Tag Archives: Boris Karloff

TCM is my comfort place – my spooky place in October

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I’ve always loved watching Halloween horrors on TV. That didn’t change when it became easy to find classic horror films on first cable TV and VHS and later online and on streaming.

There’s still something wonderful about the communal experience of watching horror films, old and new-ish, on TV, even if the communal watchers are all over the world. That’s one of the reasons I love TCM – Turner Classic Movies – in October.

A few years ago, AMC was a go-to place for horror films and documentaries in October and the channel still shows the genre, but TCM has the largest and most diverse and often strangest selection of films each October.

That’s again the case this year, with Fridays devoted to Creepy Cinema, Sundays devoted to Hitchcock and weekends featuring classic horror films. Look for Hammer horror on Monday October 20, Boris Karloff on the 21st, sci-fi horror on the 22nd and horror marathons the last few days of the month.

Here’s a link to TCM’s offerings this month. Happy Halloween!

Click to access OCT_AT_A_GLANCE.pdf

Classic shlock: ‘Curse of the Crimson Altar/Crimson Cult’

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In the final years of his life, before his death at age 81 in February 1969, Boris Karloff had become a beloved figure in movies and TV. The man who played Frankenstein’s monster in 1931 continued working for decades, ensuring himself a place in entertainment history not only with his early work but with vocal performances aimed at children and the entire family, as in “How the Grinch Stole Christmas” in 1966.

Although he was in frail health late in life, Karloff continued working, turning out four movies that were released in 1968 alone. One was “Targets,” a poignant drama in which Karloff played a veteran horror movie actor whose fate is intertwined with a modern-day horror, a murderous sniper.

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1968 also saw the release – at least in the United Kingdom; the U.S. release came in 1970 – of “Curse of the Crimson Altar,” known in the U.S. as “The Crimson Cult.”

This movie’s plot is familiar to those who remember “The Wicker Man” and other movies about cults that thrive in small-town England: An outsider comes to town looking for his missing brother. Little does he know that the lord of the manor who welcomes him into his home is the leader of a crazy cult (is there any other kind?) that worships a long-dead witch. The crusty local professor is able to help provide some clues, but it’s only a manner of time until our hero is trussed up in a dungeon, waiting to be sacrificed.

Mark Eden is fair to middling as the hero, but the reason for this movie to exist are the headliners who draw from two generations of horror film superstars.

Karloff plays Professor Marsh, the witchcraft expert, and Christopher Lee is Morley, the leader of the cult. Karloff is frail here, spending much of his time in a wheelchair. But his voice is as rich and strong as it was at any time in his career and he brings a touch of class to the movie.

Lee is likewise good as the cult leader, although anyone hoping to see him invoking demons and sacrificing virgins had better look elsewhere. Lee skulks through his mansion, urbane and threatening by turns, but the cult scenes for the most part look like they could have been shot anytime and anywhere. Except for the presence of Eden in a couple of them, the cult scenes look like they could have been shot years and miles apart from the rest.

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At least those scenes are presided over by Italian horror superstar Barbara Steele. Steele’s painted green here, for some reason – more witchlike? – but looks great.

The movie has many of the loony elements you’d expect from a movie about sinister witch cults released in 1968: A witch (that’s a given), a cult (well …) human sacrifices in a dungeon, implements of torture, women in pasties with whips (!) and guys in, well, I’m not sure how to describe these outfits. Maybe leather onesies with the arms cut out?

Random observations:

The movie, upon release in the U.S. by American International Pictures, was rated “GP,” the forerunner to PG. And while it’s hard to believe now, the movie shared one quality with other PG-rated movies of the 1970s and even 1980s: Nudity. It’s not much more than you can see on some cable TV shows right now, but if a PG or even PG-13 movie came out today and contained nudity, people would go nuts.

Likewise, the movie features scenes of “wild and groovy” parties, complete with dancing girls in mini skirts and people painting each other. In retrospective, the scenes come off like something from an “Austin Powers” movie.

Although Karloff comes off all gruff and sinister – and he’s Boris Karloff, after all, the original Frankenstein’s monster – he’s on the side of the angels here. Despite the looming, grimacing visage in some of the movie’s posters.

 

Today in Christmas: Five secrets of ‘The Grinch’

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grinch and max

Since it first aired in 1966, “Dr. Seuss’ How the Grinch Stole Christmas” has become a pop culture institution. It’s one of the best animated films ever made. It’s a touchstone of the holiday season. It’s a common thread for generations of movie, TV and children’s book fans.

And yet there are a few things many of us don’t know about the special. Here are five things you might not know.

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Boris Karloff. Yes, everyone knows that Karloff, immortalized forever as Universal’s Frankenstein monster in the studio’s movie series from the 1930s, provided the narration and the voice of the Grinch. But most probably think that Karloff had been in hibernation for decades before recording the Grinch and then passing from this plane of existence in 1969. But Karloff was active in show business even three decades after his Frankenstein heyday. He was memorable not only as the Grinch but also for appearances on “The Wild, Wild West,” “The Girl from UNCLE” and “I Spy.” He even hosted the “Thriller” anthology TV series for two years beginning in 1960.

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Thurl Ravenscroft. Possessor of one of the great names of all time, Ravenscroft was the man behind the booming bass voice who sang “You’re a Mean One, Mr. Grinch.” Because Ravenscroft wasn’t credited, many people assumed that Karloff sang the song. Ravenscroft had, up until his death in 2005, a long and varied career. He was the voice of Tony the Tiger in Frosted Flakes commercials. His voice can be heard in the Pirates of the Caribbean and Haunted Mansion Disney attractions. He had a brush with another animated pop culture franchise by singing the song “No Dogs Allowed” in “Snoopy, Come Home.”

Chuck Jones. I’m of the opinion that the “Grinch” animated show wouldn’t be half as good if not for director Chuck Jones, seen above with Karloff. A legendary animation director, Jones – who died in 2002 – directed many great Warner Brothers cartoons, including two of my favorites, “What’s Opera, Doc” and “One Froggy Evening.” Jones’ talent permeates the “Grinch” special but is especially notable in the little touches, including the expressions on the Grinch’s canine sidekick, Max.

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Albert Hague. Yes, Mr. Shorofsky from the “Fame” movie and TV series has a “Grinch” connection. He wrote the music for “You’re a Mean One, Mr. Grinch.” His 2001 obituary noted that Dr. Seuss himself, Theodore Geisel, said that Hague contributed greatly to the special. “Any man who slides an octave on the word ‘Grinch’ gets the job,” Geisel said upon hearing Hague’s work.

Other Grinches. I’m not talking about the Jim Carrey movie. Two other animated specials, “Halloween is Grinch Night” and “The Grinch Grinches the Cat in the Hat,” aired in subsequent decades. Although the wonderful Hans Conried performed the Grinch in the first, neither can compare to the original special.