New images: Mark Hamill as aged Luke, Man of Steel

mark hamill aging luke

Okay, here’s a two-fer. Maybe it’ll make up for how lax I’ve been in postings lately.

We’ll, probably not. But they are, respectively, cool and interesting.

Above is artist Phil Noto’s imagining of a cool middle-aged Mark Hamill as a cool middle-aged Luke Skywalker.

If they could pull this off, I’d be happy.

Here’s Noto’s website with his beautiful art.

man of steel cover total film

And here’s the cover of Total Film magazine with a look at Superman and Lois from “Man of Steel.”

I’ve read more positive things about the movie, which comes out in May, lately. We’ll see.

 

Hardcover heroes: Comic book novels

wayne of gotham

There’s a surprisingly long history of comic book superheroes appearing in novels, either hardcover or paperback. Some of us have shelves lined with prose treatments of our favorite heroes.

Having just read “Wayne of Gotham,” a recent novel by Tracy Hickman, I thought I’d make mention of a couple of notable ones.

First, “Wayne of Gotham.” Hickman’s story alternates between two time periods, the present day, as Batman tries to unravel a decades-old mystery, and the late 1950s, when his father, Gotham physician Thomas Wayne, dealt with a threat to his beloved city.

The 1950s storyline, of course, takes place several years before the events of the Batman comics that created the Dark Knight: Thomas and Martha Wayne are gunned down in an alley, while their young son watches, by a deadly criminal. Young Bruce Wayne devotes his life to fighting crime, as we all know, as Batman.

In Hickman’s book, chapters alternate between the present and the past, recounting a mystery that confronted both generations of Waynes.

In some ways, it feels like Hickman’s most daring decision is to depict an aging Batman who fights crime now with the help of high-tech devices. Sure, Batman still enjoys a good scrap. But he’s middle-aged and all those midnight battles have taken a toll on his body.

superman george lowther

The granddaddy of all superhero books is George Lowther’s 1942 novel “The Adventures of Superman.” The character of Superman had been around for a few years by the time this hardback book was published, but the impetus for the book was no doubt the very popular “The Adventures of Superman” radio series. Lowther was a writer on the show as well as many others.

(Fun fact about Lowther, who died in 1975: He also wrote more than 40 episodes of “CBS Radio Mystery Theater,” the last of the widely heard radio dramas, in 1974 and 1975.)

Lowther’s Superman novel, which was reprinted in 1995, was the first novelization of a comic book superhero, of course, but also contributed to the mythology of the character, naming Superman’s parents on Krypton Jor-El and Lara, varying from the earlier Jor-L and Lora from the comics.

(Another fun fact: The radio series introduced several of the core Superman mythos concepts, including Kryptonite, that elemental remnant of Superman’s home planet that can be dangerous to him. Although the radio show is largely unheard these days – I have an audio cassette boxed set from 20 years ago – it contributed a lot to the character.)

enemies and allies

Probably my favorite modern-day superhero novelization is “Enemies & Allies,” a 2009 novel by Kevin J. Anderson.

Set at the height of the Cold War in the 1950s, the novel recounts the early, uneasy meeting between Superman and Batman as they team up to battle Lex Luthor, who is stoking 1950s-era fears of nuclear war and alien invasion.

Anderson’s book is terrific. It’s a good treatment of vintage superheroics and is quite faithful to the feeling of mutual suspicion replaced by growing trust between Superman and Batman. I wish he’d come back to the characters.

Images of my childhood: ‘Keep on Truckin’ poster

keep-on-truckin

How many bedroom walls were adorned by Robert Crumbs’ “Keep on Truckin'” poster in the 1960s and 1970s?

All of the bedroom walls. At least in my world.

Crumb, of course, was the artist better known as “R. Crumb” who enlivened the pages of alternative and underground comics (comix) with crazy detailed scenes featuring big, meaty women.

His “Keep on Truckin'” poster is a classic of its kind and shows a series of Crumb’s offbeat men putting their best feet forward as they cross a flat landscape.

According to the Interwebs, the image originated in Zap Comix in 1968 but quickly became pirated, appearing on posters and T-shirts and every imaginable product offered to the counter-culture. Crumb spent part of the 1970s in court, trying to prevent copyright violations on his drawing, and his legal battles have stretched into recent years.

Most recently, he sued Amazon because the website used the drawing on its site for when a search bottomed out with no results.

robert crumb

Crumb has called the iconic drawing “the curse of my life.”

Crumb has his own offbeat sensibilities, obviously. Evidence of this: He reportedly turned down Toyota’s offer of $100,000 to use the art in advertising.

 

Harry Bosch tackles a cold case in ‘The Black Box’

connelly the black box

Over the course of a couple of decades, former Los Angeles Times reporter Michael Connelly has built a densely-populated world of LA cops, criminals and lawyers. His books about attorney Mickey Haller, including “The Lincoln Lawyer,” are among the best legal thrillers of the modern day.

But Connelly’s body of work most often focuses on Harry Bosch, a veteran LA police detective who is as good at maneuvering through LA police politics as he is at solving crimes.

Lately, Bosch has been part of an LAPD unit working cold cases, and in “The Black Box,” Bosch’s latest cold case seems very cold indeed. Bosch gets the opportunity to try to close a case that he had opened in the spring of 1992, when LA was wracked by riots and murders in the wake of the verdict in the trial of four white cops charged with beating a black man. The cops were found not guilty and parts of the city erupted in an orgy of arson, violence, looting and murder.

Bosch investigates the death of a young woman, a journalist from Denmark, who was found shot to death in an alley in an area wracked by violence. Bosch refuses to believe the young woman was simply in the wrong place at the wrong time, but there are too many homicides to allow lengthy investigations. The woman’s murder goes unsolved.

Twenty years later, Bosch picks up the case again, working on LAPD’s Open/Unsolved squad, and – as readers know Bosch is prone to doing – begins pushing at the edges of the case, looking for previously undiscovered information and trying to find new leads.

In doing so, he incurs the wrath of his superiors, who are worried about more controversy if the first of the cold cases to be solved is a white woman instead of the many people of color who were victims during the riots.

Bosch always follows the truth, however, which means that he pursues the journalist’s murder with a vengeance.

Connelly’s latest gives us a Bosch who is as single-minded and, frankly, rude and irritating as ever. He’s usually right and not afraid to show it.

But Bosch is the kind of cop all of us would want on the case if a loved one had been murdered.

And Connelly is the kind of writer we’d want recounting the tale.

New ‘Iron Man 3’ trailer w drama, armors

iron man 3 trailer tony

We’re going to have to find a new word besides “awesome” to use every time another trailer for a Marvel movie comes out.

This time it’s used in connection with the new trailer for “Iron Man 3,” out in May.

The trailer is full of good stuff:

Tony’s (maybe) PTSD following the events of “The Avengers.”

The assault on Tony’s Malibu mansion.

The rescue of Air Force One.

Iron Patriot.

Mandarin’s freaky way of speaking. This guy might be second only to Yoda in odd but entertaining phrasings.

iron man 3 trailer armor army

And lots and lots of armors. As much as it horrified me to see the original suits destroyed, the ending – in which an army of armors shows up to help Tony and Rhodey – is ultra cool.

iron man 3 trailer hulkbuster

And is that a Hulkbuster armor? Gotta be. Wonder if it will be referred to as such.

We’ll see May 3.

Del Tenney, director of ‘Horror of Party Beach,’ dies

horror-of-party-beach

Word has reached monster movies fans of the death of director Del Tenney, who passed away in February at 82.

del tenney

Tenney produced and directed several films, including a drive-in double-feature classic, “I Eat Your Skin,” but he was best known as the director of “The Horror of Party Beach,” a grandly silly 1964 exploitation movie that was often shown on a double feature with “The Curse of the Living Corpse.”

the-horror-of-party-beach-1964-everett

Tenney’s “The Horror of Party Beach” is one of those movies that could only have existed in the wild exploitation days of the 1960s, when drive-in theaters meant that even the lowest-budgeted, most ludicrous movies could be seen by millions of teenagers.

With its mix of Beach Boys-style rock and roll – courtesy of the Del Aires, who perform “The Zombie Stomp” in the movie – frantically dancing teens, beach blanket bingo and a biker gang, the movie had a little something for everyone.

Perhaps typical of a low-budget monster movie from the 1960s, “The Horror of Party Beach” seems pretty vague – or pretty confused – about what its monsters were. In the trailer alone, they’re referred to as atomic monsters, demons, the living dead and zombies. Huh?

horror party beach curse corpse double

The ads for the “Party Beach” and “Living Corpse” double-feature were among those that warned that, in order to see the movie, viewers had to release the theater from liability in the case moviegoers died from shock.

Tenney made his movies in the Stamford, Conn., area, and years after he lit up drive-in movie screens he made a (legitimate) name for himself, according to online obituaries, as a leading light in live theater. Henry Fonda made his last stage appearance in a production at the company that Tenney shepherded.

Here’s to Del Tenney. Our drive-in nightmares were better because of him.

Movie classic: ‘Shaun of the Dead’

shaun-of-the-dead

Did anyone anticipate just how damn good “Shaun of the Dead” was going to be?

When the 2004 British comic-thriller, about a couple of goofy guys stumbling their way through life and, suddenly, the zombie apocalypse, debuted, I don’t think many of us appreciated how much comedic gold was to be mined from the end of the world.

Director Edgar Wright and stars Simon Pegg and Nick Frost – two under-achieving blokes who only very gradually realize the population around them is turning into flesh-eating zombies – turned the zombie story on end.

There’s plenty of creep factor, as zombies zero in on victims, and there’s some derring-do. But what made “Shaun of the Dead” so great was its humor, as Pegg and Frost sort through vinyl records to see which are suitable to toss at zombies or plot out schemes to save Shaun’s mum and girlfriend.

Random observations:

I love that Martin Freeman has a cameo in the movie. And I love that the actor, better known now as “The Hobbit” and John Watson from “Sherlock,” is featured in Wright’s upcoming apocalyptic picture “The World’s End.”

shaun-of-the-dead scene

I love that there’s a mirror-image group as counterpart to that led by Pegg. There’s an amusing scene when Pegg’s group encounters the other and nobody really seems to notice that they’re like an alternate universe version of our heroes.

“We’re coming to get you, Barbara!” Frost shouts into the phone to Pegg’s mum. It’s a play on “They’re coming to get you, Barbara,” From George Romero’s “Night of the Living Dead,” of course.

Has there been a better ending to a zombie apocalypse movie? Plainly, no.

Classic TV: ‘Evil Roy Slade’

evil roy slade

I can only imagine most TV audiences in 1972 upon encountering the western spoof movie “Evil Roy Slade.”

My friends and I loved the movie, with its goofy wordplay and spoof of traditional western movie moments.

But what was a straighter audience to make of John Astin as an outlaw so mean even wolves wouldn’t raise him when, as a baby, he was orphaned in an Indian raid?

Or Mickey Rooney as Nelson Stool, a bitter railroad magnate who had worn down his index finger tapping out telegraph messages?

Or Dick Shawn as Bing Bell, a traveling lawman?

Directed by Jerry Paris, the “Dick Van Dyke Show” actor turned TV director, and produced and written by “Happy Days” masterminds Garry Marshall and Jerry Belson, “Evil Roy Slade” was the type of TV movie that they just didn’t make back then and they certainly don’t make now.

Some observations:

The movie is full of great lines. “I learned a valuable lesson today. Never trust a pretty girl or a lonely midget.” “I have kings with an ace.” “I have threes with a gun.” “You win.”

Slade at some point tells a cello player to get his instrument out from between his legs and hold it up under his chin, like a fiddle should be held. The man complies.

Slade is asked to solve a math problem: “If  you had six apples and your neighbor took three apples, what would you have?” “A dead neighbor and all six apples.”

Each time Bing Bell’s name is mentioned, a character says, “Somebody at the door?”

According to Rooney’s nephew, played by “Laugh-In” regular Henry Gibson, Rooney’s deformity is the stuff of western legend: “Men often sit around the campfire and sing about your stubby index finger.”

The movie seems like a time capsule to Hollywood past. Besides Rooney, the cast includes Milton Berle, Edie Adams and, in the role of narrator, Pat Buttram.

‘Star Wars,’ ‘Doctor Who’ legends pass away

stuart-freeborn-yoda

A moment of thoughtful consideration, please. Two genre legends have passed away.

British makeup designer Stuart Freeborn has died at 98.

Freeborn worked on 75 movies during his career, according to the New York Times, including creating the apemen from “2001: A Space Odyssey.”

But he is best known for creating the look of Yoda, the puppet embodied by Frank Oz in “The Empire Strikes Back.” Freeborn’s creation has lived on in several movies, animated series and, no doubt, future “Star Wars” movies now in the planning stages.

Freeborn famously decided Yoda’s look needed to include eyes reminiscent of Albert Einstein.

Ray-Cusick-dalek

Also leaving us was another talented Brit, Ray Cusick, who died at age 84. He created the most famous “Doctor Who” adversary, the robotic Daleks, for a 1963 episode of the series.

The world of entertainment is better for their roles in it.

Cool Mandarin poster for ‘Iron Man 3’

iron-man-3-poster-ben-kingsley

So Marvel has been releasing these character posters for “Iron Man 3.”

The ones for Don Cheadle as Rhodey and Guy Pierce as a baddie are fine.

But this one … this is cool.

tales of suspense 55 mandarin

At the top here is Ben Kingsley as Mandarin. Based on a fairly typical 1960s-era “Yellow Peril” villain from the Iron Man comics, Mandarin seemed like a daunting character to pull off in a modern-day movie without being offensive or silly.

But I wonder if director Shane Black hasn’t gone and done it.

Look closely at that poster.

See the dog tags hanging over the arm of Mandarin’s chair?

He’s wearing the camo pants of a soldier but the regal robe of a king.

He’s a big lover of incense.

He sports both cool shades and a ponytail.

But most of all: The ten rings!

Just the design of this character’s look is cool.

I cannot wait until May. But I guess I have to.