Category Archives: Uncategorized

A cold case father died without justice for his son

It’s been two years now since Calletano Cisneros died. A lot of people won’t know who he was, but he made a big impression on me. I interviewed him for our fourth true crime book, COLD CASE MUNCIE, which was published by History Press in 2023.

For those of you who don’t know, longtime writing collaborator Douglas Walker and I wrote about cold cases – unsolved murders – in the area of Muncie, Indiana for a few decades for The Star Press newspaper. This entailed going over old cases, some of them dating back decades and some of more recent vintage, and reviewing the facts, looking at old files and articles and often interviewing police investigators, prosecutors, coroners and, most importantly, surviving family members. Cold cases have an impact on all of those people but especially, of course, on surviving family members.

Sebastian Cisneros – that’s him in the upper right photo of the book cover above – was killed in April 2009 in Muncie, which is marred by dozens of unsolved murders. Sebastian Cisneros was killed outside his house on Ribble Avenue in Muncie.

We wrote about the case at the time and wrote about it as a chapter of the Cold Case Muncie book because it was a compelling story, made all the more so because I interviewed his father, 75-year-old Calletano Cisneros. When we spoke via long distance – he lived in Texas – he volunteered something that I hadn’t known when I called him: He himself had killed a man in a bar fight when he was 17 and had spent 10 years in prison before he was released by the governor. He’d lived with that past for a half-century and had, in the past several years, lived with the murder of his own son.

Calletano Cisneros told me he wanted justice for his son and wanted his son’s killer to be tried and sentenced to prison just as he had been more than 50 years earlier.

“I did my time. I’d like to see the same justice done in my son’s case.”

Calletano Cisneros didn’t live to see justice for his son. He died in January 2024.

Cold cases are cases that often don’t see justice done.

You can read about the Sebatian Cisneros case in our third true crime book:

Paying tribute to Robert B. Parker covers with the SEVEN ANGELS cover

When my friend Jill Blocker and I started talking about publishing my crime novel SEVEN ANGELS through the Constellate Publishing imprint, I knew how I wanted the cover to look:

Like the covers of novels by Robert B. Parker, a grandmaster of crime and mystery writing and one of my greatest influences.

I would never compare myself favorably to Parker, whose books about Spenser and Hawk, Sunny Randall, Jesse Stone and other heroes protecting people and confronting crime are still my favorite novels. (Perhaps tied with Dennie Lehane’s Patrick and Angie books.)

But I was thinking about Parker when I wrote SEVEN ANGELS in 2019. Like Parker’s protagonists at times, Gloria Shepherd isn’t so much a detective as a bulldozer. I always thrilled at Spenser and his inclination to push the bad guys until they crack and make a mistake or overplay their hand.

Part of what appealed to me about Parker’s characters’ direct approach is that it was reflected in the best covers of his books: Spare and vivid imagery that matched the spare and relentless push to resolution of Parker’s characters.

There’s a scene in SEVEN ANGELS when Gloria, the coroner of Crockett County, Tennessee, pushes into the private office of a local corrupt businessman and confronts him and the Russian trafficker he’s working with. I was channeling Spenser the day I wrote that, for sure. Not sure if I was successful, but that’s what I was aiming for.

I told Jill what I wanted and she designed a cover that I loved immediately. This cover above will be modified some and authors’ blurbs will be added before SEVEN ANGELS is published this spring.

I can’t match Parker at his peak. Never will. But I can pay tribute to him.

Curious about Constellate Publishing, our company that’ll publish SEVEN ANGELS?

Hey! It’s a video! It’s an hour long! Talking about THAT OCTOBER and newspapers and SEVEN ANGELS!

Last year I did an interview with the wonderful Gabby Sandefer for the Muncie Public Library’s Pages and Partners podcast. We talked about my years in newspapers and my other writing, including my novels THAT OCTOBER and SEVEN ANGELS.

Gabby is so much fun and we had a good time.

Here it is:

I come here not to bury the mass market paperback, but to praise it

This is sad news. Not nearly as sad or despairing as much of what we see in the news in recent years, but sad nonetheless.

The mass market paperback is dead.

This might not surprise some of you who react, “Yeah, I know, I haven’t seen one in a bookstore in a while,” or “What is a mass market paperback?” For those young enough that they don”t remember the mass market paperback, I’m fearful you’re reading this past your bedtime.

Publishers Weekly likely broke the news to most of us who remember mass market paperbacks – I’m going to refer to them as just paperbacks pretty soon now, for expediency’s sake – in a December article that noted that the ReaderLink company said it would no longer distribute mass market paperbacks. The format’s share of the market had dropped dramatically over the past couple of decades as larger-format paperbacks, sometimes referred to as trade paperbacks, and ebooks had usurped the market that had been dominated for many decades by mass market paperbacks.

Paperbacks had been the format of choice for much of the 20th century. They were less expensive than hardbacks but more cheaply made and thus less durable. But they had an ease of use, a convenience and an aura that were hugely appealing to most of us who were buying books in the last few decades of the past century. In 1966, the Beatles released a single, “Paperback Writer,” that ironically but lovingly paid tribute to the format. You didn’t hear the Beatles singing about their desire to be a hardcover writer, did you? No you did not.

As many know, paperbacks – measuring about 4 inches by 7 inches, just the size to fit in a pocket so you could always have a book at hand – were introduced before mid-century but might have become the hottest book trend ever in the 1940s and 1950s, continuing that hot streak into the 1960s and 1970s.

Paperbacks went to our workplaces, where they were handy to read on our lunch hour. They went on our commutes, where they occupied many a train and bus rider. They went to school and war in backpacks and pockets. They went everywhere, in part because of their convenient size and in part because they were so incredibly inexpensive to buy. I just looked at one of my oldest and most rare paperbacks this morning, a copy of Harlan Elliison’s “Rockabilly” from 1961. The cover price was 35 cents.

The vast majority of paperbacks I bought in the late 1960s and 1970s were priced at 65 cents, 75 cents, 95 cents. Paperbacks I bought into the 1990s were still only a few dollars, inexpensive compared to hardcovers and large-format trade paperbacks that, in my buying experience, were confined to scholarly or pop-culture works about movies, TV shows and comic books. At least that’s what still fills my bookshelves. I recently noted my copy of “The Marx Brothers at the Movies,” a 1975 Berkley trade paperback of a 1968 hardcover original, cost me just $3.95.

I have hundreds of books. Some are of recent vintage but the majority date from the 1960s to the 1990s. Among people my age, that’s probably not uncommon. Paperbacks entertained and informed us. Some of my favorites are early Stephen King novels and short story collections, the work of Robert A Heinlein and Ray Bradbury and Dean Koontz.

And I wasn’t alone. Publishers Weekly says 387 million mass market paperbacks were sold in 1979, compared to 82 million hardcovers and 59 million trade paperbacks. The 1975 movie tie-in of Peter Benchley’s “Jaws” sold 11 million copies in its first six months

Publishers Weekly notes that the paperback began losing its share of the market with the growing popularity of trade paperbacks and ebooks, the latter of which boomed in the early 2000s. And of course the shrinking number of bookstores – a trend which has, happily, reversed course – further eroded paperback sales.

Folks who’ve read this site before know I’m a fan of bookstores, especially used bookstores, and they’ll forever be a place to find books in all formats, including the once-beloved paperback, also known as the mass market paperback.

That’s where you’ll find me, looking to recapture a little of a past that’s quickly disappearing.

2025 entertainment to remember

Who doesn’t love a good year-in-review? Well, plenty of people. But here’s one anyway.

2025 was a shitshow for a lot of people, and I hope 2026 is an improvement. For me, 2025 was the year I self-published my 1984-set high school crime novel THAT OCTOBER, saw a bunch of short fiction and pop culture pieces published and joined with some friends in Constellate Creatives, where we’ll offer help to writers in the form of editing, publishing and marketing.

But like Milhouse from “The Simpsons,” you might be asking, “When are they going to get to the fireworks factory?” Or in this case, when is he gonna talk about something fun, like pop culture? Movies, TV shows, books.

I won’t try to tackle books here and I’ll note that some of my favorite books I read in 2025 haven’t been published yet. So that’ll wait.

In the meantime:

MOVIES: I don’t see a ton of movies in theaters. I catch a lot of movies on streaming services. So far this year, probably my favorite and best movie I saw, first in theaters and then on streaming, was SINNERS, Ryan Coogler’s story of race and vampires in Depression-era Mississippi. Just an absorbing, exemplary film and one that proves Hollywood can reach moviegoers/viewers with something daring and origiinal.

I think SUPERMAN should carry that definition too. Yes, we’ve seen sooo many takes on the classic superhero by now. But James Gunn’s SUPERMAN gave us one of the best, most original and fully-fleshed-out comic book worlds ever.

On the Marvel side, I really enjoyed CAPTAIN AMERICA: BRAVE NEW WORLD, THUNDERBOLTS* and FANTASTIC FOUR. The latter seemed really safe and un-ambitious but was the best-by-far adaptation of my favorite comic book heroes ever.

Among streaming series, I think PLURIBUS was the best I saw, maybe tied with THE PITT. The two series couldn’t be more different, but PLURIBUS was thoughtful and funny and THE PITT was like a shot of adrenalin.

IT: WELCOME TO DERRY was also outstanding, I thought, with some of the best scares and characters and most authentic Stephen King atmosphere of any screen translation and expansion in years.

PARADISE was a good end-of-the-world contrast to PLURIBUS. BALLARD was a very good continuation of BOSCH. LONG BRIGHT RIVER was also quite good, moody and solemn and endearing. MURDERBOT was brutally funny. TASK was somber and intense. THE HUNTING WIVES was looney fun. THE BETTER SISTER was grim and affecting.

I wanted more of most of these series but admit I felt a little cheated of a proper conclusion when they ended with another season clearly in mind (or hoped for). I really want more DERRY and PLURIBUS and don’t mind feeling used and teased.

Filling the void in indie publishing? Is that possible?

I won’t pretend to sum up the weird state of small publishing here. If you’re been following the world of indie and small publishing, you know that 2025 has seen some small imprints go out of business – in some cases leaving authors unpaid – and others purport to try to fill that void.

I’m not sure that Constellate Creatives’ publishing arm, Constellate Publishing, the enterprise I’m affiliated with, will fill that void. For one thing, we can’t be all things to all people.

But as we started Constellate’s venture into editing – developmental editing and copy editing — and publishing and marketing a few months ago, it became obvious that somebody needed to be around to step in and catch a few worthy projects. Or maybe juggle chainsaws.

It’s making for a 2026 I’m really excited about. Constellate Publishing will publish my novel SEVEN ANGELS but there’s a diverse lineup of books on tap for the first two quarters of 2026, including a book of mindful self-help, a book of poetry, my novel and two by Jill Blocker, a reissue of her WHAT WAS BEAUTIFUL AND GOOD and her new novel, HAPPILY AFTER EVER. The latter is what’s increasingly termed a “new adult” book and will appeal to readers post-YA in their reading interests.

I’m proud to have noticed that every book besides mine is written by a woman and even mine has a cast of woman as protagonists.

And note the slide I’ve posted above: Constellate Creatives is offering editing, publishing and marketing services, or some combination of those, and at socially-responsible fees based on the regional wage in each writer’s local economy.

Some of us love to edit copy and help with developing your work. Others (raises hand) love marketing. Yes, I’m weird like that. We can’t promise that PR about your book will land on large market-share sites like KTLA, where our news release announcing our slate for the first half of 2026, was picked up. But we’ll be pitching your work and you won’t have to deal with the dreaded marketing.

There’s a button somewhere on the CC site that will lead you to a free consultation. We might be able to answer some questions for you.

https://constellatecreatives.com/

Another career? In this economy? I’ve got a new title and new mission

I’ve been a writer since high school and a reporter most of my life. As of today, I’ve got a new title: head of Content and Publishing at Constellate Publishing, part of Constellate Creatives.

The title is fun, but what I’ll be doing is what’s important: Helping other writers work toward their goals of writing, completing their book and publishing their work and helping them reach readers.

There’s a button on the CC site that’ll lead to a free consultation.

If writing is your dream, we can help make that dream a reality.

https://constellatecreatives.com/

Cryptic chapter titles? We got ’em for SEVEN ANGELS

I love a good mystery. Obviously, it’s what I write, at least a lot of the time. So as Constellate Creatives is putting together my novel SEVEN ANGELS for 2026 release, I’ve put titles to the novel’s 69 chapters.

Here are some. And yes, I deliberately tried to invoke the “say what now?” feeling of the cryptic episode titles of shows like STRANGER THINGS.

Looking forward to June 2026 publication of SEVEN ANGELS.

https://constellatecreatives.com/

Playing with book pricing and formats is an interesting experience

Some of you might know that in October I lowered the $9.99 price of my book THAT OCTOBER to $1.06. It was a pricing stunt, of course, and I increased the price to $8.99 today (although as of this writing, it was still $1.06).

Authors and publishers who’ve played around with prices before know there’s some fascination to watching what happens. No surprise that people are motivated to buy when the price is reduced and we saw a nice bump in sales all October long and the first week-plus of November. (The kindle version came out September 1.)

Royalties were down, of course, but we expected that, and that isn’t the primary point anyway, because I wasn’t going to get rich off sales at any price. (Maybe those solid gold editions I plan for the holiday season will take care of that!)

But practically giving the kindle version away caused the book to jump into the top 100,000 titles on kindle for a short period, which was very cool.

Also interesting was a price change I made in the paperback edition, which came out June 1. Most sites, like B&N and Powell’s and Bookshop dot org, have been selling it for the recommended $24. A few have knocked that price down a couple of dollars.

Recently I created a link to buy THAT OCTOBER directly from the printer, Ingram Spark, and at a discounted price of $20 for the paperback. It’s given the paperback a modest boost in sales.

We’ll probably run some other price discounts in the coming months, to get the book and ebook in more hands and to continue this experiment,

Here’s a link to get THAT OCTOBER for $20 from Ingram Spark:

https://shop.ingramspark.com/b/084?params=J7whM7pHUaWJ8Yo51MkumOJTtw3j1gvNLmIfhQBGBMi

Constellate Creatives Publishing gets a shiny new logo and shiny new projects

It’s a work in progress, but aren’t we all?

Y’all know by now, if you care to, that I’m working with my friends at Constellate Creatives. We’ll be helping writers with editing (both developmental and copy editing) book design, cover design, marketing and publicity for their books.

The boss at CC came up with the CP logo above, which stands for Constellate Publishing.

We’ve got a bunch of stuff in the works and best of all we’ve got a few books in the pipeline for 2026, when we really gear up. They’re a diverse lot, too.

Here’s a link if you want to know more about Constellate Creatives. There’s a button on the site for more info (services with a foundation of socially responsible pricing based on regional wage numbers), including free consultation.

And I’ll tell you more over the next few weeks.

https://constellatecreatives.com/