprised to be enjoying “Justified” this much. I am a little surprised — pleasantly surprised — to be digging “Alcatraz” so much.

 

Svengoolie: Reunion with an old ghoul friend

Like a lot of people in Central Indiana, I grew up watching “Sammy Terry” late Friday nights on Channel 4. Sammy, whose son has lately taken up the mantle of corny horror movie host — at least on special occasions — was a fixture of most of our childhoods.

My misspent young adulthood, however, was spent in the company of Svengoolie.

For those who aren’t familiar with him, Svengoolie was a longtime horror movie host on Chicago TV station WFLD. The Sven that my friends and I were familiar with was played, for much of the 1980s, by Rich Koz, the second actor to play the part of the hippie ghoul and horror movie host.

Koz, in Svengoolie drag, would present classic (and not-so-classic) horror movies during his Saturday night show. My friends and I tuned in every week, snacks and beverages at hand, to enjoy the movies and Koz’s irreverent approach to them.

Our love for Svengoolie was so great that, when we heard that WFLD was being dropped from the local cable channel lineup in the mid-1980s, we sent him a telegram — kids, that’s the pre-Internet version of email — that he read on the final show that we could see.

My local cable lineup recently added MeTV, a nostalgia channel, and Svengoolie is right there, on Saturday nights, hosting — and making fun of — classic movies.

Last Saturday he aired “House of Frankenstein,” the 1944 Universal gem featuring not only Frankenstein and Dracula and the Wolf Man but a hunchback assistant.

Koz is older and has put on a few pounds — unlike the rest of us, who have remained young and svelte — but the show is snarky, campy good fun just like it was … holy crap, nearly 30 years ago.

Thirty years? That would make Koz and Svengoolie a classic showing classics. Hopefully for the viewing pleasure of classic old geeks.

 

Spider-Man in ‘The Avengers?’ Probably not. But …

The Internet broke today.

And you can blame British actress Jenny Agutter.

In an interview with Radio Times, a Brit publication, Agutter noted that she has a small role in this May’s movie version of the classic comic book “The Avengers.” While on the set, Agutter said, she saw trailers for the actors playing Iron Man and Spider-Man.

Only one problem: Spider-Man isn’t supposed to be in the movie. The webslinger’s big-screen adventures — including the reboot coming out late this summer — are being made by Sony, while “The Avengers” is coming from Disney.

So is there some cross-studio crossover in the works? Have Hollywood moguls loosened their grips on their respective superhero tentpoles and allowed the kind of hero visitation the comics have always enjoyed?

Probably not.

Anyway, there was a LOT of talk about the possibility of a Spider-Man cameo online today. About twice as many people discounted the possibility as touted it.

I guess we’ll know for certain, though, when “The Avengers” comes out on May 4.

It’s too bad that movie rights to the Spider-Man character are owned by Sony, while Fantastic Four is owned by Fox and Iron Man, Captain America and all the other Avengers are overseen by Paramount and Disney.

Because one of the best things about the comic book universe has traditionally been that it is a shared universe. As seen in the vintage cover above, Marvel heroes regularly showed up in each other’s comics.

On the current “Avengers” animated series on Disney XD, a season-one episode featured the super team fighting some bad guys in the streets of New York City. Suddenly a burst of flame pummels the baddies. The Avengers look up and the Human Torch, member of the Fantastic Four, skywrites, “You owe me one” before flying off.

Then the Torch’s FF compadre, the Thing, shows up to clobber another bad guy.

It was a throw-away gag, sure. And there was nothing to lose compared to the high stakes of big-screen movies.

But maybe someday we’ll see that big old comic-book universe play out on the movie screen.

‘The Fades’ is creepy fun

If “The Fades,” a new supernatural series on BBC America, seems a little familiar, it’s no wonder. After all, it’s about a teenage outcast who discovers the ability to detect and battle supernatural creatures. The teen is aided by dorky friends and mentored by an adult monster-hunter.

Sound like “Buffy the Vampire Slayer?” Well, yes and no.

Paul, the British teen at the center of the series, is no Buffy Summers. He’s not especially heroic. He wets the bed.

But “The Fades” very well might take the “Buffy” premise and turn it into its own brand of good, creepy fun.

The show, which has been airing in the UK for a while but just debuted on BBC America (the first episode is still available for free On Demand; the second episode airs this Saturday), does employ the same kind of pop culture references that Buffy enjoyed. At some point, after Paul explains to dorky friend Mac that he’s able to see Fades — once-human walking corpses — Mac says he’s heard it before, in “The Sixth Sense.”

Mac becomes a believer, however. And Paul already has support from Neil, a disheveled middle-aged “Angelic” — living people like Paul who can see Fades — in his efforts to figure out what’s going on.

Among the mysteries: What is the violent, ultra-creepy Fade that’s attacking Angelics? And why does Paul have visions of an ash-filled global apocalypse?

The first episode of “The Fades” had a lot of intriguing ideas (although I confess I might have missed a few in the rapid-fire, Brit-accented dialogue) and some genuinely spooky scenes, especially those in a vast abandoned building.

I’m looking forward to seeing where “The Fades” goes next.

‘Justified’ is back with a vengeance

One of my favorite shows, “Justified,” returned for a third season last night with one of the strongest season premieres I can remember.

The FX drama, the story of deputy U.S. marshal Raylan Givens as he deals with drug dealers, killers and other lowlifes in his home state of Kentucky, ended a strong season two with Raylan (Timothy Olyphant) getting shot as he brought down the criminal empire of Ma Barker-ish Mags Bennett. Last night’s premiere began with Raylan still recovering from gunshot wounds and on desk duty.

Raylan, as droll and funny as he is sharp-eyed and dangerous, is more than a little rusty, but he’s willing to engage in a brawl, at the U.S. marshals office, with Boyd Crowder (Walton Goggins), his longtime friend and antagonist.

Boyd shows up and gives Raylan grief about how the deputy marshal didn’t turn over to Boyd’s homicidal care Dickie Bennett, son of Mags Bennett, who had shot Ava (Joelle Carter), Boyd’s girlfriend (who also has a thing for Raylan).

Punches are thrown, windows are broken and Boyd is carted off to jail. But why would he want to be incarcerated? We find out at the end of the episode.

Meanwhile, Ava and Boyd’s meth-head crew try to find a buyer for the marijuana they stole from Mags Bennett but discover they’ve screwed up and it’s next to worthless. This leads to a good scene in which Ava administers some frying pan discipline to a gang member who refused to obey the jailed Boyd’s orders.

And also meanwhile, Raylan considers setting up housekeeping with his ex-wife, Winona (Natalie Zea), who is pregnant. Throughout the episode, Raylan doubts himself and underperforms. Getting shot took a lot out of him, and even though he handles a new menace at the end of the episode, you have to wonder if his crisis of confidence will continue.

There’s fresh bad guys this season in Robert Quarles (Neal McDonough, a familiar face from many TV series as well as the “Captain America” movie), a super-smooth and lethal killer who is new to Kentucky and seems to be ready to take over the Dixie Mafia.

Last night’s “Justified” had some great moments, from the back-and-forth between Raylan and Boyd to the cool menace of Quarles to the wry observations of Nick Searcy as Art Mullen, Raylan’s boss.

It’s still very early in the season, and Mags Bennett and her addled brood made strong villains last season, maybe too strong for any successors to possibly top. But I’m wondering if Quarles and company — not to mention Boyd, Ava, Winona and the rest — won’t give a shaken Raylan his greatest challenge yet this year.

 

‘Alcatraz’ a breakout hit? (Sorry, I couldn’t resist)

So this is what we knew about “Alcatraz” going into tonight’s premiere:

It’s a new Fox show from producer J.J. Abrams (“Lost,” the new “Star Trek” movie series).

It stars Jorge Garcia, who played lovable Hurley from “Lost,” and also stars Sam Neill and Sarah Jones.

It’s about a generations-spanning mystery and coverup: The 300-plus inmates and guards at Alcatraz, the island prison off San Francisco, didn’t get transferred when the prison was shut down in 1963. They all … disappeared.

And now they’re coming back.

Here’s what we know after seeing the first two hours:

Not a lot more.

“Alcatraz” might — just might — be the kind of show that I’ll watch every week for years, like “Lost.” It might be the kind of show I’ll wish I had watched every week, like “Fringe.” There’s enough sci-fi goodness, enough mystery, enough conspiracy and enough likable characters to make me give it a try for a while longer.

Jones plays a cop who gets drawn into the Alcatraz mystery when one of the long-missing prisoners shows up, not a day older, on the streets of San Francisco and begins killing people. Garcia is the author of several books about the prison and its history who, needless to say, didn’t know about the mystery and coverup.

Neill is … kind of a mystery, and maybe the best one about the show so far. He’s now a government agent, but back in 1963 he was a young cop who discovered the island prison was empty. In the years since, he’s been waiting, apparently, for the inmates to begin reappearing. So far he’s mum on just what he knows and how he knows it. A conspiracy is pretty well indicated: The prisoners, as they start showing up, have been outfitted with money and guns and in some cases given missions, including, in one case, the recovery of a mysterious key.

Neill’s character is also interesting because we can’t quite tell yet if he’s a good guy or a bad guy. When he head-butts one recovered prisoner and shoots another in the hand, the actions seem somewhat gratuitous if not a little uncalled for.

But when he lodges the recovered inmates in a new, middle-of-nowhere prison that replicates, in gleaming style, the old Alcatraz, he seems pretty keen on torturing them.

“We’ll see how you enjoy a visit from … Dr. Beauregard,” Neill says, or something like that, smiling slightly.

Okay, makers of “Alcatraz.” I’m in for a bit longer, for several reasons, including the appeal of Garcia and Jones as an unorthodox crime-solving team, the mystery of Neill’s character and the intriguing premise.

 

‘The Simpsons’ approaching 500th episode

We’ve been watching a lot of episodes of “The Simpsons” in my household lately. Not new episodes, but classics from old DVD collections.

My son has discovered the show and is currently obsessively watching the fifth season which, I’m startled to realize, aired several years before he was born.

I haven’t watched “The Simpsons” in years. As I’ve noted previously in this blog, I think the show ran out of steam somewhere around the 10th season. The few episodes I’ve seen in the past decade seemed cheap and obvious.

The fifth season, currently in “play all” mode at my house, was a whole different story.

Consider this: Bill Clinton was president and “Buffy the Vampire Slayer” was still just an awful movie and had not yet become a classic television series.

But “The Simpsons” was at a creative peak.

The episodes of that fifth season included:

“Homer’s Barbershop Quartet,” in which Homer, Apu and Skinner form a chart-topping pop music group and even beat Dexys Midnight Runners for the Grammy award. Don’t worry, Homer assures, we haven’t hear the last of them.

“Cape Feare,” in which Sideshow Bob gets out of jail and vows revenge on Bart. It all ends up at Terror Lake, where Bob finally catches up with his tormentor … after stepping on dozens of rakes.

“Homer Goes to College,” in which Homer thinks the mean old dean from “Animal House” is typical of college administrators.

“Bart’s Inner Child,” in which a self-help guru advises the town of Springfield to “be like the boy,” “Boy Scoutz N the Hood,” in which Homer ruins a perfectly good father-and-son rafting trip and Ernest Borgnine proves himself more than a match for a bear, “Bart Gets an Elephant,” which introduces Stampy; and so many more.

“The Simpsons” is quickly becoming one of the longest-lived shows on TV, despite threats that come up every few years when the wonderful voice cast asks for a raise and Fox says the show isn’t making enough money to be able to afford it.

The show’s 500th episode is set to air Feb. 19 and I might tune in. I want to enjoy the show like I did when acid-washed jeans were all the rage. I’m afraid both are cultural icons whose time has passed, though.

‘The Walking Dead’ mid-season premiere poster

Yes, it’s come to this. We all want “The Walking Dead” back so much we’re excited about a poster advertising it.

And yet.

AMC released this poster over the weekend. It shows Rick (Andrew Lincoln) taking aim at … what? Zombie Sophia in the final minutes of the last episode? Bossy farmer Herschel? Crazy loco Shane?

We’ll see when the show returns on Sunday, Feb. 12.