Tag Archives: horror movies

Halloween on TV, 2024 style

Way back in the dark ages, before the Internet, I wrote about TV – we’re talking about the 1980s, so even pay-cable, as they called it then, was relatively new – and my favorite time of year to write about TV was the run-up to Halloween.

I’d been a dedicated watcher of Halloween-oriented TV in my childhood, watching late-night horror host Sammy Terry and, of course, the Charlie Brown “Great Pumpkin” special.

So by the time I was an “adult” and getting paid to write about TV for my local newspaper, I would devote one of my weekly columns in October to Halloween specials and movies we could look forward to seeing on the tube, Because this was before the Internet, I mostly relied on press releases sent via MAIL in PRINT from TV networks and Indianapolis TV stations.

So I’d list a Halloween week’s worth of TV. In October 1984, for example, I noted that the 1979 remake of “Invasion of the Body Snatchers” would air on Cinemax on October 31, followed by John Carpenter’s “Halloween,” “Alligator” and George Romero’s “Creepshow.”

I noted that Elvira, Mistress of the Dark, would host a four-hour block on MTV. I watched this a while back for a book I was writing, set in October 1984, and found it a very fun experience that included Romero’s “Night of the Living Dead.”

Now we have all the info we want, all the time, about what’s coming up on great cable channels like TCM – this October its star of the month is Bela Lugosi – and streaming services.

I’ve been catching a few fun old horror films and specials. What have I watched so far this month? I enjoyed rewatching the Tom Cruise “Mummy” movie from 2017 that was supposed to kick off “a new world of gods and monsters” for a Universal “Dark Universe” that would see revivals of all the classic films from the studio. We know how badly that went.

I watched “Halloween with the New Addams Family,” a 1977 special that was really misnamed because most of the cast of the 1960s series returned for this TV movie sequel.

I’m enjoying the Creepy Cinema series on TCM that kicked off with “Sudden Fear,” a little-seen 1952 thriller starring Joan Crawford and Jack Palance.

One of the most enjoyable watches so far was “Spine Tingler: The William Castle Story,” a documentary from 2007 about the shock film director/producer who rivaled Alfred Hitchcock for the ingenuity of his films – and especially the gimmicks used to promote them, including “The Tingler.” I highly recommend this doc if you’ve never seen it. I found it for free on streaming.

And of course I’m watching as “Svengoolie” counts down to Halloween with double-features every Saturday night.

I’m almost certain that before Halloween I’ll rewatch that Charlie Brown special. It wouldn’t be Halloween without seeing t.

Lee, Carradine, Cushing and Price

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I’ve seen this photo and others like it a lot in recent days since the death of iconic horror film actor Christopher Lee.

This pic and similar ones show Lee, John Carradine, Peter Cushing and Vincent Price – probably half the pantheon of horror film greats (the others being, arguably, Boris Karloff, Bela Lugosi and Lon Chaney Sr. and Jr.) in one photo.

The four appeared in only one film together, the 1983 thriller “House of Long Shadows.” The movie was – for such an old-fashioned assemblage of actors – an old-fashioned story about mysterious goings-on in a “haunted” house and was based on the 1913 “Seven Keys to Baldpate” by Earl Derr Biggers.

I saw the movie in theaters – i was reviewing back at the time – and remember enjoying that it included the four actors in the cast but didn’t think much of it beyond that. It starred Desi Arnaz Jr., for pete’s sake.

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But with Lee’s passing being a reminder to us that an era is over – maybe a couple of eras, considering that Carradine’s time in movies extended back to “Bride of Frankenstein,” as the huntsman who scares Karloff’s monster out of the blind man’s cottage – “House of Long Shadows” takes on special affection and significance for us.

Classic shlock: ‘Curse of the Crimson Altar/Crimson Cult’

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In the final years of his life, before his death at age 81 in February 1969, Boris Karloff had become a beloved figure in movies and TV. The man who played Frankenstein’s monster in 1931 continued working for decades, ensuring himself a place in entertainment history not only with his early work but with vocal performances aimed at children and the entire family, as in “How the Grinch Stole Christmas” in 1966.

Although he was in frail health late in life, Karloff continued working, turning out four movies that were released in 1968 alone. One was “Targets,” a poignant drama in which Karloff played a veteran horror movie actor whose fate is intertwined with a modern-day horror, a murderous sniper.

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1968 also saw the release – at least in the United Kingdom; the U.S. release came in 1970 – of “Curse of the Crimson Altar,” known in the U.S. as “The Crimson Cult.”

This movie’s plot is familiar to those who remember “The Wicker Man” and other movies about cults that thrive in small-town England: An outsider comes to town looking for his missing brother. Little does he know that the lord of the manor who welcomes him into his home is the leader of a crazy cult (is there any other kind?) that worships a long-dead witch. The crusty local professor is able to help provide some clues, but it’s only a manner of time until our hero is trussed up in a dungeon, waiting to be sacrificed.

Mark Eden is fair to middling as the hero, but the reason for this movie to exist are the headliners who draw from two generations of horror film superstars.

Karloff plays Professor Marsh, the witchcraft expert, and Christopher Lee is Morley, the leader of the cult. Karloff is frail here, spending much of his time in a wheelchair. But his voice is as rich and strong as it was at any time in his career and he brings a touch of class to the movie.

Lee is likewise good as the cult leader, although anyone hoping to see him invoking demons and sacrificing virgins had better look elsewhere. Lee skulks through his mansion, urbane and threatening by turns, but the cult scenes for the most part look like they could have been shot anytime and anywhere. Except for the presence of Eden in a couple of them, the cult scenes look like they could have been shot years and miles apart from the rest.

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At least those scenes are presided over by Italian horror superstar Barbara Steele. Steele’s painted green here, for some reason – more witchlike? – but looks great.

The movie has many of the loony elements you’d expect from a movie about sinister witch cults released in 1968: A witch (that’s a given), a cult (well …) human sacrifices in a dungeon, implements of torture, women in pasties with whips (!) and guys in, well, I’m not sure how to describe these outfits. Maybe leather onesies with the arms cut out?

Random observations:

The movie, upon release in the U.S. by American International Pictures, was rated “GP,” the forerunner to PG. And while it’s hard to believe now, the movie shared one quality with other PG-rated movies of the 1970s and even 1980s: Nudity. It’s not much more than you can see on some cable TV shows right now, but if a PG or even PG-13 movie came out today and contained nudity, people would go nuts.

Likewise, the movie features scenes of “wild and groovy” parties, complete with dancing girls in mini skirts and people painting each other. In retrospective, the scenes come off like something from an “Austin Powers” movie.

Although Karloff comes off all gruff and sinister – and he’s Boris Karloff, after all, the original Frankenstein’s monster – he’s on the side of the angels here. Despite the looming, grimacing visage in some of the movie’s posters.