First look: Paul Giamatti as the Rhino

rhino spider-man giamatti

Hmm. Well, it’s interesting.

When director Marc Webb cast character actor Paul Giamatti as veteran Spider-Man villain the Rhino in his “Amazing Spider-Man” sequel, some of us wondered. Giamatti just didn’t seem to fit the part.

Now we have the picture above, tweeted by Webb, of Giamatti from production of the movie, which comes out in summer 2014.

rhino spider-man 41

It’s a different look, for sure.

Maybe he doesn’t have his Rhino onesie and horn yet. As various websites have noted today, he definitely has the roid rage look, though.

 

‘S.H.I.E.L.D.’ is on for TV and here’s a peek

agents of SHIELD cast

We knew this was going to happen – “Avengers” director Joss Whedon is overseeing the series and directed the pilot episode, for pete’s sake – but ABC on Friday announced that it had picked up the “SHIELD” series.

So we got a couple of cool things on Friday, coolest of which is the cast photo above, with SHIELD agents flanking Agent Phil Coulson (Clark Gregg).

There was also a “leak” of a few seconds of footage labeled “Hulk Fire.” It looks like footage from “The Incredible Hulk” to me, a few seconds of the Abomination tearing up Harlem before the Hulk shows up. But maybe I’m wrong.

SHIELD leaked image

Here’s a screen cap.

The show – which will exist in the Marvel movie universe – has the potential to be cool, Whedon-y fun like “Buffy the Vampire Slayer,” “Angel” and “Firefly.”

SHIELD-agent-coulson

It’ll be interesting to see how the series explains some things – the presence of Coulson, who was ostensibly killed in “The Avengers” – and how it gives us some superhero action without busting its budget.

j august richards

Not to mention the possibility of cameos, and the mystery of who “Angel” alum J. August Richards is playing. Is he Luke Cage? And how many other Marvel characters will be introduced in the series?

Here’s ABC’s description of the series:

“Clark Gregg reprises his role of Agent Phil Coulson from Marvel’s feature films as he assembles a small, highly select group of Agents from the worldwide law-enforcement organization known as S.H.I.E.L.D. Together they investigate the new, the strange, and the unknown across the globe, protecting the ordinary from the extraordinary. Coulson’s team consists of Agent Grant Ward (Brett Dalton), highly trained in combat and espionage, Agent Melinda May (Ming-Na Wen) expert pilot and martial artist, Agent Leo Fitz (Iain De Caestecker); brilliant engineer and Agent Jemma Simmons (Elizabeth Henstridge) genius bio-chemist. Joining them on their journey into mystery is new recruit and computer hacker Skye (Chloe Bennet). From Executive Producers Joss Whedon (“Marvel’s The Avengers,” ”Buffy the Vampire Slayer”); Jed Whedon & Maurissa Tancharoen, “Marvel’s Agents of S.H.I.E.L.D.” pilot co-writers (“Dollhouse,” “Dr.Horrible’s Sing-Along Blog”); Jeffrey Bell (“Angel,” “Alias”); and Jeph Loeb (“Smallville”) comes Marvel’s first TV series.  “Marvel’s Agents of S.H.I.E.L.D.” is produced by ABC Studios and Marvel Television.”

Professor X shaggy in ‘X-Men’

james mcavoy new x-men

“X-Men First Class” was a really fun movie and had some sport with its 1960s setting, particularly in the boots and “groovy” threads worn by its cast.

It looks like “X-Men: Days of Future Past,” which apparently straddles several time periods in uniting the largest “X” cast ever, is going for a similarly authentic look.

So here’s James McAvoy as the younger Professor X. Patrick Stewart also plays Charles Xavier in the movie.

Director Bryan Singer tweeted this picture of McAvoy in the past day or so.

He dubbed it “Serpico,” and McAvoy does look a bit like the undercover cop played by Al Pacino … good lord … four decades ago.

“X-Men: Days of Future Past” opens July 2014.

Shane Black to make ‘Doc Savage’ movie

doc savage james bama

So news broke today – a couple of days after director Shane Black’s “Iron Man 3” set some pretty impressive box office records – that Black would make a “Doc Savage” movie, perhaps as his next feature.

Readers of this blog know that “Doc Savage” – a pulp magazine and comic book adventurer – is a favorite character of mine. That’s in part because he’s so impossibly cool – a super-smart, super-strong crime fighter who got that way because, like Batman, he worked hard to become what he became – and in part because Doc established so many pop culture touchstones.

He was named Clark before that Kent guy. He had a Fortress of Solitude before Superman. He was a scientific detective who tried to not kill before Batman.

doc savage fabulous five

And he had the Fabulous Five, a cool group of associates that were sidekicks before anybody knew what sidekicks were.

I grew to know Doc from the reissued stories that came out in paperback in the 1960s and 1970s, featuring great James Bama cover art.

There’s lots about Doc out there, including plenty of entries – including some on my blog – about the character, the pulps and the awful first “Doc Savage” movie released in the 1970s.

I hope you get to know Doc and are ready when Black brings him back onto the big screen. I’m already ready.

 

RIP Ray Harryhausen

harryhausen skeleton

Ray Harryhausen, who passed away today in London at age 92, was certainly inspirational. He sparked a love of movies and special effects among not only lifelong movie fans but boys and girls who grew up to be directors and, like their idol, special effects wizards.

But for me, Harryhausen was more than just the creator of great movie creatures like Medusa in “Clash of the Titans” or the sword-fighting skeletons in “Jason and the Argonauts.”

Harryhausen lent an air of respectability to the wildest fantasy stories kids could hope to see in movie theaters.

jason argonauts skeleton sword fight

That’s because Harryhausen and his writing and directing partners adapted classic stories – a series of Sinbad movies or “The Beast From 20,000 Fathoms,” based on his friend Ray Bradbury’s melancholy “The Fog Horn” – that were almost impossible for parents to say “no” to. Really, faced with the possibility of letting your kid see Harryhausen’s version of mythology or a “Godzilla” flick, what would you say?

Harryhausen’s stop-motion animation techniques – not the first, since the process pre-dated him with “King Kong” – were also the kind of effect you could show your parents and prompt awe. Look, we would say: He moves the small model of the gorilla a fraction of an inch, then exposes a frame of film, then does it over and over and over again. This was moviemaking at its most artistic and most craftsman-like at the same time. Anyone could recognize it as hard work. Even parents.

famous monsters 118 harryhausen

Magazines like Famous Monsters of Filmland – edited by another Harryhausen pal, Forrest J Ackerman – let us revel in the process and marvel over those detailed models.

Harryhausen is being memorialized all over the web tonight, and there’s not a lot I can add to that. Except for a few personal favorites:

Harryhausen worked on “Mighty Joe Young,” the 1949 follow-up to “King Kong,” and made a giant gorilla downright cuddly. Who wouldn’t love a simian who rescued tykes from a burning orphanage?

harryhausen medusa

Beginning with “The 7th Voyage of Sinbad” in 1958 and running through “Clash of the Titans” in 1981, Harryhausen made history his own, giving us cyclopses (cyclopsi?) and minotaurs and sabre tooth tigers and fantastic and eerie creations like Medusa, with her snaky body and hair.

The world changed and the world of moviemaking changed and by the time “Clash of the Titans” came out, two “Star Wars” movies had been released and the world was turning to a more sophisticated type of computer-controlled-camera-and-model animation that itself would be replaced within just a few years with computer effects.

But Harryhausen’s legacy was long since in place, as evidenced by the sly references to his work, including the restaurant named after him in “Monsters Inc.”

Harryhausen made us believe that legends, gods and monsters walked among us. And until his death today, they truly did.

 

‘Iron Man 3’ Easter eggs

tony stark AIM shirt iron man 3

“Iron Man 3” for the most part stood on its own, without a lot of overt references to the other Marvel movies – except for that post-credits scene and mentions of the Avengers and Thor.

But the Shane Black movie did have some Marvel Easter eggs, references to the comics and the other movies.

Here they are:

Ho Yinsen, the scientist who helps Tony create the Iron Man armor in the original movie – and dies at the hands of the Ten Rings terrorists – comes up to self-absorbed Tony in the Switzerland flashback scenes in “Iron Man 3.” Actor Shaun Toub played the part in both movies.

Marvel Comics legend Stan Lee almost always has a cameo in big-screen adaptations of the comics. In “Iron Man 3,” he is glimpsed holding up a “10” sign during the Miss Chattanooga pageant.

Strange_Tales_Vol_1_149 AIM

One of the – potentially – most interesting Easter eggs was the inclusion of AIM (Advanced Idea Mechanics) in the movie. In “Iron Man 3,” AIM was an organization founded by bad guy Alrich Killian. In the books, AIM has a long history as one of the most significant criminal and terrorist organizations in the Marvel universe, dating to the 1960s. At the top of this entry, you even see Tony Stark sporting an AIM shirt. Here’s hoping these classic bad guys pop up in other Marvel movies.

In the movie, the character Ellen Brandt is the Extremis guinea pig who throws Tony around a Tennessee town. Various websites note that her character in Marvel comics is an AIM operative with links to Man-Thing and Dr. Strange.

In the movie, Rhodey’s War Machine is renamed Iron Patriot by the president. But in the comics, Iron Patriot was the guise taken by Spider-Man villain Norman Osborn in recent years, particularly when he led a villainous version of the Avengers.

More of an in-joke than an Easter egg: At some point Tony tells a little glasses-wearing kid, “I loved you in ‘A Christmas Story.'” Peter Billingsley, who played Ralphie in that holiday classic, grew up to be a producer and bit player in “Iron Man.”

mandarin tattoo

And one that puzzles me: Where was Mandarin’s tattoo, as seen in trailers for the movie, of the Captain America shield with an “A” in the center? I’ve only seen the movie once so far but I didn’t catch the tattoo or the shot above, although it’s common for elements from trailers to miss the final cut of a feature film. Producers have said the Mandarin character – and his allies – adopted a variety of evocative images to get their messages across. We saw a lot of such savvy in the Mandarin’s videos. But we didn’t see the tattoo, unless I missed it. Did anyone else notice it?

‘Iron Man 3’ good start – and ending

iron_man_3_poster_cast

I thoroughly enjoyed “Iron Man 3,” although I’m not sure it tops the 2008 original, as some reviews have suggested, and it definitely doesn’t displace “The Avengers” as my favorite Marvel movie.

But “Iron Man 3” manages to do what might have been impossible: Follow a blockbuster, multi-superhero movie with a story that’s smaller in scale and personal for its protagonists. But still loaded with action and humor.

Spoilers ahead, but I’ll warn you when we get to them.

As anyone bothering to read this knows, “Iron Man 3” finds Tony Stark suffering from PTSD after the events of “The Avengers.” Even as he is paralyzed by anxiety attacks, Stark tinkers with a new type of armor and confronts a new enemy, a TV-savvy terrorist known as the Mandarin.

Along the way, we find out about some of the people that pre-Iron Man Tony Stark met and abandoned along the way, as Stark finds that his past can come back to confront him as surely as an invading alien army.

Maybe there was a little too much effort to make “Iron Man 3” a stand-alone. There was a mention of SHIELD and, yes, I enjoyed the references to the events of “The Avengers.” But I think I wished for a little more Marvel movie universe continuity. The post-credits stinger was a pleasant exception, however, to the lack of shared Marvel movie goodness. I’ll get to that in a minute.

Some fans have expressed surprise at the way the movie depicts Mandarin, Iron Man’s best-known enemy from the comics, here played by Ben Kingsley. I don’t have any qualms about the turns of the plot. The comics were the comics and the movie is the movie.

In addition to the new players, Tony’s supporting characters are all here and, for the most part, get good roles. Don Cheadle, who joined the series in “Iron Man 2” as Tony’s longtime friend James Rhodes – known as the armored hero War Machine – has what’s probably the meatiest role. Co-writer/director Shane Black – who wrote the classic action movie “Lethal Weapon,” turns a couple of sequences into a “buddy cop” movie, notably later sequences with Tony and Rhodey out of armor but still taking on the bad guys.

And there’s a lengthy and greatly enjoyable sequence in the middle of the movie when Tony teams up with a youngster played to great effect by young actor Ty Simpkins. Tony’s caustic treatment of the boy more than offsets any hint of treacle.

Random observations:

The movie did fool me (spoiler here) about the fate of Pepper Potts. For a little while.

The end credits, with scenes from all three movies set to a hard-driving tune, seem like the credits for some forgotten 70s “Iron Man” TV show.

And here’s the end-credits spoiler if you haven’t seen the movie yet: Mark Ruffalo does indeed show up as Bruce Banner. It turns out that Tony’s recounting of events that frames the movie is for the benefit of Bruce Banner. The comrades-in-science left together at the end of last year’s “The Avengers” and fans have been wanting more of the pairing. As post-credits stingers go, it was the rare instance that didn’t advance the story toward the next Marvel movie but established, like Marvel Comics always did, that this is a shared Marvel universe.

Related observation: For a comic book fan all grown up, seeing trailers for movies featuring Thor, Wolverine and Superman before an Iron Man movie is more than a little mind-boggling.

In some ways, “Iron Man 3” feels like the finale of the series. It is, in reality, the first movie in Marvel’s planned Phase 2, a series that culminates in the “Avengers” sequel in 2015. There’s a sense of finality about the movie however. If this was the last “Iron Man” movie or the last featuring Downey, it wouldn’t be a bad exit.

First look: The Falcon from ‘Captain America: The Winter Soldier’

the falcon anthony mackie

We’re seeing more and more from “Captain America: The Winter Soldier” now that filming has begun.

Here’s Anthony Mackie as Sam Wilson, also known as The Falcon, Captain America’s modern-day partner.

captain america and the falcon

Here’s how the duo looked in the comics.

It’s likely The Falcon’s wings will be added in post-production, so we’ll have another glimpse to look forward to in a few months.

The movie comes out in April 2014.

‘The Americans’ a great take on the Cold War

the americans season finale

“The Americans” wrapped up its first season on FX this week and I’m happy to say the early promise of the series was carried through to this year’s finale.

If you didn’t check out the show – and you really should find it online or on demand in order to be ready for the second season – you missed one of the most offbeat combinations of recent years: A Cold War espionage thriller crossed with a domestic drama about a spectacularly strained marriage.

Kerri Russell and Matthew Rhys play Elizabeth and Phillip, a married couple and parents of two kids in the greater Washington DC area in 1981.

Unknown to their own children, their friends and their new neighbor, an FBI agent played by Noah Emmerich, Elizabeth and Phillip are actually Russian spies. They operate out of a travel agency (how’s that for a moment in time?) and carry out missions like bugging Casper Weinberger’s study.

The stakes are high for these spies and their handler, the ruthless Claudia, played by “Justified’s” Margo Martindale, even though we know it wasn’t long before the Soviet Union as a threat to the United States was no longer a realistic one.

So as Elizabeth and Phillip and the feds – including a hardass Richard Thomas of “The Waltons” as the FBI boss – maneuver and kidnap and assassinate their way through what seems like ancient history, the series not only examines the relationship between the hard-edged Russell and the soft-hearted but steely Rhys and Emmerich, sympathetic as the fed carrying on a relationship with a Russian woman (the adorable Annet Mahendru as Nina) even while his marriage falls apart.

The first season ended with a gripping episode in which the cat-and-mouse game threatened to expose the spies to their FBI agent pal and cost them their lives. It left me wanting more, like any good TV series.

The surprise here is Russell, so far removed from her “Felicity” days. In “The Americans” she’s whipcord thin and looks like she’s made of coiled steel. Elizabeth is hard – justifiably so, based on her harrowing background – and dangerous. I can’t wait to see what she does next season.