Tag Archives: CrimeReads

The year of anthologies for me – three of ’em, anyway

Two of the nicest folks you’d ever want to write for, Shelley Kubitz and Lawrence Allan, today released the cover image for DAYDREAM BELIEVER, an anthology of crime fiction inspired by the music of The Monkees. I’ve got a story in the anthology and I’ll tell you more about it on or before, as they say in legal documents, the book’s publication on September 29. (Or slightly after, depending on how my September goes.)

The table of contents for this anthology is a dream team of crime writers, and I’ll get into that at a later date also.

I’d hoped to have a story in four crime fiction anthologies in 2026, but that was not to be, for reasons too sad to get into here or almost anywhere.

So in 2026, a year in which I definitely de-emphasized short stories to work on novels, I’ve got stories in FIGHTING WORDS, BAD INTENTIONS and DAYDREAM BELIEVER and I couldn’t be happier about that.

The experience of writing short stories in any small bit of spare time I wasn’t working on getting my crime novel SEVEN ANGELS ready for publication by our Constellate Publishing – link at the end of this post – and working on my next three novels, I was inspired me to write an upcoming article for CrimeReads interviewing seven – count ’em! – seven crime writers about what they preferred to write, short stories or novels, and where they love to see their short stories published.

I’ll write more about that and talk about those seven wonderful authors closer to the time the CrimeReads story comes out.

Here’s that link to Constellate Publishing, by the way. We’re still looking for manuscripts of all kinds to consider for publication. We’re offering various editing and marketing services as well.

What is a Ghost Show? Well, it’s a novel by me and other things

I’ve mentioned GHOST SHOW, my unpublished novel set in 1948, a few times on social media. I wrote the book between writing SEVEN ANGELS and THAT OCTOBER and I never expected it to be published. Why? Well, for one thing, it’s set in 1948, in the Midwestern town of Middletown, where THAT OCTOBER takes place (in 1984) and it’s about a family from Seven Angels, Tennessee, and their experiences in the big city.

It’s got a serial killer, a real ghost who’s haunting a theater, a sprawling family story with infidelity, abuse and coming of age as well as President Harry Truman and a traveling ghost show, or spook show, a live-action magic and mystery production that involves several members of the family.

It’s also more than 108,000 words long.

As it turns out, we might publish GHOST SHOW later this year through Constellate Publishing.

So I’m editing GHOST SHOW, a book I haven’t looked at in three or four years, and I’m thinking two things:

I like this story, which is very loosely based on the youthful adventures of my parents and my mom’s family before she was my mom. (Very loosely!)

And I’m thinking … man, 108,000 is a lot of words.

I’ll repeat this explanation before we get close to actual publication, but in answer to what is a ghost show, here’s an article I wrote for CrimeReads four years ago about what the heck ghost shows were.