Tag Archives: Marvel Comics movie universe

Edgar Wright, ‘Ant-Man’ and the Marvel Cinematic Universe

ant-man-test-shot

The news today that Edgar Wright would no longer direct “Ant-Man” – but that the movie, set to kick off the Marvel Cinematic Universe’s Phase Three, immediately following 2015’s “Avengers: Age of Ultron” would continue under another director – seemed like a bump in the road that Marvel’s been building since before “Iron Man” came out in 2008.

Maybe a major bump.

It’s possible we’ll find out what “creative differences” occurred between Wright, maker of “Shaun of the Dead,” and Marvel and MCU honcho Kevin Feige. These things happen, but aside from some disgruntlement from writers and directors and Jon Favreau’s departure after “Iron Man 2,” we haven’t seen a lot of discord in the Marvel Cinematic Universe.

As a matter of fact, compared to DC/Warner Bros.’ problems getting its superhero slate booted up, Marvel has had a pretty smooth time of it. Despite the fact that Marvel is somewhat notoriously cheap in its movie-making.

But Wright’s departure, we have to believe, doesn’t come about because of money. There must have been some fundamental disagreement in how “Ant-Man” was going to come out and how it would fit into the MCU.

What’s even stranger is that Feige recently said that Wright – who has been working on “Ant-Man” since 2006, before most people even knew there was an MCU – was integral in how the universe was developed.
Feige said:

“We changed, frankly some of the MCU to accommodate this version of Ant-Man. Knowing what we wanted to do with Edgar and with Ant-Man, going years and years back, helped to dictate what we did with the roster for Avengers the first time. It was a bit of both in terms of his idea for the Ant-Man story influencing the birth of the MCU in the early films leading up to Avengers…”

Since the movie has mostly been cast, with Michael Douglas and Paul Rudd as older and younger Ant-Men Hank Pym and Scott Lang, and the movie was about to start filming soon, it seems unlikely we’ll see major changes in the story. More likely it will be a matter of tone and execution. Wright was going to do his movie his way and Marvel couldn’t abide by that.

ant-man-movie-test

I was excited about “Ant-Man” for a couple of reasons. For one, the character is a lynchpin of the comic-book Marvel universe. He was a founder of “The Avengers,” for pete’s sake.

And the apparent plan to use “Ant-Man” to flesh out the mostly unexplored middle years of the MCU – with Douglas as Pym active in flashback scenes in the 1960s or 1970s – was even cooler.

We still might see that all play out.

Or we might not.

“Ant-Man” might be terrific even without Wright. After all, we all hated the thought of Favreau leaving the “Iron Man” series.

We’ll all be lucky if the MCU can continue on smoothly after this bump in the road.

 

Visual guide to Marvel character movie rights

visual guide to marvel character movie rights

Well this is awesome.

Based on various reports, the Geek Twins have put together a graphic showing which movie studios own which Marvel Comics characters.

Not every character is here, of course. That would be impossible. But it’s a pretty good guide.

Here’s their post.

‘Thor’ sequel setting the stage for cosmic Marvel

thor and loki thor the dark world

When Marvel released “Thor” in 2011, I doubt that most of us on this side of the screen realized how important the adventures of the Thunder God would become to big-screen Marvel.

I liked “Thor” really pretty well. Maybe not as much as “Iron Man” or “Captain America,” but I thought the movie did a very good job of introducing the more fantastic elements of the Marvel Universe to the moviegoing audience. With “Thor” a success, how far behind could “Dr. Strange” or the cosmic Marvel stories or even the horror-tinged reaches of the Marvel universe be?

As it turns out, Marvel and director James Gunn are making the “Star Wars”-ian “Guardians of the Galaxy” now, for release next year. There’s a connection between “Thor” – spoilers ahead, I’ll warn you before – and “GOTG” but after duty in “The Avengers,” the Asgardian god of thunder returns in “Thor: The Dark World,” which stakes out, even more than the original, the more mystical, more space-bound corner of Marvel.

I won’t go very deep into the plot. Suffice it to say that Thor (Chris Hemsworth) returns to face an enemy (former Doctor Christopher Eccleston) intent on avenging himself on Odin (Anthony Hopkins) and Asgard and recapturing the Aether, force of cosmic power not unlike the Tesseract, the mystical Cosmic Cube from “Captain America” and “The Avengers.”

The movie skips from Asgard to London, where Thor is reunited with Jane Foster (Natalie Portman) and her crew, and to other stops among the Nine Realms.

Director Alan Taylor (“Game of Thrones”) and the screenwriters make this sequel a far grittier – literally and figuratively – story than the original. Asgard has texture and the Dark World itself is a nightmarish landscape. London is the steely blue/gray we’re familiar with in modern-day TV outings like “Sherlock.”

The action is thrilling and the realm-skipping action shows every penny of the production budget.

Hemsworth is so at ease as Thor it’s fun to imagine him  playing the part for years to come. Likewise, Tom Hiddleston is such a welcome presence as Thor’s trickster brother Loki that I hope he becomes omnipresent in movies.

“Thor: The Dark World” could feel like just another step in setting up the decade-long Marvel movie plotline, as I talked about in this recent entry. But it doesn’t. It never feels perfunctory. It’s a grand, thrilling adventure in its own right.

Random observations:

Spoiler this line only: What I reported the other day about the two end credits sequences was correct. The first featured Benecio Del Toro as the Collector and sets the stage for “GOTG.” It’s a fun if oddball scene, directed by “GOTG” director James Gunn. It’ll be interesting to see how “GOTG” comes out next year.

Obviously Chris Hemsworth’s contract calls for a minimum of one shirtless scene per “Thor” movie.

Hiddleston gets to play more vulnerable and more multifaceted here than in “Thor” of “The Avengers.” It’s great and unsettling at the same time.

No spoilers here, but I loved the cameo. That’s the advantage of a shared big-screen universe.

‘Thor: The Dark World” marks the eighth movie in the official big-screen Marvel universe. Eighth.