Category Archives: TV

‘The Mindy Project’ comes back for second opinion

mindy project season 2 premiere

“The Mindy Project,” created by and starring Mindy Kaling, was one of the most pleasant surprises of the last TV season.

Kaling, memorable from “The Office” and a brief role in “The 40-Year-Old Virgin,” stars in the Fox sitcom she created as a NYC doctor in a private practice populated with oddball types. Yes, we’ve seen the wacky lead surrounded by wacky supporting characters before. It’s a formula that proved tried and true as far back as Mary Tyler Moore and Bob Newhart’s sitcoms.

But “The Mindy Project” makes it all seem fresh and funny.

The series returns on Sept. 17 but Fox has put the episode online and On Demand in advance. So we could check it out. And of course, we did.

If the second season premiere seems kind of … light and frothy … well, that’s okay. The first season tackled some real, uncomfortable problems that often boiled down to Kalin’s character, Mindy Lahiri, feeling more than a little insecure and out of step with the rest of the world. We were treated to her every dating disaster – is there a more awkward situation than being on a double date and seeing the man and woman who aren’t supposed to be matched up hit it off incredible well? – and office faux pas.

The new episode picks up with Mindy living in Haiti with Casey (Anders Holm), her missionary boyfriend. Before the teaser is over, however, she has a medical emergency and is back in NYC. After her recovery, she goes back to her office only to find she’s been replaced in her private practice by a doctor named Leotard who’s played by James Franco. (Is Franco in every movie and TV series right now? Is that some kind of contractual thing?)

Meanwhile, fellow doc Danny (Chris Messina, wry and evasive as always) is trying to settle into a new relationship with his ex-wife, played by Chloe Sevigny, which includes trying to improve their intimacy. And Mindy and Casey draw closer to their wedding.

Naturally, things go astray for both couples.

The show is so funny and fast, you almost have to rewind it as you’re watching to catch all the quickly thrown-out jokes.

There’s a lot to like about the characters, especially the screw-loose male nurse Morgan (Ike Barinholtz), who’s armed with the best non-sequiturs on TV.

And the repartee between Mindy and Danny is  especially smart and funny. The two would seem to be perfect together: Perfectly wry and thorny in their every encounter, I mean. Here’s a “will they or won’t they?” relationship that is as absurd and enjoyable as it is low-key.

 

We’re looking forward to ‘Dallas’ returning

dallas season 3 cast

I’m enjoying TV series old and new this summer and fall, but I have to admit I’m looking forward to the return, over the winter, of some favorites like “The Walking Dead,” “Justified” and “Dallas.”

A reader asked when “Dallas” is returning for its third season. I did some online checking and found … well, nothing very specific. TNT says the third season – the first without Larry Hagman as J.R. Ewing – will return in early 2014.

dallas season 3

Here’s the TNT press release, from April:

TNT has renewed the hit drama series Dallas for a third season. Produced by Warner Horizon Television, Dallas centers on the Ewing clan, an enormously wealthy Texas family whose sibling rivalries, romantic betrayals, corruption and even murder are truly legendary. TNT has ordered 15 episodes for the third season, which is slated to launch in early 2014.

“Dallas has built a passionately loyal following with its expertly woven storylines, clever twists and turns, and numerous outstanding performances by a cast that spans generations,” said Michael Wright, president, head of programming for TNT, TBS and Turner Classic Movies (TCM). “Although we said goodbye to Larry Hagman and his iconic character J.R. Ewing this year, Dallas has many more stories left to tell, and the Ewing clan will continue to honor J.R.’s memory by keeping its audience surprised and delighted.”

TNT’s Dallas stars Patrick Duffy as Bobby Ewing, who is now the senior member of the Ewing family following the death of his older brother, J.R. Ewing. Linda Gray stars as Sue Ellen Ewing, J.R.’s former wife and the mother of his son, John Ross, played by Josh Henderson. Jesse Metcalfe is Christopher, Bobby’s adopted son, and Jordana Brewster is Elena Ramos, who grew up in the Ewing household and is now fighting for her own family’s legacy. Julie Gonzalo is Pamela Rebecca Barnes, Christopher’s ex-wife and the daughter of Cliff Barnes (Ken Kercheval), a longtime rival of the Ewings. Brenda Strong stars as Bobby’s wife, Ann, while Mitch Pileggi stars as Harris Ryland, Ann’s scheming ex-husband. The ensemble cast also includes Emma Bell as Emma Brown, a sheltered beauty whose father has taught her to distrust the world around her, and Kuno Becker as Drew Ramos, Elena’s troubled brother who has recently returned to Southfork.

Dallas launched on TNT last summer and ranked as basic cable’s #1 new drama of 2012 with key adult demos. In its second season, Dallas has averaged 3.8 million viewers in Live + 7 delivery, with 1.6 million adults 25-54 and 1.4 million adults 18-49.

Created by David Jacobs and developed by Cynthia Cidre, Dallas is executive-produced by Cidre, Michael M. Robin and Robert Rovner. The series is shot on location in the title city.

When I know a specific date, I’ll let you know.

Classic ‘X-Files’ – ‘Small Potatoes’

x-files small potatoes mulder scully

By the 20th episode of the fourth season of “The X-Files,” “Small Potatoes,” the Chris Carter series about two FBI agents investigating unexplained phenomena, had really hit its stride. Episodes had not only explored the mythology of the show – admittedly one that would eventually implode – as well as monster-of-the-week stories. And, as in “Small Potatoes,” darkly comic mysteries.

x-files small potatoes tabloid

Agents Mulder (David Duchovny) and Scully (Gillian Anderson) go to a West Virginia small town that – according to a tabloid – has seen a rash of “monkey babies” – infants with tails – born.

By this point in the series, Duchovny had settled into his wry conspiracy theorist role and Anderson was firmly in her “voice of reason” mode.

The X-Files Small Potatoes baby tail

When Mulder discovers a schlubby janitor, Eddie (played by Darin Morgan, one of the series’ writers) is the likely culprit, Scully theorizes he’s used a date rape drug to take advantage of the women. But before the first commercial, the viewers learn that the janitor has the ability to change his appearance to look like anyone. He comes from circus folk, you see. Not only do tails run in his family, but so does a muscle mutation that allows short-term appearance changes.

Eventually, Eddie impersonates Mulder, leading to a climactic scene when Mulder attempts to seduce Scully, a twist of the “will they or won’t they” tease for Mulder and Scully ‘shippers.

Random observations:

“The birds and the bees and the monkey babies, Mulder.”

The episode debuted April 20, 1997, when the series was broadcast on Sunday nights.

Eddie actor Morgan won an Emmy for writing the 1996 episode “Clyde Bruckman’s Final Repose,” featuring Peter Boyle as a psychic.

Christine Cavanaugh played the young woman whose delivery of a baby with a tail prompts the visit from Mulder and Scully. She’s best known for her work as a voiceover actor, providing the voice for Babe from “Babe” and Chuckie Finster from “Rugrats.” Until just re-watching the episode, I thought the of the woman seduced by Luke Skywalker had been played by Elizabeth “E.G.” Daily, who played Dottie in “Pee-Wee’s Big Adventure.”

Duchovny has a field day playing Mulder as impersonated by Eddie, making goofy faces and almost getting in trouble with their boss, Skinner.

The episode was written by one of the series’ best writers, Vince Gilligan, who went on to create “Breaking Bad.”

One of the commercials that aired during the episode – I know, because I watched it on my ancient VHS tape – was a TGIFriday’s commercial featuring none other than “Breaking Bad’s” Bryan Cranston.

‘Orphan Black’ a fine thriller

orphan black characters

In this day of online spoilers and instant reviews via Twitter or other social media, it’s rare that the world – and the geek world in particular – catches on to a new TV show only gradually. But that’s what happened with “Orphan Black.”

The U.S.-Canadian series aired the first of its 10-episode season on BBC America at the end of March. I’d heard good things about it, but with so many high quality cable series going on right now – “Mad Men” was still airing, as was “Justified” I believe – I thought I would have to catch up on it later. Only so many hours in the day and all that.

The buzz on the drama was consistent, however, and I’ve been working through the series since early spring.

And I’m happy to say the buzz was right on the money. The show is good and the star, Tatiana Maslany, is great.

If you haven’t heard – or been watching – by now, the series by Graeme Manson and John Fawcett focuses on Sarah Manning (Maslany), a woman living on the ragged edge of legality with her foster brother, Felix (wonderful Jordan Gavaris). Sarah’s young daughter. Kira, lives with Mrs. S (Maria Doyle Kennedy), Sarah and Felix’s foster mom.

Sarah’s disreputable side of life existence goes down the rabbit hole one day in the subway when she is horrified to see a woman commit suicide by walking off the platform in front of a train. What’s possibly more horrifying: The woman, a police detective named Beth, was a dead ringer for Sarah.

Sarah takes the dead woman’s purse and begins investigating her lookalike with an eye toward impersonating her long enough to clean out her bank account. This necessitates some hot kitchen counter sex with Beth’s boyfriend, Paul (Dylan Bruce) and encounters with Beth’s cop partner, dogged Art Bell (Kevin Hanchard).

Before long, though, Sarah (posing as Beth) discovers she had more than one lookalike. She meets Alison, a tightly wound suburban mom, Cosima, a free-spirited grad student, and – most terrifyingly – Helena, who seems to be an assassin.

As Sarah, aided by Alison and Cosima – and snarky Felix – investigate the mystery of their existence, they discover they’re clones, created and sent out into society with “monitors” – sometimes referred as “watchers,” which made me think of “Buffy” – who keep track of this twisted laboratory experiment.

As they try to avoid exposure by the police, assaults by Helena and the manipulations of the monitors, the “orphan” clones try to get to the central mystery of their lives: Why are they here?

Maslany has received a lot of entirely justified praise for her performance as the clones. Often acting opposite herself – composited later via special effects – Maslany brings ample personality to each: Tough and streetwise Beth, refined soccer mom Alison, smart and vulnerable Cosima, menacing Helena and others with smaller roles.

Like Maslany, the supporting cast – which includes Matt Frewer as a doctor and author with a role in the mystery – is really topnotch. Like “Lost Girl” – which I really enjoyed but found kind of repetitive – and “The Fades,” “Orphan Black is a next-generation version of “Buffy” with its core character – characters, in this case – of a strong young woman fighting to find answers to her own questions.

A second season of “Orphan Black” is coming in April 2014, but you’ve got time to catch up online, on demand or on disc. It’s a fun, often funny, often poignant thriller.

 

‘SharkNado,’ ‘Ghost Shark’ and great exploitation movies

screamers advertisement

I still remember my expectations when I saw “Screamers” at a drive-in theater in 1981.

They were pretty damn low.

After all, “Screamers” was sold with the catchphrase “Be Warned: You Will Actually See a Man Turned Inside Out” on the poster. When a movie is sold on that kind of pitch alone you know it’s got problems.

When that scene doesn’t even happen in the movie, you know the suckers who paid admission have problems.

Anyway, “Screamers” – which was actually an Italian movie called “Island of the Fish Men,” made two years earlier, then released with some footage added by Roger Corman’s New World Pictures – was pretty weak stuff.

ghost-shark

It’s appropriate that the universally liked Corman has, in recent years, produced cheap sci-fi movies for the SyFy channel, home of “SharkNado,” a huge hit on SyFy a few weeks back, and inspiration for “Ghost Shark,” which aired Thursday night. Neither were Corman productions but might have been. That’s because the mix of inspiration and desperation that went into the writing, filming and marketing of these movies was vintage Corman.

“SharkNado’s” best marketing tool was one that couldn’t have been planned or bought by SyFy. The Twitter reaction to the movie the evening it aired added greatly to the movie’s impact on the pop culture landscape.

When SyFy aired “Ghost Shark” – an inferior movie to “SharkNado” but one with some funny and audacious scenes – the channel seemed to try to prime the Twitter pump by superimposing lame “Tweets” in the upper left corner of the screen.

Didn’t work.

I often wonder how modern technology and social media who have affected the plots of movies that predated their invention. In the case of “Screamers” back in 1981, I can only imagine how my friends and I would have digitallly picked the movie apart there from our drive-in vantage point.

RIP Elmore Leonard, king of hardboiled crime

Elmore Leonard

Sad news today: Elmore Leonard, author of such crime novels as “Get Shorty” and “Glitz,” has passed away at 87 after recently suffering a stroke.

I won’t pretend to be an expert on Leonard. I’ve read a few of his books – I reviewed his final book published before his death, “Raylan,” in February 2012 – and I appreciated his knack for making his bad guys as interesting as, or more interesting than, his good guys.

I also appreciated Leonard’s nurturing of “Justified,” the FX series based on his short story “Fire in the Hole,” about Raylan Givens, a deputy U.S. marshal working in Kentucky.

As he finds himself up against meth dealers and murderers, Raylan was cool and compelling, especially when dealing with lifelong antagonist Boyd Crowder.

Leonard didn’t have  a lot of love for movie and TV versions of his work, but he liked Graham Yost’s “Justified” and had some kind of synergy going with it, contributing story ideas and writing an episodic novel (the aforementioned “Raylan”) drawn from the same setting.

We’ll miss you, Mr. Leonard.

‘Longmire” hews closer to Johnson’s books

craig johnson longmire the cold dish

When I wrote about the first season of A&E’s “Longmire” in June 2012, my natural inclination was to compare the books and TV series. I’d been enjoying the books for a couple of years and hoped for the best for the series. The best I could say – I mean that sincerely – was that the show captured the characters and flavor but not the plot integrity of author Craig Johnson’s mysteries, set in a rural Wyoming county.

I noted some differences between the series and the books. The series omitted a few characters – Sheriff Walt Longmire’s predecessor in office,  crusty old retired sheriff Lucian, notably – and added a few, including Lucian’s nephew, ambitious deputy Branch Connally, who wants to unseat Walt in an election.

Missing was the forged-in-Vietnam bond between Walt and pal Henry Standing Bear, leaving the Bear’s motivations sometimes in doubt.

Also absent were a Philadelphia connection – deputy Vic is from there, and it is home to Walt’s daughter Cady’s law practice – and the sense of the mystical and spiritual, as Henry nudges Walt toward a deeper connection with the Native American spirits of the Wyoming countryside. Also absent, to some extent, were the Crow and Cheyenne supporting characters that filled the books.

Maybe the most egregious variation from the books is how the series has dealt with the death of Walt’s wife. In the books, she died before the first story began after a battle with cancer. Martha Longmire likewise died before the TV series began, but it’s implied she died at the hands of a drug dealer in Colorado and Walt (and perhaps Henry) then killed her killer.

longmire logo

I’m glad to say, most of the way into the second season of “Longmire,” that the series has greatly improved.

Sure, star Robert Taylor and supporting cast like Katee Sackhoff were always good. But the second season – perhaps with input from Johnson himself, perhaps from a realization on the part of show creators Hunt Baldwin and John Coveny that Johnson gave them excellent material to work with and they should take advantage of it – has seen the show capture the spirit – and sometimes the letter – of the books.

The first episode of the second season, “Unquiet Mind,” echoed the “prisoners on the loose in mountainous countryside” plot of the seventh book, 2011’s “Hell is Empty.”

The third episode of this season, “Death Came in Like Thunder,” explored the Wyoming Basque community that’s a big part of the books. One of the characters omitted from the TV series is Basque deputy Santiago.

And the second season even returned to two major plotlines of the books: Cady Longmire’s serious injury at the hands of an attacker – although in the books it happens in Philly, where’s she’s practicing law – and deputy Vic’s history on the Philly PD.

The Native American spiritualism that seemed so missing from the first season was greatly felt in the second, climaxing in a scene where Walt – to atone for the killing of his wife’s killer – hooks his chest in “Man Called Horse” style and suffers in the blazing sun.

And although I haven’t seen it yet, I’m told an episode even features the TV series version of Lucian.

I can’t think of a recent TV series that improved so markedly from the first season to the second. I think if you’re a fan of the books, you’ll find more to like than just the character portrayals and tone this season. If you’re not a reader of the books, you’ll find an enjoyable crime drama unfolding on a weekly basis.

‘The Bridge’ – Murder from both sides

the bridge leads

We’re living in a golden age of cable TV. Starting with “The Shield” and continuing through “The Walking Dead,” “Breaking Bad,” “Justified” and other series, what was once “basic” cable has in recent years given us serial dramas that rival novels for their depth, complexity and characters.

“The Bridge” is the latest episodic drama that fits that mold.

Based on a Danish/Swedish series, the FX series plays out on two sides of the Bridge of the Americas, between Juarez, Mexico, and El Paso, Texas.

An El Paso detective, Sonya Cross (Diane Kruger), and a Chihuahua detective, Marco Ruiz (Demian Bichir), are called in when a body is found in the middle of the bridge. To their horror, they discover it is actually two bodies: One half is Mexican, the other American.

In service of its gruesome plot, the series launches into a mix of politics and murder, with a serial killer who seems to relish making statements about the disparities between American and Mexican life and justice as much as he enjoys killing.

The cops struggle to keep up as they deal with not only political considerations but a killer who sets out to shock. One episode puts the detectives in a race against time as they try to find a woman staked out in the desert, her slow death being shown via a webcam.

Kruger’s character is especially interesting: She has Apserger’s Syndrome and is prone to tactless pronouncements. Ruiz is a family man who, nevertheless, goes astray from his moral roots.

the bridge ted levine

There’s a good supporting cast, particularly Ted Levine (the killer from “Silence of the Lambs”) as Cross’ crusty cop superior. Annabeth Gish – looking very different from her “X-Files” days – is good as a widow with a secret.

the bridge street

The promos for the series were dark and macabre, focusing on gravesites and dark alleyways and remote haciendas in the desert. The promos sucked me in.

And the series followed through on that imagery. Each week, the story moves back and forth from the mansions of Texas to the seedy streets of Juarez to the dusty desert expanse. The tourism boards from El Paso and particularly Juarez can’t be any more thrilled with this depiction of the area than the chamber of commerce from Lexington, Kentucky is thrilled with the endless parade of meth heads, hookers and small-time criminals on “Justified.”

“The Bridge” is a little more than halfway through its first season and the early episodes are available online and on demand. It’s definitely worth the effort to try to catch up.

Classic ‘Buffy’ – ‘The Wish’

buffy the vampire slayer the wish

“Buffy the Vampire Slayer” had already long established itself as a groundbreaking TV classic before “The Wish” aired as the ninth episode of the third season, debuting in December 1998.

But “The Wish” was among the episodes of the series that helped distinguish “Buffy” as more than that show with an unlikely name.

During the first season, viewers of Joss Whedon’s series about a teenage girl who reluctantly becomes the foe of vampires, demons and other monsters were treated to imaginative and funny but somewhat conventional “monster of the week” episodes. “Prophecy Girl,” the final episode of the first season, elevated the show as Buffy put an end to the Master with the help of her friends.

In “The Wish,” written by Marti Noxon, “Buffy” returns to elements from that first season but gives them an alternate reality twist.

The unlikely couple of Cordelia (Charisma Carpenter) and Xander (Nicholas Brendon) has just ended when Willow (Alyson Hannigan) and Xander kissed in a moment of crisis. Cordelia, who often transcended her petty attitudes with heroism, gives into those baser instincts here and unknowingly falls in with new student Anya (Emma Caulfield), a vengeance demon who entices her into making a wish. That wish happens to be that Buffy had never come to Sunnydale.

The result? Sunnydale is controlled by vampires. Giles (Anthony Stewart Head) and a small group of non-super-powered demon fighters try to take on the vampires, but they’re outgunned by the Master and his minions, including vampiric versions of Xander and Willow.

The plot is nicely twisty – we think Cordelia will be key to reversing the alternate reality but, surprise, she gets killed – and full of foreshadowing, intentional or otherwise, of what’s to come: Vampire Willow returns in a later episode, of course, and Willow herself makes some momentous moves of her own as the series continues.

Random observations:

The Master (Mark Metcalf of “Animal House” fame) is lip-smackingly fun here.

It’s fun to spot the connections between “Buffy” and the cheerleading movie “Bring it On.” Here, Nicole Bilderback, one of the snooty cheerleaders in the movie, is a Cordelia/Harmony hanger-on.

Larry Bagby III, who’s made appearances as classmate Larry, gets to be one of the good guys in GIles’ Buffy-less Scooby Gang.

Caulfield returns as Anya, of course, later in the series. And we loved her.

Pop culture classic: ‘Galaxy Quest’

galaxy-quest-movie-poster-

I’ve heard the argument made, online, that “Galaxy Quest” is the best big-screen “Star Trek” movie. “Star Trek” reboot director J.J. Abrams apparently said as much. While I think the claim is made somewhat facetiously, there’s a lot to be said for the light-hearted 1999 sci-fi comedy.

Beyond the trappings of the movie, which looks at a group of has-been actors living off the fame of their cult TV show 20 years later, there are a lot of subtle and not-so-subtle nods to “Star Trek” the show, its cast and fandom.

The movie, directed by Dean Parisot, shows us the cast of the former “Galaxy Quest” series in the only setting in which they can thrive: Fan conventions. While the show’s captain, played by Tim Allen, basks in the glory of his adoring fans, the rest of the crew – Sigourney Weaver as the ship’s eye candy, Alan Rickman as the Spock stereotype, Daryl Mitchell as the kid actor grown up, Tony Shalhoub as the perpetually befuddled and hungry engineer and Sam Rockwell as a glorified extra who comes along for the ride – seethe with jealousy.

From convention appearances to openings of electronic stores – where Rickman, so dry and sarcastic, has to trot out a modified version of his catchphrase: “By Grabthar’s Hammer … what a savings!” – the actors bicker and scramble for jobs.

When an oddball group of fans – led by Enrico Colantoni of “Veronica Mars” and including Rainn Wilson of “The Office” in a small role – asks for their help, they think they’re appearing in some elaborate fan-made performance. Soon enough they learn that the “fans” are aliens, come to Earth to find the heroes of the “historical documents” they’ve been watching in space. They’re seeking help in fighting off an evil alien conqueror.

“Star Trek” fans will find a lot that’s amusingly and comfortingly familiar here, from the perils of guiding the huge ship out of space dock to the ridiculous design of the craft itself.

Not to mention the ghettoized duties and personalities of the crew – Weaver’s character gets to repeat the computer’s pronouncements -and the backbiting behavior of the actors, all of who are resentful and jealous of Allen’s very Shatner-esque commander.

It’s easy to overlook Allen’s laid-back performance, but he really captures the bravado of a once-hot actor who still expects to be treated like a star.

Rickman is so good as the irritated Alexander, whose resemblance to Leonard Nimoy and his frustration at always being identified as Spock is dead on. Tony Shalhoub has some of the movie’s biggest laughs as the bemused engineer and Rockwell is wonderful as a bit player who would have given anything to have what even the cast of this cult TV show has.

“Galaxy Quest” might not be the best “Star Trek” movie ever made, but it sure is the best movie about “Star Trek” ever made.