Tag Archives: Superman

Hardcover heroes: Comic book novels

wayne of gotham

There’s a surprisingly long history of comic book superheroes appearing in novels, either hardcover or paperback. Some of us have shelves lined with prose treatments of our favorite heroes.

Having just read “Wayne of Gotham,” a recent novel by Tracy Hickman, I thought I’d make mention of a couple of notable ones.

First, “Wayne of Gotham.” Hickman’s story alternates between two time periods, the present day, as Batman tries to unravel a decades-old mystery, and the late 1950s, when his father, Gotham physician Thomas Wayne, dealt with a threat to his beloved city.

The 1950s storyline, of course, takes place several years before the events of the Batman comics that created the Dark Knight: Thomas and Martha Wayne are gunned down in an alley, while their young son watches, by a deadly criminal. Young Bruce Wayne devotes his life to fighting crime, as we all know, as Batman.

In Hickman’s book, chapters alternate between the present and the past, recounting a mystery that confronted both generations of Waynes.

In some ways, it feels like Hickman’s most daring decision is to depict an aging Batman who fights crime now with the help of high-tech devices. Sure, Batman still enjoys a good scrap. But he’s middle-aged and all those midnight battles have taken a toll on his body.

superman george lowther

The granddaddy of all superhero books is George Lowther’s 1942 novel “The Adventures of Superman.” The character of Superman had been around for a few years by the time this hardback book was published, but the impetus for the book was no doubt the very popular “The Adventures of Superman” radio series. Lowther was a writer on the show as well as many others.

(Fun fact about Lowther, who died in 1975: He also wrote more than 40 episodes of “CBS Radio Mystery Theater,” the last of the widely heard radio dramas, in 1974 and 1975.)

Lowther’s Superman novel, which was reprinted in 1995, was the first novelization of a comic book superhero, of course, but also contributed to the mythology of the character, naming Superman’s parents on Krypton Jor-El and Lara, varying from the earlier Jor-L and Lora from the comics.

(Another fun fact: The radio series introduced several of the core Superman mythos concepts, including Kryptonite, that elemental remnant of Superman’s home planet that can be dangerous to him. Although the radio show is largely unheard these days – I have an audio cassette boxed set from 20 years ago – it contributed a lot to the character.)

enemies and allies

Probably my favorite modern-day superhero novelization is “Enemies & Allies,” a 2009 novel by Kevin J. Anderson.

Set at the height of the Cold War in the 1950s, the novel recounts the early, uneasy meeting between Superman and Batman as they team up to battle Lex Luthor, who is stoking 1950s-era fears of nuclear war and alien invasion.

Anderson’s book is terrific. It’s a good treatment of vintage superheroics and is quite faithful to the feeling of mutual suspicion replaced by growing trust between Superman and Batman. I wish he’d come back to the characters.

Five coolest superhero movie moments

nick fury iron man tag

Maybe it was Superman besting Lex Luthor’s nuclear missiles by turning the world backward on its axis. Maybe it was Spider-Man swinging over the NYC skyline for the first time. Heck, maybe it was a Robert Downey Jr. quip.

We all know them when we see them: Those moments in big-screen adaptations of superhero comics that made you get goosebumps, that made you pump your fist and shout “Yes!” right there in the theater.

Here’s a personal, subjective list of my five favorite superhero movie moments. And yes, this short list is heavy on “Iron Man” and Marvel movies. Maybe a follow-up installment will spread the love around a bit.

Superman’s first flight. The 1978 “Superman” reaches a several-minute-long high point during the sequence when Superman takes on bad guys and even rescues a kitten from a tree on his first night in Metropolis. But the single coolest moment? When, at the end of years of training, Christopher Reeve, in the classic Superman suit for the first time, flies from a distant point in the Fortress of Solitude toward the camera.

iron man suitcase armor

The suitcase suit. “Iron Man 2” was lacking in a lot of ways, but the appearance of the suitcase suit – a staple of the classic “Iron Man” comics – was a highlight.

Iron Man vs. thugs. When Tony Stark finds out his weapons are being used by marauding terrorists in “Iron Man,” he suits up and engages in some wish fulfillment fantasy. Who hasn’t wanted to fly over to a foreign country and take out some oppressors?

The tracking shot in “The Avengers.” There’s no denying the power of the moment in “The Avengers” when the team assembles, backs to each other, in a circle, ready to face the menace of Loki’s army. That’s the single most powerful visual shot in the movie. But for my fanboy money, the coolest sequence in the movie is Joss Whedon’s long tracking shot as his camera follows Iron Man through the concrete canyons, capturing one Avenger after another battling the Chitauri.

Nick Fury. Nick Fury! The modern age of comic book movies began at the end of 2008’s “Iron Man” when Tony Stark comes home to find Samuel L. Jackson’s Nick Fury, director of SHIELD, in his house. Fury says he’s there to talk to him about … the Avengers Initiative!

Woo-hoo!

Superman’s ‘S’ shield through the decades

Superman Shield-Poster

Here’s a cool graphic, from Steve Younis and the people at the Superman Homepage, recalling the dozens of variations on Superman’s “S” shield over the decades.

From the original one, interpreted by Superman’s creators Joe Shuster and Jerry Siegel, as a kind of crest, to later movie and TV versions to more sophisticated interpretations of recent years, there’s a lot of Super here.

The … different version from this summer’s “Man of Steel” movie is here too.

Clark Kent quits? Give me a break

The comic book world – heck, the world in general – noticed something interesting in 1992. That was the year that DC Comics decided to kill off Superman, who died in an epic fight with the bizarre creature Doomsday in the streets of Metropolis.

Now, Superman had died before. Just a few short years earlier, in 1986, the Superman that fans had known since his debut in Action Comics in June 1938 died – in a manner of speaking – when DC decided to reboot the character and jettison a lot of Superman history.

Over the decades, Superman and his alter ego, Daily Planet reporter Clark Kent, had gone through a lot of changes. Kryptonite had come and gone and come again. Clark and Lois married. Heck, Clark even – in the early 1970s – had gone to work in TV, for a Metropolis station owned by the conglomerate that owned the Planet.

But the death of Superman in 1992 drew attention from the world’s news media. I was sitting in a journalism awards ceremony a few months later and heard a clever real life newspaper headline – “Superman rests in crypt tonight” – recognized.

So the world at large paid attention to that development and many others since, including the more recent death of Captain America, the “coming out” of the original Green Lantern and other happenings.

Of course, these comic book developments are common and are frequently undone. Captain America’s sidekick Bucky stayed dead only for so many decades.

So when news broke the other day that Clark Kent had quit his job at the Daily Planet, I rolled my eyes.

Not just because it was another case of the media paying attention to the latest deviation in the quickly-approaching-a-century history of comic books.

But because it seemed like just another cheap stunt to shake things up in comics, an entertainment that does pretty well at movie theaters but struggles in its original print medium sometimes.

But I was also shaking my head because this wasn’t the Clark who had covered every major event since the dawn of World War II, the guy who wore a fedora and raced to the scene of a catastrophe – with a layover to quickly change into red-and-blue tights and take care of the problem.

This wasn’t even the “groovy” Clark who reported on the air for TV in the 1970s.

No, this was the recently rebooted Clark, just 27 years old and a veteran of five whole years in journalism.

This Clark was frustrated by the focus of the Planet and girlfriend-no-more Lois Lane on the trivial: Entertainment and celebrities and fringe players looking to be famous for no good reason.

So that Clark decided, rather than write stories so meaningful that Perry White couldn’t NOT put them on 1-A, to call it quits.

It’ll be interesting to see how long this change lasts – I predict a year, tops – before he goes back to the Planet.

Or maybe DC will do something truly surprising and truly reboot Superman, totally reinventing the character.

I somehow doubt that’ll happen, though.

After all, there’s a reason Superman adopted the identity of Clark Kent. It’s because Clark and other reporters are where the action is. They quickly recognize problems that need to be addressed – particularly in Superman’s early career as a social crusader – and define them as a job for Superman or fodder for a well-written news article.

Want to surprise us, truly surprise us, DC? Either kill Clark Kent – more effectively than you killed Superman two decades ago – and truly shake up the Super status quo or get Clark the hell back to work.

And get off my lawn while you’re at it.