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6-Episode Problem: In which I am forced to wish for longer TV seasons

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I grew up in the 1960s and `1970s – ha! I bet you thought I was a youngster, huh? – and TV was a huge part of our lives. Obviously. This was during a period when weekly episodic TV series had long seasons of many episodes, certainly by today’s standards.

I mean, “Star Trek” had 79 episodes over only three seasons (and some of those episodes were outright losers that I’m sure somebody is nostalgic about now) and “Trek” looked like a piker compared to many TV series: “Gunsmoke,” which ran for 20 seasons, aired 39 episodes in each of its first few seasons, although those were admittedly half-hour episodes. Yesterday I noticed that “Alfred Hitchcock Presents” also had 39 episodes some seasons.

That reinforcing of the idea that vintage TV series aired a boatload of episodes back in the day compares and contrasts to today, when it’s a shock when any new series runs more than 10 or 12 episodes per season. The excellent “The Pitt” is the exception with 15 episodes per season. (“The Pitt” is also the exception compared to many current series in that the seasons air only a year or less apart.)

Enter “3 Body Problem,” the terrifically entertaining Netflix adaptation of the science fiction bestseller (and Chinese TV adaptation). Yesterday news broke that the second season of the series would consist of only six episodes compared to eight from the first season. Forbes wrote that the third season is supposed to be even shorter. This as people note that author Cixin Liu’s three novels get longer with each book.

Oh, and also, it’s been two years since the first season.

Add to that the apparent circumstance that there’s no telling when the second season of the great series “Pluribus” will be produced or seen.

I don’t necessarily want to return to the days of 39 or even 22 episodes, the latter still a common number among some network series.

But I wouldn’t mind if other series followed the schedule of “The Pitt” and gave us a few more episodes in a slightly more timely manner.

What’s up, Docs? Two new mystery medical dramas, ‘Doc’ and ‘Watson’

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Hollywood is forever looking for variations on Sherlock Holmes stories, although the “Sherlock” series starring Benedict Cumberbatch and Martin Freeman (a Brit production overseen by Mark Gatiss) is very hard to top. “Elementary” did a good job of modernizing the Arthur Conan Doyle detective and “House” focused the mystery to medical conditions diagnosed by a Sherlockian-level grump doctor.

Now there’s two series, one more directly tied to the Sherlock mythos, that cast Holmesian logic as medical diagnosis.

The more directly Conan Doyle-connected is “Watson,” starring Morris Chestnut in a very appealing turn as John Watson, who is running an elite clinic in the wake of the Reichenbach Falls confrontation between Holmes and his nemesis James Moriarty. Watson suffered a head injury as he tumbled into the water trying to save Holmes. Now he’s trying to recover, make a new life for himself and, as of the second episode, doesn’t realize that Moriarty isn’t dead and means to bring Watson down.

As we know from the Sherlock canon, the Falls were not the end of Holmes, so I’m wondering how long before the detective shows up to assist his best friend?

The cast is good but the show has some of the faults of network shows in that everything is explained too explicitly to ensure audiences who are barely watching the show while scrolling on their phones catch what’s going on.

Even if it is less Holmes-related, “Doc” is the better series for me right now. Molly Parker, from “Deadwood” and “Lost in Space,” plays a doctor who lost her memory of the past eight years after a head injury. (Lot of that going around.)

Now she must navigate a return to a personal life that, for her, is where she left it eight years ago. (Spoilers.) She doesn’t remember that one of her children died, she and her husband divorced, she began a new relationship and her former friend is now an enemy.

Parker is, like Chestnut, just incredibly appealing. I’d watch another couple of seasons of “Lost in Space” featuring her as Maureen Robinson if I could. And what wouldn’t we all give for several more seasons of “Deadwood?” “Doc” might be the best Molly Parker fans will get, and that’s pretty good in its own right.