‘Last Resort’ episode ‘Blue on Blue” pushes buttons

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Two episodes in, ABC’s serial drama “Last Resort” is still surprising me, not only in its level of intensity but in how it’s advancing its plot.

So far we’ve seen an exchange of nuclear weapons, a country wiped half off the map, a rogue nuclear sub and, with the second episode, maneuvering by other countries and interests.

Anybody else having trouble imagining this series running five years?

If you haven’t seen it yet – and I certainly recommend it – “Last Resort” is about what happens when the principled captain and crew of the world’s most advanced nuclear sub, the Colorado, gets orders through unorthodox channels to launch missiles on Pakistan.

Capt. Marcus Chaplin (Andre Braugher) questions the order and is relieved of command. His executive officer, Sam Kendal (Scott Speedman) raises the same concerns and another American ship tries to blow them out of the water. The global situation quickly spirals out of control: Another sub launches nukes on Pakistan and Chaplin is branded as a “nuclear madman.” Chaplin, Kendal and loyal but green Lt. Grace Shepard (Daisy Betts) decide to take shelter in the cove of an Indian Ocean island. Chaplin broadcasts to the world an ultimatum: Keep a distance of 200 miles or I’ll launch a nuke. Just to prove his point, he fires a shot over the bow of Washington D.C.

In the second episode, Chaplin and the crew are reacting to forces testing their resolve. Early on, a U.S. sub crosses the line and Chaplin chases it away. Then a jet appears in the sky and the sailors quickly figure out that a Navy SEAL team has jumped out at high altitude and is hours away from the island.

While Kendal and Shepard prepare an away team – sorry, I can’t stop thinking of “Star Trek” while watching “Last Resort” – to meet the SEALS, Chaplin takes to back channels to figure out just who’s about to invade “his” island.

The second episode of “Last Resort” impressed me with how quickly it advanced the plot. We learn what’s happening with Kendal’s wife (Jessy Schram) at the hands of the government back home and we learn that Chaplin is keeping secrets. We see Shepard’s leadership continue to be tested. And we get a better idea of the island doings, including the now imprisoned chief of the boat (Robert Patrick) and King (Daniel Lissing), a SEAL who might shake off his guilt to become a player on this chess board.

Random thoughts:

I keep expecting Hurley to show up in an old VW van. Some of the Hawaii locations look very familiar.

Braugher has a big scene each episode, either a dramatic speech or an emotional moment. The guy is Emmy bait already.

My favorite part of the show, besides the military speak and chain of command, is the strong bond developing between characters.

I love the show’s intensity but it also makes me wonder how they can sustain it.

Today in Halloween: Scaring trick-or-treaters

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Because I lived in the country when I was growing up, I’d venture into the city and go trick-or-treating every Halloween with my cousins and some friends, who lived in a densely-populated part of town with what seemed like a bazillion trick-or-treaters.

Seriously, you almost couldn’t make your way down the sidewalk without tripping over some other pint-size goblin or superhero.

We did it every year, but one year in particular stands out in my memory.

My cousin, friends and I made our way from house-to-house, like we always did. I was at a disadvantage, as always, because of my mask. I’m pretty sure this year it was a cheap rubber monster mask of some kind, but the disadvantage came in because I had to wear it over my glasses.

As a kid who got glasses in the middle of first grade, I had grown accustomed to all the drawbacks of being a four eyes. But one of the worst was how anything that covered your nose and face – winter weather knit ski masks, for example, but especially Halloween masks – would make my glasses fog up.

So I was flying blind. Or walking blind.

My group walked up the sidewalk to a house much like every other house we had visited that night. But this one was different.

Inside lived someone who loved Halloween very much. That or a sadist who hated kids.

As we drew near the door, someone on the front porch pulled a rope and a dummy fell out of a tree in front of us. It was obviously a stuffed figure but freaked us out anyway. We turned to run.

But they weren’t done with us yet. The homeowner had stationed friends or, most likely, teenage offspring, behind bushes and trees in the front yard. As we beat a hasty retreat they popped out at us, yelling and growling.

We all ran like crazy. Some of us missed the sidewalk and burst out into the nearby street. Luckily cars were moving along at a crawl because of all the kids who were out.

I’ve never forgotten that night. I still think of it when I’m walking my son through our neighborhood and somebody has obviously replaced a stuffed figure in a porch chair with a living, breathing person, ready to jump at us.

It’s fun to be scared on Halloween. A little bit.

Today in Halloween: Spooky farm boy trick-or-treaters

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I grew up on a farm out in the country, so I know that there’s not always time to run into town and shop for Halloween costumes. Especially back 40 or 50 years ago, when Halloween costumes were in short supply.

So you get yourself a mask and some of dad or grandpa’s clothes and you make do, dagnabbit!

So while there’s familiarity to today’s installment of unsettling – even creepy – vintage trick-or-treaters, there’s also a little chill.

Maybe it’s the rosy red cheeks and hair bow (I think?) on the kid on the right.

Maybe it’s the authentic, backwoods-feeling addition of the cap on lefty.

I did a Google image search of the mask on the right and it gave me dozens of Facebook photos of women with blonde hair and heavily made-up faces.

Personally, I’d be insulted if I were them.

Today in Halloween: More creepy trick-or-treaters

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No, nothing creepy about that picture at all.

As part of our continuing series of snapshots – many of them vintage – of old Halloween costumes and trick-or-treaters, we present this picture, undated but certainly from the mid 1900s or earlier.

Maybe it’s the lack of costumes other than the masks.

Maybe it’s the pose, the body language that says, “Please, father, would you finish taking the picture?”

That or, “When you wake up in the middle of the night we’re going to be standing by your bed wearing these masks.”

Or maybe it’s just the ears on the little boy.

 

Cool set pic from ‘Iron Man 3’

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Here’s a nice look at Tony Stark’s new armor – reportedly the Mark XLVII – from “Iron Man 3” and – bonus – another shot of the red-white-and-blue armor that everybody believed was Iron Patriot a while back but might be the more commercialized version of the War Machine armor worn by Jim Rhodes.

The movie’s shooting for a May 3 release date.

 

Our favorite geek year: Marvel comics milestones

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It’s a staggering thought: Many of the Marvel comics characters that dominate modern movies were created, by a handful of talented artists and writers, within the space of little more than a year about five decades ago.

Sure, everybody knows Marvel of the early 60s was an a creative hothouse. But it’s truly impressive how quickly the staff turned out one soon-to-be classic comic and character after another.

It started with Fantastic Four No. 1, with a cover date of November 1961. An important word about cover dates: Then, as now, comics and magazines were given cover dates that were slightly in advance of the period they were actually available. I’m guessing that if you went to a newsstand (remember those?) today, in early October, you’d find November or December or even January editions of many monthly magazines. The practice was (is?) aimed at making comics and magazines look like they have a longer shelf life (literally). So while FF was dated November 1961, it was in the hands of fans weeks before that.

Writer Stan Lee and artist Jack Kirby (with inker George Klein) introduced Reed Richards and the rest of the FF in that November 1961 issue and Marvel published several issues until, six months later, the first issue of The Incredible Hulk came out in May 1962. To create just the Fantastic Four would be an accomplishment for any two men. But for Lee and Kirby to create the Hulk within weeks or months is truly impressive.

Then things got crazy.

August 1962 saw the publication of Amazing Fantasy No. 15, which fans know introduced Spider-Man and his mild-mannered alter ego, Peter Parker. Lee and artistic genius Steve Ditko get the credit here for creating one of the world’s most enduring superhero characters.

That same month, August 1962, saw Journey into Mystery No. 83, with Lee and his brother, Larry Lieber, behind the plot and script and Kirby and inker Joe Sinnott introducing none other than Thor.

(Now keep in mind that during this time, Marvel continued to produce follow-up issues of FF and Hulk.)

In September 1962, Lee, Lieber, Kirby and Dick Ayers gave the world Tales to Astonish No. 35, introducing scientist Henry Pym, better known as Ant-Man.

Remember, by this point, we’re still not a year past the introduction of the FF.

By March 1963, another major character was introduced when Iron Man debuted in Tales of Suspense No. 39. Lee and Lieber and artist Don Heck were the men behind the future Avenger.

That same month, the unexpected response to Amazing Fantasy No. 15 led to the debut of Amazing Spider-Man No. 1, by Lee and Ditko.

The Marvel era was firmly in place in September 1963 with the debut of Avengers No. 1, featuring characters from the recent Marvel comics teaming up. Lee and Kirby and inker Ayers were reacting to – but actually topping – DC’s Justice League.

So, in the space of less than two years – little more than a year if you’re counting only the debuts of most of these characters – Lee, Kirby, Ditko and their cohorts gave us characters that not only entertained many readers but laid the foundation for the biggest movie hits of today.

Today in Halloween: Creepy trick-or-treaters

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You may have seen some of these scattered around the Interwebs or you might not have; they’re not as ubiquitous as awkward family photos.

As an occasional feature here during Halloween season, I’m going to show some of the best, creepiest, in some cases most nightmarish old Halloween costume photos I found online.

There’s some pretty creepy trick-or-treaters among these. Most of them are vintage and black and white, which only adds to the spooky appeal.

Kicking off our series is this early 20th century kid in a jester costume. Hmmm. He’s not especially creepy … oh dear god, he’s holding a human head! And he’s looking to collect treats in it!

 

Today in Halloween: Good candy and bad candy

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During the Halloween season, I’m looking at some of the things that make Halloween … Halloween.

There’s a pecking order in the world of Halloween candy. At least there is in my household.

Hard, relatively flavorless candy like Tootsie Rolls and Bit-O-Honey rank very low on the list, just above the kind of generic candy that people can buy in bulk at discount stores.

Really, has any kid in the past 30 years been excited by the prospect of getting a Tootsie Roll tossed in their bag?

The middle-ground is held by a variety of treats, including some that don’t really get distributed much anymore. when I was a kid, people made popcorn balls and handed them out to trick-or-treaters. But many parents discourage consumption of homemade treats these days, so popcorn balls have faded in popularity. A few years ago I discovered that some company actually made and wrapped popcorn balls for Halloween distribution.

The best case scenario – realistically speaking – for trick-or-treaters is probably the “fun size” versions of popular candy like Twix and Snickers. They’re recognizable candies and actually welcome in a treat bag – and on the kitchen table back at home.

The top of the line, given out only by only some households in some neighborhood, is the stuff of legend: Full-size candy bars.

Each year I tease my wife that we’re going to take any trick-or-treaters we’re responsible for to the ritziest neighborhood around, where legend has it they give out the full-size bars. I’m not sure that such a practice actually exists because she always pooh-poohs the idea.

But a lifelong appreciator of trick-or-treating can dream, can’t he?

Classic TV: The finale of the ‘Mary Tyler Moore’ show

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Along with “All in the Family,” “The Bob Newhart Show” and a handful of other series, “Mary Tyler Moore” helped usher in a new era of situation comedy on television.

Let’s not forget that “MTM” premiered in 1970, the same year the campy “Flying Nun” show ended its three-year run. And when “MTM” wrapped up in 1977, “Cheers” was only five years away. I’d argue that “MTM” paved the way for smart, adult shows like it. TV moved a lot closer to “Cheers” than “The Flying Nun” over the course of those few years and I’d maintain that “MTM” was a big reason why.

“MTM” wasn’t groundbreaking, especially compared to “All in the Family,” but did seem, at the time, to perfect the three-camera, live before a studio audience, form of the genre.

Set at a Minneapolis TV station, the show followed the antics of Moore, playing 30-something single woman Mary Richards, and her co-workers. The series featured some of the best and, for their time, funniest, episodes of any sitcom, including the legendary funeral for the TV station’s kid’s show host, Chuckles the Clown.

Unlike some bloated, extended finales, the last episode of “MTM,” airing in 1977, stuck to the half-hour format that served the show so well.

The show opens with Mary, Lou and Murray worried that the new TV station owner will fire Ted, the dumb and pompous anchorman for the station’s newscast. But very quickly they find out that they’re the ones whose necks are on the chopping block, along with man-hungry “Happy Homemaker” Sue Anne (Betty White).

Some random observations:

The staging of the show was always spot-on, complete to the group shuffle over to Mary’s desk to get tissues.

Likewise, the comedic timing of the cast is perfect, with everyone tossing off their lines with fine-honed glee.

My god, how did I forget that Ted and Georgette had adopted Cousin Oliver (Robbie Rist) from “The Brady Bunch” as the show wound down?

And how gimmicky and annoying was Cloris Leachman, beloved from “Blazing Saddles,” as Mary’s friend Phyllis? It’s hard to imagine they built even a short-lived spinoff around the character, who returned for the “MTM” finale.

And Valerie Harper’s Rhoda character – who also came back for the final show – wasn’t a lot better. Both characters made Moore and her character seem like models of low-key comedic restraint.

iPhoneography: Halloween at the dollar store

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It’s hard to believe we’re about a month out from our favorite holiday. So it’s a good time to take a look at some iPhone photos of Halloween stuff.

This time: Halloween at the dollar store. Because of the “everything for a dollar” pricing of dollar stores, Halloween masks, costumes, accessories and decor are decidedly more limited. But what these items lack in scope they more than make up for in creativity.

Take the product above for example. Body parts! And they’re artificially flavored. Uh … thank you?

Halloween and superheroes go together. And now you can buy candy cigarettes just like Superman and Batman smoke. Although I believe the candy cigarettes like Shaggy smokes are only available from specially licensed sellers.

How about these Boogers? They’re tangy!

And the box tells us the flavors! Mmmm … Snottermelon!

Okay, if you’ve had enough candy, how about some decor? I really rather like these little perched figures.

Last but not least, a staple of Halloween items at the dollar store, the bloody cloth. Although if you spend enough time digging for Halloween boogers, you can probably produce your own bloody cloth.

‘Til next time!