Tag Archives: Vincent Price Dr. Phibes

TCM’s Halloween month: It’s the most wonderful time of the year! (Plus a new Vincent Price documentary!)

Hopefully you recognize the wonderful Victoria Price, daughter of classic actor Vincent Price, in that shot with me, taken at this summer’s CreepyCon here in Knoxville.

CreepyCon was a lot of fun, but meeting Ms. Price and getting a chance to tell her about the time I met her father was a highlight of the day. That story in a moment.

I’m making special note of the one-and-only Vincent Price in part because a new documentary about him, “Vincent Price: What Keeps Us Alive,” debuts on TCM (Turner Classic Movies) on October 30. In addition to Ms. Price, the doc features interviews with people who knew, worked with and admired Vincent Price like Tim Burton, John Waters, Bill Hader, Alice Cooper, Patton Oswalt and Cassandra Peterson, also known as Elvira, Mistress of the Dark.

The documentary puts a button on TCM’s buildup to what’s one of my top two holidays.

I grew up watching Price’s films and other classic horror and terror movies when I could catch them at drive-in theaters or on late-night TV, years before the era of home video and cable TV. We cherished, as film fans and monster fanatics, the opportunity to see them. It’s a lot easier now thanks to the plethora of horror films online and on streaming.

For a couple of decades, TCM and other movie channels like AMC bridged the gap for us, never more so than in October, when TV and cable programmed a delightful number of horror films, including the work of Price.

When I got to speak with Ms. Price at CreepyCon I got to tell her my favorite of her father’s films which in some ways bracketed the most active years of his career, “House on Haunted Hill” from 1958 – before I was born – and “The Abominable Dr. Phibes” in 1971, when I was still a kid. (Vincent Price died in 1993.)

This year, TCM is doing a lot of Halloween programming and much of it is the kind of material that helps TCM distinguish itself from other channels and streaming services. (Link at the end of this post to a TCM page that went up just today with program highlights.)

A centerpiece of TCM’s October programming is always “Creepy Cinema,” in which TCM host Ben Mankiewicz and guest host Mario Cantone spotlight some fun and often campy films, which this year put the emphasis on campy with films featuring Bette Davis, Joan Crawford and Angela Lansbury. But there’s also some films genuinely perfect for the mini-film festival including “The Sentinel” (1977), which my friends and I had a ball with, vintage Hammer horrors and “The Thing From Another World” from 1951, one of my very favorite films and the forerunner of John Carpenter’s classic “The Thing” from 1982.

The last two days of the month, TCM has scheduled, besides the Price documentary, 27 films including the 1979 Frank Langella “Dracula,” 1974’s offbeat “Phantom of the Paradise” and others.

TCM’s programmers seem intent on giving us an experience we can’t get anywhere else. Most of these films we might be able to find elsewhere, but probably not all and we wouldn’t have the great intros and outros of the TCM hosts.

Before the link to the TCM roundup, my Vincent Price story:

In 1982, I was about four years into my gig reviewing movies for the evening paper where I worked. I’d begun in 1978, while I was starting college, and I reviewed films until 1990. By 1990, I had begun covering government, politics and crime and where the three intersected.

But while I was still reviewing movies, I did interviews with directors like John Carpenter and George Romero and went to press junkets, including the 1982 junket for “Conan the Barbarian,” the first film featuring Arnold Schwarzenegger as the Robert E. Howard adventurer.

After a couple of days of interviews in Chicago, I was at O’Hare Airport waiting to fly back home when I spotted, near my gate, Vincent Price sitting by himself across the way.

No one else was around – we were both early for our respective flights – and I walked over to him. He invited me to sit down and I explained, probably in starstruck manner, how much I loved his films and performances.

Although he undoubtedly got recognized all the time – and would soon reach another, modern level of fame with the “rap” on Michael Jackson’s “Thriller” hit – he was kind and gracious. He invited me to sit down and we talked for a half-hour about movies, TV, Chicago and travel. He was so nice and kind.

At CreepyCon a few weeks ago, I told Victoria Price how much I appreciated her father’s reaction and encouragement of this barely-past-college-age fan.

She thanked me and said she would mention my anecdote when she spoke to a crowd later.

I won’t be missing the TCM documentary about Vincent Price, a kind and gracious man. Here’s that TCM link:

https://www.tcm.com/articles/now-playing-newsletter/60298/tcm-does-halloween

Today in Halloween: TCM movie schedule

vincent price pit and the pendulum

A few days back I noted that AMC has concentrated on more modern movies, including the “Halloween” and “Friday the 13th” series, for its Halloween fare.

The classics are left to TCM (Turner Classic Movies), which has an interesting mix of films set to air on Oct. 31.

Much of the morning and early afternoon hours are devoted to classic Hammer films of the 1950s and 1960s, including “Curse of Frankenstein,” “The Mummy” and “Dracula, Prince of Darkness.”

The evening hours are devoted to Vincent Price, starring in “Pit and the Pendulum,” “Masque of the Red Death” and “Haunted Palace.”

There are some offbeat choices mixed in through the day. “Horror Express,” a 1972 “missing link” movie starring Christopher Lee, Peter Cushing and … Telly Savalas is a good example of that.

It’s a little disappointing that the old Universal horror classics aren’t included this year. But maybe TCM decided those were played out.

Anyway, here’s the schedule for Oct. 31:

31 Thursday
6:00 AM CURSE OF FRANKENSTEIN, THE (1957)
  A scientist’s attempts to create life unleash a bloodthirsty monster.

Dir: Terence Fisher Cast:  Peter Cushing , Hazel Court , Robert Urquhart .

C-83 mins, TV-14, CC, Letterbox Format

7:30 AM MUMMY, THE (1959)
  A resurrected mummy stalks the archaeologists who defiled his tomb.

Dir: Terence Fisher Cast:  Peter Cushing , Christopher Lee , Yvonne Furneaux .

C-88 mins, TV-PG, CC, Letterbox Format

9:00 AM HORROR CASTLE (1963)
  A Holocaust survivor tortures women in the dungeons of an ancient castle.

Dir: Anthony Dawson Cast:  Rossana Podestà , Georges Rivière , Christopher Lee .

C-84 mins, TV-14, Letterbox Format

10:30 AM CASTLE OF THE LIVING DEAD, THE (1964)
  A traveling circus entertains a medieval count who uses them in his bizarre experiments.

Dir: Michael Reeves Cast:  Christopher Lee , Donald Sutherland ,

BW-90 mins, TV-14, Letterbox Format

12:15 PM DRACULA, PRINCE OF DARKNESS (1965)
  Four travelers unwittingly revive the bloodsucking count.

Dir: Terence Fisher Cast:  Christopher Lee , Barbara Shelley , Andrew Keir .

C-90 mins, TV-14, CC, Letterbox Format

1:45 PM DEVIL’S BRIDE, THE (1968)
  Small town Satanists lure an innocent brother and sister into their coven.

Dir: Terence Fisher Cast:  Christopher Lee , Charles Gray , Nike Arrighi .

C-96 mins, TV-14, CC, Letterbox Format

3:45 PM DRACULA HAS RISEN FROM THE GRAVE (1969)
  Dracula goes after the niece of the monsignor who destroyed his castle.

Dir: Freddie Francis Cast:  Christopher Lee , Rupert Davies , Veronica Carlson .

C-92 mins, TV-14, CC, Letterbox Format

5:30 PM HORROR EXPRESS (1972)
  An anthropologist discovers a frozen monster which he believes may be the Missing Link.

Dir: Eugenio Martin Cast:  Christopher Lee , Peter Cushing , Telly Savalas .

C-88 mins, TV-14, Letterbox Format

7:15 PM NOW PLAYING NOVEMBER (2013) (2013)
   

 

BW-21 mins, TV-PG, CC,

8:00 PM PIT AND THE PENDULUM (1961)
  A young man investigates his sister’s death in a mysterious castle.

Dir: Roger Corman Cast:  Vincent Price , John Kerr , Barbara Steele .

C-80 mins, TV-PG, CC, Letterbox Format

9:30 PM HAUNTED PALACE, THE (1963)
  After inheriting a decaying estate, a man discovers his family’s deadly secret.

Dir: Roger Corman Cast:  Vincent Price , Debra Paget , Lon Chaney [Jr.] .

C-87 mins, TV-PG, CC, Letterbox Format

11:15 PM MASQUE OF THE RED DEATH, THE (1964)
  A sadistic nobleman isolates his court from a world stricken with the plague.

Dir: Roger Corman Cast:  Vincent Price , Hazel Court , Jane Asher .

C-89 mins, TV-14, CC, Letterbox Format

1:00 AM ABOMINABLE DR. PHIBES, THE (1971)
  A madman uses the plagues of ancient Egypt to avenge his wife’s death.

Dir: Robert Fuest Cast:  Vincent Price , Joseph Cotten , Virginia North .

C-95 mins, TV-14, CC, Letterbox Format

2:45 AM TWICE-TOLD TALES (1963)
  A poisonous young beauty, the secrets of eternal life and a haunted house chill this collection of Nathaniel Hawthorne stories.

Dir: Sidney Salkow Cast:  Vincent Price , Sebastian Cabot , Mari Blanchard .

C-120 mins, TV-14, CC, Letterbox Format

5:00 AM TOMB OF LIGEIA, THE (1964)
  A man’s obsession with his dead wife leads to trouble for his new bride.

Dir: Roger Corman Cast:  Vincent Price , Elizabeth Shepherd , John Westbrook .

C-82 mins, TV-PG, CC, Letterbox Format

 

 

 

Classic horror movie: ‘The Abominable Dr. Phibes’

dr. phibes w mask

The 1960s saw Vincent Price, who had appeared in films at the tail end of the 1930s and onward, experience the beginnings of a second life at the movies. He had made the popular 3-D movie “House of Wax” in 1953, but it was still a few years before he delivered back-to-back-to-back horror hits: “The Fly” in 1958. “House on Haunted Hill” in 1959 and more. Not to mention – although I will – a series of Edgar Allen Poe adaptations for American International Pictures in the 1960s.

So by the time “The Abominable Dr. Phibes” was released in 1971. Price was something of a horror institution. Like Boris Karloff before him, he had transcended the role of horror movie actor and become a personality.

So the Phibes movie, and its sequel, “Dr. Phibes Rises Again” – with their revenge-driven plots, gory killings and campy trappings – might have seemed a little out there, but Price could be counted on by American International Pictures to deliver an audience of horror fans.

Keep in mind, the Phibes movies came out at the tail end of a particular era in horror films. Within just a half-dozen years, John Carpenter’s “Halloween” and its many imitators changed horror movies forever. (I’m deliberately overlooking “Texas Chainsaw Massacre” in 1974 because the effectiveness of the film was considered a fluke, a very nearly dirty pleasure, like the porn films that flirted with social acceptance at the same time.)

The first Phibes movie acquainted us with the character Price would immortalize: He played Anton Phibes, a physician who was apparently burned to death in a car accident as he rushed to the side of his wife in emergency surgery.

dr. phibes unmasked

Phibes survived, but was horribly disfigured. His wife did not survive her surgery. Now, years later, in 1925, Phibes and an always-silent assistant, Vulnavia (Virginia North), murder, one by one, the surgical team who Phibes believed botched his wife’s operation. Phibes’ revenge comes in the form of Biblical plagues: One doctor is stung to death by bees, while a nurse is eaten by locusts, for example.

As one of the doctors, played by Joseph Cotton, and Scotland Yard inspectors try to track him down, Phibes enacts his revenge and camps it up with Vulnavia and a clockwork orchestra even as his wife (a beautiful corpse played by cult movie actress Caroline Munro) awaits one final voyage with her beloved husband.

As oddball as “The Abominable Dr. Phibes” is, there’s a classic and classy feel to the movie because the murders are accomplished through such elaborate and arcane means. Within a few years, Michael Myers and Jason Vorhees and a host of other killers would chop and impale their victims and it all became so very ho-hum.

You might roll your eyes or even shake your head when Phibes enacts Biblical revenge on someone. But you won’t think, “Well, I’ve seen that before.”