Tag Archives: Community Remedial Chaos Theory

‘Community’ canceled; it burned bright while it lasted

community modern warfare

When “Community” debuted five seasons ago, it looked like it might be just another NBC sitcom. A bunch of friends sit around a study table at a community college and yak at each other? It sounded like another “time porn” sitcom in the tradition of “Friends” or “How I Met Your Mother.”

But the show, in the hands of creator and producer Dan Harmon, quickly distinguished itself.

“Community” proved to be offbeat and hilarious and sometimes poignant and often surreal.

If audiences in 2009 didn’t recognize that and embrace it – or shun it – by the the late-first-season episode, “Modern Warfare,” a half-hour ostensibly about an on-campus paintball war to win priority class registration at Greendale Community College, they likely never would.

The episode was a note-perfect homage to action films – action film cliches, really – that showed just what Harmon and his cast were capable of. From the opening moments, when the campus looks post-apocalyptic after only an hour of paintball war, to the ending, which managed to take a shot at “Glee” and be sentimental at the same time, the episode was soooo good.

Other first season episodes – like “Physical Education,” in which attorney-turned-student Jeff Winger (Joel McHale) plays an epic game of pool with a crusty phys ed teacher – were better, more clever, more laugh-out-loud funny than much of what was on TV at the time.

And while later seasons had their highs and lows, almost every single one had some great episodes. The claymation-like Christmas special. The pillow fort episode. The trampoline episode.

Maybe, just maybe, best of all: “Advanced Dungeons and Dragons,” in the second season. That heartfelt, funny, geektastic episode might actually top “Modern Warfare” in my mind. Maybe.

Or maybe “Remedial Chaos Theory,” in which alternate realities and “the darkest timeline” were introduced.

Damn. I don’t know which I love more.

The show faltered in its fourth season, after Harmon – reportedly a difficult genius – was ousted from the show.

This past season, the fifth, showed a good return to form and return to the set by Harmon. It didn’t reach the heights achieved by the show at its best. But little else on TV did.

Since a couple of seasons into the show, when “Community” was threatened with cancelation nearly every season, the idea of “Six Seasons and a Movie” has been the mantra of cast, crew and fans. And a Twitter hashtag.

With todays’ news that NBC had canceled the series, goal is unlikely to be reached.

But I guess it’s possible. Really, the show was too funny, too odd, to have lasted five seasons on a major network anyway. So maybe the unexpected will happen and we’ll see more of Jeff, Britta, Annie, Shirley, Abed, Troy, Dean Pelton and all the rest.

In a timeline that’s not nearly as dark.

Classic TV: ‘Community’ ‘Remedial Chaos Theory’

I’m not sure there’s anything on TV like “Community,” and that’s probably worked against the viewership of the show.

The NBC sitcom is about as atypical a situation comedy as anything airing now. The premise – a diverse group of misfits forms a family while attending a community college – isn’t novel.

But during its first three seasons, under the guidance of creator Dan Harmon, “Community” became something more.

There were inklings of the show’s inherent “different-ness” in the first season, certainly. But the first-season finale, in which the regulars and the large supporting cast wage war in an on-campus paintball match to win “priority status” for class registration, established the show as surely as “Prophecy Girl,” the first-season finale of “Buffy the Vampire Slayer,” established that series as one for the ages.

The paintball episode played, with furious and hilarious seriousness, like an action movie, “Terminator” by way of John Woo, with standoffs and ambushes and devilish double-crosses. All played against expectations.

My favorite moment is when off-kilter geek Abed (Danny Pudi) rushes up to snarky lawyer Jeff (Joel McHale) and intones, “Come with me if you don’t want paint on your clothes.” Fans of the “Terminator” movies recognized that line.

Throughout the second and third seasons, “Community” deepened its characters – a group that is frequently at each others’ throats but can’t live without each other – and raised the freak flag higher. An episode revolving around a game of Dungeons and Dragons was funny and touching.

By the time “Remedial Chaos Theory” aired early in the third season, Harmon and the cast and crew knew they could get away with a lot. And they did. As the characters gathered at a housewarming party for roommates Abed and Troy (Donald Glover), they rolled dice to see who would go downstairs to meet the pizza delivery guy.

With each roll of the dice, another reality unfolded. Friendships ended, relationships began and lives were lost, for god’s sake. It was all funny and incredibly clever and mind-bending in a way precisely unlike any show on TV right now.

The show has mixed in a tremendous amount of geekery in a manner that’s less showy but more genuine than the amusing “Big Bang Theory.” After “Remedial Chaos Theory,” the series explored the other, “darkest timeline” and, with a nod to the “Star Trek” mirror universe, Troy and Abed donned Evil Spock-like goatees.

When “Community” returns on Oct. 19, it will be without Harmon, a creative man bounced from his own show, if we’re to believe his own account and those of others, over huge differences in temperament and people skills.

So I’m not sure what “Community” will be like when it returns. Will it be just a silly sitcom? Will it continue to defy expectations and conventions? We’ll know soon.