Tag Archives: crime novels

Am I telling you to self-publish your novel? Well …

Okay, this post comes with SO MANY caveats.

It’s very, very early in this process.

A few random sales can prompt big movement among the lower reaches of Amazon’s sales chart. Believe me, I’ve seen this with our four true crime books, which were published by History Press.

And ultimately this won’t put a lot of money in my pocket or, if you follow this path, yours. We didn’t become writers to make money, did we?

But today I checked the sites selling my novel THAT OCTOBER – Bookshop, Barnes & Noble, Powell’s Books and Amazon among them – and was surprised to see that on Amazon, the book was marked with a “#1 New Release in Teen & Young Adult Law & Crime stories” label.

On the mobile Amazon, this:

A red banner. As opposed to a Bruce Banner.

So I don’t know any more today than I did yesterday about how my book is doing or will do, before or after its June 1 publication date. (That’s five days away as I write this.)

But it looks like it hasn’t hurt to self-publish the book, in paperback, through Ingram Spark.

I can’t tell you what to do. Your scenario is not like mine. I’m a guy who doesn’t have years to take the traditional publishing route. I hadn’t really thought about self-publishing until last fall, when my friend and editor Jill Blocker, who had self-published one language edition of her great book WHAT WAS BEAUTIFUL AND GOOD, suggested I might want to consider it. Jill did all the heavy lifting and my friend and artist Sara McKinley created an incredible cover that has sold at least as many copies of the book as the promise of what’s between the covers.

So should you self-publish? Maybe. There’s no doubt there’s much more prestige in being published by an indie or small press, not to mention a big publishing house, compared to self-publishing. Some people will always look on self-published books as “vanity” books. That doesn’t bother me at all.

I hope you like THAT OCTOBER. I don’t expect to make much, if any, money off it. I encourage you to buy it (the ebook version is coming) or borrow it from your local library. Libraries do a lot of society’s heavy lifting, and I would be thrilled if you read it or any of my books through a library,

But I will say I’m not, not encouraging you to self-publish. This is working so far for me.

If there’s any questions I can answer, look me up on BlueSky or on my Facebook page, which is called, in a blindingly brilliant move, Keith Roysdon author.

October – actually THAT OCTOBER – arrives a month from today

I promise I won’t give you a daily countdown, but how could I resist a nice round period of time like one month?

On June 1, my 1984-set crime novel THAT OCTOBER will be available. My editor Jill Blocker and artist Sara McKinley and I have really reached the finish line in this self-publishing journey – don’t all journeys have finish lines? – and all that remains now it to get the word out.

The paperback is available for pre-order on various sites now. Before June 1, we should have the electronic version available also.

I’m doing a couple of talks back in my hometown of Muncie, Indiana – inspiration for the city of Middletown, where THAT OCTOBER takes place – in June. although I don’t expect that to be of interest to many of you unless you’re in the Muncie area or somewhere in the Midwest with a lot of time on your hands.

In the next month, I’ll tell you a little about THAT OCTOBER and the world when it takes place: A time when high school students should have been spending all their time thinking about dates, football, seeing the biggest movies – “The Terminator” was new in October 1984, and “A Nightmare on Elm Street” would come out within a couple of weeks – MTV and Halloween.

Instead, the six high school friends in THAT OCTOBER are thinking about the murder of one of their classmates and the taking of another.

And they don’t understand why the adults in town seem unconcerned or, at best, evasive when the friends urge them to DO SOMETHING to solve their friend David’s murder and bring Lee Ann home.

Jackie and Michael, new siblings in a blended family, and their friends Sammi, Toni, Elmer and William push forward with their own investigation, which follows a trail rooted half-way around the world, in a time before any of them were born.

I’ll share a bit more as we move forward. I hope you come along for the ride.

‘The Drop’ a return to form for Dennis Lehane

the drop dennis lehane

It’s pretty easy for me to say that Dennis Lehane is one of my favorite writers.

I didn’t really know Lehane until a decade or more ago when I saw the paperback version of his 1994 crime novel, “A Drink Before the War,” on the shelf in a bookstore. A gritty private eye story set in Boston, the book was the first of six books that Lehane wrote about Patrick Kenzie and Angie Gennaro.

Let me wax on about Patrick and Angie for a second if you will.

How to describe Kenzie and Gennaro, partners in a Boston private investigations operation? They’re lifelong friends, very seldom lovers and equals in the tough guy department. Through a series of five incredible books, Lehane leads Patrick and Angie through not only nifty crime stories to rival Robert B. Parker’s Spencer at his best but also through gut-wrenching personal trauma.

That’s because Patrick and Angie are more than lifelong friends and partners. They’re also survivors. During the course of five books, Lehane pits Kenzie and Gennaro Investigations against the worst of the worst: Blackmailers, serial killers and child molesters and exploiters. If you saw the movie of the fourth book in the series, “Gone, Baby, Gone,” you got a taste of the harsh yet rewarding story, characters and atmosphere of the book.

I often tell people – always tell them, really – that they should read Lehane’s Patrick and Angie books if they’re in the mood for dark crime drama. And I tell them that the books are dark. Dark, I tells ya.

And I add that the books MUST be read in order: “A Drink Before the War,” then “Darkness, Take My Hand,” then “Sacred,” then “Gone, Baby, Gone,” then “Prayers for Rain.”

The books are certainly my favorite crime novel series of all time and they very well might be the best such series ever.

You might have noticed that I said Lehane wrote six books about Patrick and Angie but I mentioned “five incredible books.” That’s because “Moonlight Mile,” Lehane’s 2010 return to the characters after 11 years, was so disappointing. I wanted Patrick and Angie to come back for so many years … and then read “Moonlight Mile” and understood why Lehane had stopped writing the characters before – I’m guessing – being encouraged to come back by demand from fans like me and a big check from his publisher.

dennis lehane

Lehane has certainly written some other terrific thrillers, including “Shutter island” and the very nearly without peer “Mystic River.” If you know those two books – unrelated to the Patrick and Angie books – only from their movie adaptations, do yourself a favor and read the books.

Which brings me to “The Drop,” which is the return to Boston’s mean streets that “Moonlight Mile” just couldn’t be.

“The Drop” – written by Lehane from his own screenplay for a movie that ultimately starred Tom Hardy and James Gandolfini – is the story of Bob, a kind-hearted but lonely Boston bartender working for his distant cousin at his cousin’s bar … which is secretly owned by Chechen mobsters.

After decades of a lonely existence, Bob begins to come out of his shell when he meets Nadia and, with her help, rescues a dog that had been dumped in a trash can. But there’s more to Nadia and the dog than Bob understands at first. Just like there’s more to the the low-life types who circle on the edges of his world, including a menacing stranger who insists that Bob has taken his dog.

“The Drop” isn’t a long book and doesn’t have a complex plot. although there are some twists and turns. It’s a straightforward tale of a likable joe who wants to improve his life – if he doesn’t get killed first.

Best of all, “The Drop” is a great return to the Lehane’s Boston, a world of hustlers and thugs and forces that can come at anyone sideways and change their lives for the better or the worse.

Ellis’ ‘Gun Machine’ a good cop thriller

gun machine warren ellis

Warren Ellis is best known for comic books like “Red” and “Planetary,” but his book “Gun Machine” is a good and offbeat New York police thriller.

 

The book follows NYPD detective John Tallow in the days following the on-the-job killing of his partner. The two had been responding to a call about a man in a run-down apartment building with a gun when the unhinged man shot and killed the partner. Tallow looks through a hole blown in an apartment wall and finds the place is full of guns – and not ones that belonged to the unhinged man who took out Tallow’s partner. The elaborate display of guns from over a couple hundred years is fetishistic, almost a temple dedicated to the firearms within. But who could their owner be?

 

In a city plagued by too much violence and too many cases to clear, Tallow’s fellow cops and CSIs greet this discovery with scorn and hostility, all of it directed at Tallow. That’s because every one of the discovered guns tested in police labs turns out to be a gun used in a separate, unsolved murder case. Tallow has stumbled across a horrific secret: The lair of a particularly prolific and bent hit man.

 

Working with CSIs Scarly and Bat, Tallow pulls at threads and tests limitations, including those of himself and his superiors. That’s because when some of the guns turn out to have been used in historic crimes, it becomes obvious that someone hasn’t just been hoarding random guns. Someone has been funneling guns – including the revolver used by Son of Sam – to the killer.

 

Although the plot is grim and involves not only high-level corruption between the police department and some high-level NYC corporations, there’s a lot of humor here. Most of that comes from Bat and Scarly, Tallow’s initially reluctant but increasingly enthusiastic partners. Bat is something of a geek cliche but one that’s well done. Scarly is a lipstick lesbian in a deeply committed but deeply odd relationship with a formidable partner.

 

I’ve read that there’s some thought to making “Gun Machine” into a TV series and I suppose that’s fine. But I wouldn’t want the book to be turned into TV’s typical police procedural with quirky characters. There’s a lot of potential for more stories about Tallow, Bat and Scarly if they do them right.

 

 

‘Criminal Enterprise’ a top-notch thriller

criminal enterprise owen laukkanen

Owen Laukkanen is just a couple of years into life as a published author of crime novels, but he’s already created one of the most enjoyable series in bookstores.

His two books – so far – about FBI agent Carla Windermere and Minnesota police investigator Kirk Stevens are immensely readable stories of cops and crooks.

the professionals owen laukkanen

The first, “The Professionals,” would seem to be in the vanguard of books inspired by the Great Recession. Its criminal foursome are young people fresh out of school and unable to get hired. They decide to become professional kidnappers. Their modus operandi? Kidnap well-off but low-profile targets and ask $60,000 on the assumption that the kidnap victim’s family will easily be able to pay that small an amount. It works for a while but goes awry when they stumble upon the wrong target: A businessman connected to the mob.

In “Criminal Enterprise,” the central bad guy is Carter Tomlin, an accountant with a wife and kids who gets in over his head, financially, and decides to make money the old fashioned way: Bank robbery. Tomlin’s a different case than the four somewhat sympathetic anti-heroes of “The Professionals,” however: He not only enjoys the influx of cash from his robberies but gets off on the violence, particularly when committed in the company of his alterna-girl assistant and fellow robber.

Into the mix in both cases come Windermere, young and tough and an outsider in the FBI, and Stevens, happily married and settled into middle age and a long career in the Minnesota state police’s criminal investigations bureau.

The two cops, who end up working together by happenstance, are a good fit. Stevens balances out Windermere’s fiery demeanor with his cool calm.

Laukkanen doesn’t dip into the criminal world quite the way Elmore Leonard does, but his bad guys are compelling and relatable. Windermere and Stevens are the anchors of these books but Tomlin in the second book and the four kidnappers in the first book are absorbing characters. The author is working on the third book in the series, which is good news for fans of contemporary crime thrillers.

 

Harry Bosch tackles a cold case in ‘The Black Box’

connelly the black box

Over the course of a couple of decades, former Los Angeles Times reporter Michael Connelly has built a densely-populated world of LA cops, criminals and lawyers. His books about attorney Mickey Haller, including “The Lincoln Lawyer,” are among the best legal thrillers of the modern day.

But Connelly’s body of work most often focuses on Harry Bosch, a veteran LA police detective who is as good at maneuvering through LA police politics as he is at solving crimes.

Lately, Bosch has been part of an LAPD unit working cold cases, and in “The Black Box,” Bosch’s latest cold case seems very cold indeed. Bosch gets the opportunity to try to close a case that he had opened in the spring of 1992, when LA was wracked by riots and murders in the wake of the verdict in the trial of four white cops charged with beating a black man. The cops were found not guilty and parts of the city erupted in an orgy of arson, violence, looting and murder.

Bosch investigates the death of a young woman, a journalist from Denmark, who was found shot to death in an alley in an area wracked by violence. Bosch refuses to believe the young woman was simply in the wrong place at the wrong time, but there are too many homicides to allow lengthy investigations. The woman’s murder goes unsolved.

Twenty years later, Bosch picks up the case again, working on LAPD’s Open/Unsolved squad, and – as readers know Bosch is prone to doing – begins pushing at the edges of the case, looking for previously undiscovered information and trying to find new leads.

In doing so, he incurs the wrath of his superiors, who are worried about more controversy if the first of the cold cases to be solved is a white woman instead of the many people of color who were victims during the riots.

Bosch always follows the truth, however, which means that he pursues the journalist’s murder with a vengeance.

Connelly’s latest gives us a Bosch who is as single-minded and, frankly, rude and irritating as ever. He’s usually right and not afraid to show it.

But Bosch is the kind of cop all of us would want on the case if a loved one had been murdered.

And Connelly is the kind of writer we’d want recounting the tale.

Chelsea Cain’s fun, twisted mysteries

chelsea_cain

If you haven’t checked out author Chelsea Cain’s series of crime novels centering on Archie Sheridan and Gretchen Lowell, you’re missing one of the most interesting and offbeat partnerships in crime fiction.

But if you think Archie and Gretchen are a crime-solving duo like Patrick and Angie in Dennis Lehane’s series, you’re wrong.

Archie is a Portland cop and Gretchen is the infamous Beauty Killer, a stone-cold beautiful female serial killer.

Gretchen, in years pre-dating most of the books, killed dozens – maybe even hundreds – of people. And in the most gruesome ways imaginable. We’re talking neckties made of intestines here.

She also very nearly killed Archie, who as the series began was recuperating from the double-whammy laid on him by Gretchen. Archie and other cops consulted with Gretchen on a series of slayings and Archie cheated on his wife with the blonde bombshell. Only afterward did he find out that Gretchen was the killer. And he found out when Gretchen drugged and kidnapped him.

Gretchen tortured Archie for days, keeping him barely alive and getting him hooked on powerful pain killers. During their time together, Gretchen left Archie with permanent scars, including one heart-shaped one carved into his chest. It’s a Beauty Killer trademark.

Although Gretchen is eventually captured and put in prison, Archie’s dealings with her don’t end. That’s because she prolongs their meetings by parceling out information about other killings. It’s an opportunity for Archie to close cases and give some relief to still-grieving families.

But it’s also Archie’s opportunity to be near Gretchen. Archie has a very real fatal attraction to the Beauty Killer. It’s an attraction that threatens to ruin any chance of reconciliation with his wife, wreck a budding relationship with Susan, an endearing if oddball young newspaper reporter, and harm his relationship with his stalwart and supportive partner, Henry.

Cain writes with a level of gore and kink that will drive some readers away and appeal to many others. Her characters are totally sympathetic – well, not Gretchen. Not much anyway – and compelling.

kill you twice

Cain has a new book in the series due out this summer, but I just finished the most recent, “Kill You Twice,” and there’s a Hannibal Lecter element to the book that most of the entries in the series don’t have. (And don’t need.) It’s a great yarn about another serial killer on the loose and that murderer’s ties to Gretchen.

If you have a taste for some twisted mystery, check out Cain’s books. I recommend reading them in order, though, starting with 2007’s “Heartsick.” There are five so far, and you might find yourself racing hungrily through them.

‘The Cut’ is a cool crime novel

There are a couple of moments in George Pelecanos’ crime novel “The Cut” when his protagonist, solider-turned-investigator Spero Lucas, finds his heart beating and blood racing, usually when he’s confronted with horrific violence.

But most of the time, Lucas is the epitome of cool. And that makes “The Cut” cool reading.

Somebody with better oversight of the world of crime novels would know the answer to this question, but I can’t help but wonder if we’re seeing a slew of new thrillers and hard-boiled PI books featuring capable young heroes newly back in the US after serving in Iraq or Afghanistan. Another good series, Ace Atkins’ books about Mississippi sheriff Quinn Colson, comes to mind.

Pelecanos is planning on turning Spero Lucas’ adventures in gritty DC into a series and it feels like a natural.

“The Cut” finds Lucas back home after his tour of duty in Iraq. He’s working for a defense attorney and distinguishing himself for his no-nonsense investigations.

Between cases, he’s contacted by an imprisoned drug dealer who wants to hire him to find packages of marijuana that have been stolen. The dealer was using that tried-and-true method of moving illegal materials: Shipping packages to houses that are vacant during the day, then sending his men to get the packages off the doorstep. Except that the packages are being stolen.

Lucas, who has a moral code but doesn’t frown on associating with criminals, decides he can work for the dealer for a 40 percent cut of the money recovered.

While chasing down leads, Lucas finds the case is a little too close to home for members of his family, including his brother, a school teacher. Lucas and a small circle of cohorts put themselves on the line to save a promising young student and avenge the deaths of a couple of likable guys who should have known better but didn’t.

Some readers might be perturbed by the way Pelecanos has Lucas so damn casual about everything, including working with less-than-savory characters and, frankly, murder. But the character is ideally drawn considering his military background and his “you or them” matter-of-fact attitude.

While the story is as straightforward as a Robert Parker Spenser novel, Pelecanos fills “The Cut” with a lot of nice little touches, from Lucas’ way with women to his love of food to his blended Greek-and-African-American family.

Pelecanos has written several books but may be best known as one of the creative types behind “The Wire,” the highly-regarded HBO series.

“The Cut” is my first chance to sample Pelecanos’ work. You can bet it won’t be my last.