Tag Archives: shlock horror movies

Classic horror: ‘Night of the Creeps’

night of the creeps poster

If I hadn’t seen it in theaters in 1986 – and numerous times on stone-age VHS tapes in the years that followed – I might think that “Night of the Creeps” was a modern-day spoof of low-budget 1980s horror/sci-fil flicks.

That’s because director Fred Dekker’s movie is so sarcastic, so canny, so knowing that it feels like a modern-day retro pastiche of cliches from movies of the time.

“Night of the Creeps” is very much an “everything plus the kitchen sink” kind of movie. The opening sequence, set in the 1950s, shows both a meteor landing and a homicidal maniac on Lover’s Lane. In black and white, yet.

Of course, the two calamities coincide and slug-like aliens from the meteor infect a body that is cryogenically preserved until it’s accidentally thawed out in 1986.

Before you can say “Nightmare on Frat House Row,” the alien slugs are turning people into zombies.

“Night of the Creeps” has even more than zombies and alien parasites. There are exploding heads, flame throwers, college nerds suddenly turned marksmen, topless coeds … even future Oscar bait David Paymer in a brief role as a morgue attendant who ends up slug infested. Yes, David Paymer.

There are so many funny moments in the movie, but maybe the first LOL moment – 20-some years before anybody knew what LOL meant – is when a young lover in the 1950s hears the beginning of a report on his car radio about an escape from the local institution for the criminally insane .. and clicks off the radio before the germane information.

night of the creeps tommy atkins

Tommy Atkins, well-remembered for his roles in classic John Carpenter films like “The Fog” and “Escape from New York,” is great here. As student zombies head for the sorority house, Atkins – as a tough cop whose “thrill me” catchphrase is a wee bit overused – turns to the girls and says, “The good news is your dates are here. The bad news is … they’re dead.”

Dekker pays tribute – and provides Easter eggs for fans – in the names of his movie’s main characters, who bear the last names of such directors as David Cronenberg and George Romero. Heck, the university where all the creepy hijinks ensue is names after Roger Corman.

“Night of the Creeps” is a funny, clever horror spoof that’s got just the right amount of spoofery and just the right amount of horror.

 

Classic schlock: ‘The Brain That Wouldn’t Die’

the brain that wouldn't die ad

Believe it or not, I hadn’t seen “The Brain That Wouldn’t Die” in its entirety until just recently.

It is, after all, one of those classic schlocky horror movies, those cult drive-in classics, that everybody is familiar with even if you haven’t seen it. It was the first Mike Nelson “Mystery Science Theater 3000,” for pete’s sake.

Yet I managed to never see more than random clips until I sat down to watch it on DVD the other day.

And what a treat.

Filmed in 1959 but not released until 1962, the movie’s original title was “The Head That Wouldn’t Die,” who was probably more accurate.

The movie stars Jason Evers – a familiar face from the “Star Trek” series episode “Wink of an Eye” – as Dr. Cortner, an arrogant surgeon who is secretly experimenting, Frankenstein-style, on creating life after death. He’s been saving random body parts and assembling a creature that’s kept in the laboratory closet downstairs in his family’s summer home.

Early in the movie, even Cortner’s surgeon father criticizes his lack of humility and unpleasant ambitions.

Then Cortner and girlfriend Jan are in a auto accident and Jan is decapitated. Jan is beheaded in the kind of car crash that is usually found in low-budget movies: Lots of shots of the car careening along a country road, then quickly approaching a guard rail. The crash itself isn’t seen. Neither is Jan’s head, which Cortner wraps up in his sportcoat and rushes from the scene (with as much footage of him running, bunched up jacket in his arms, as there are shots of the car speeding down the road).

the-brain-that-wouldnt-die

So Cortner put’s Jan … in a pan … at least her head … in his basement lab. Then he begins scouting out a replacement body.

The movie certainly seems to have inspired scenes in “The Re-Animator,” with its head in a pan motif. And “Jan in the Pan” is apparently the nickname for the female lead once she’s … in a pan.

brain that wouldn't die monster in closet

Every cheap horror movie needs a monster and a woman’s head in a pan just wasn’t going to cut it. Hence … the stitched-together monster in the closet.

diane arbus the jewish giant

The creature, the result of Cortner’s previous experiments, is played by seven-foot, six inch Eddie Carmel, subject of a photo by renowned photographer Diane Arbus that depicts Carmel as “The Jewish Giant at Home with His Parents.”

As Cortner goes to a burlesque house to pick out a new body for Jan, he doesn’t seem like a tortured soul looking to save his girlfriend. He seems to be enjoying the view a little too much.

Adding to the overall aura of sleaze: Two dancers get into a catfight, boobs jiggling. Cut to drawings of two cats and a dubbed meow.

Jan, meanwhile, wakes up – well, her head wakes up – and she immediately begins talking to the still-unseen monster in the closet, talking up their mutual need for revenge.

There’s some choice dialogue:

“An operating room is no place to experiment.”

“Very well. The corpse is yours.”

Said during operation: “I’ve been working on something like this for weeks.” Well, tons of research then.

“I love her too much to let her stay like this.” Well, a disembodied head in a pan, yeah.

“The line between scientific genius and obsessive fanaticism is a thin one.”

“Horror has its ultimate … and I’m that.”

And cackling by Jan in the pan. Lots of cackling.

The end credit slide on the copy that I watched still had the original title: “The Head That Wouldn’t Die!”