Tag Archives: Keith Roysdon

Falling back into short stories

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A while back I wrote here about how I’d taken a break from writing and submitting short stories to concentrate on selling my novel THAT OCTOBER and begin work on a new novel.

Since that time, I’ve found myself back in the short story business.

In 2024, I submitted a sword-and-sorcery story to a call for submissions. It got turned down. I subbed it to another and a curious chain of events followed. This second call for subs resulted in an initial rejection, along with a request to leave my story parked in their hands in case they were able to use it. Then early this year, a definitive “no, we aren’t able to use it.”

Then, about a week ago, a reversal of fortune: They’ll use the story after all, later this year.

I’ll tell you about the story when and if this works out.

And just about the same time, I was contacted by a well-known and respected writer who asked me if I had a short story that might work for an anthology he’s putting together. I didn’t have a story, but I had an idea for a story.

A couple of weeks later, I turned the story in, 7,500 words of it, and it looks like a go. I’m really looking forward to this. I like the story and the anthology should be excellent.

I’m delighted with both of these circumstances.

So next time I decide to shy away from a particular type of writing, I’ll know that it might not be the end. It might not even be a hiatus.

I love the ’80s, especially for exploring fiction

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Anybody who knows me knows that I really enjoy writing stories set in the 1980s.

My new book THAT OCTOBER is set – for the most part – in October 1984, although there’s some exposition in the book that leads readers back 20-plus years before that.

There’s a “Stranger Things” vibe that a couple of writer friends who kindly blurbed the book noted, although there are no monsters – except for the human kind – in “That October.”

Sara McKinley, my friend who created the wonderful cover for THAT OCTOBER, said she was thinking about “Paper Girls” and other “kids on bikes” stories as she was working on the art. (My kids in the novel are slightly older, although not by much, and more mobile.)

But besides THAT OCTOBER, I wrote another story, “Steel Victory,” which was published in the 2024 Slaughterhouse Press anthology “Maximum Firepower: An ’80s Action Anthology.” The premise behind the Brian G. Berry-created “Maximum Firepower” is that the tales we wrote were inspired by 1980s action movie tropes.

In my story “Steel Victory,” a Captain America-style super soldier escapes from a top-secret lab in 1986 Washington, D.C. This super soldier is no Steve Rogers, however, and when he goes missing he goes on a murder spree.

For the look of the missing super soldier, I pictured Martin Kove, the actor who played the bad guy in “The Karate Kid” and other 80s action pictures and recently returned in the “Cobra Kai” series.

It’s up to three women – the doctor who conceived the project, the “lab rat” who knows more about the project than anyone and the project’s head of security – to track him down in the darkness of D.C.

“Steel Victory” and THAT OCTOBER appealed to me because the time period was very defined and familiar to many of us, even those who were too young to experience it. Everybody knows the trappings of the decade, from “Terminator” movies to “Star Wars” on home video to the music of MTV.

As much as I find my cell phone and the Internet indispensable now, there’s something very freeing about writing about a time when the protagonist couldn’t just pull a phone out of their pocket and call or text some crucial information to someone.

I love research, and one of the things I discovered as I wrote “Steel Victory” was that I couldn’t round up a bunch of those government-issue black SUVs for the search party. SUVs, other than Jeep Cherokees, were not in wide use at the time. So my protagonists had to improvise.

It’s an intoxicating thing, to write about a period that’s so close yet so far away. I hope I get to do it again.

Here’s where you can get “Maximum Firepower” and my story “Steel Victory.”

Am I telling you to self-publish your novel? Well …

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Okay, this post comes with SO MANY caveats.

It’s very, very early in this process.

A few random sales can prompt big movement among the lower reaches of Amazon’s sales chart. Believe me, I’ve seen this with our four true crime books, which were published by History Press.

And ultimately this won’t put a lot of money in my pocket or, if you follow this path, yours. We didn’t become writers to make money, did we?

But today I checked the sites selling my novel THAT OCTOBER – Bookshop, Barnes & Noble, Powell’s Books and Amazon among them – and was surprised to see that on Amazon, the book was marked with a “#1 New Release in Teen & Young Adult Law & Crime stories” label.

On the mobile Amazon, this:

A red banner. As opposed to a Bruce Banner.

So I don’t know any more today than I did yesterday about how my book is doing or will do, before or after its June 1 publication date. (That’s five days away as I write this.)

But it looks like it hasn’t hurt to self-publish the book, in paperback, through Ingram Spark.

I can’t tell you what to do. Your scenario is not like mine. I’m a guy who doesn’t have years to take the traditional publishing route. I hadn’t really thought about self-publishing until last fall, when my friend and editor Jill Blocker, who had self-published one language edition of her great book WHAT WAS BEAUTIFUL AND GOOD, suggested I might want to consider it. Jill did all the heavy lifting and my friend and artist Sara McKinley created an incredible cover that has sold at least as many copies of the book as the promise of what’s between the covers.

So should you self-publish? Maybe. There’s no doubt there’s much more prestige in being published by an indie or small press, not to mention a big publishing house, compared to self-publishing. Some people will always look on self-published books as “vanity” books. That doesn’t bother me at all.

I hope you like THAT OCTOBER. I don’t expect to make much, if any, money off it. I encourage you to buy it (the ebook version is coming) or borrow it from your local library. Libraries do a lot of society’s heavy lifting, and I would be thrilled if you read it or any of my books through a library,

But I will say I’m not, not encouraging you to self-publish. This is working so far for me.

If there’s any questions I can answer, look me up on BlueSky or on my Facebook page, which is called, in a blindingly brilliant move, Keith Roysdon author.

Getting older means you get interviewed about getting older

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We all have to embrace what we can, or at least make peace with it. Including getting older.

Thanks to Sari Botton and Oldster magazine for letting me participate in their questionnaire/interview/profile forum.

https://oldster.substack.com/p/this-is-65-keith-roydson-responds

The pleasure of finding your book for sale – especially unexpected places

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I’m not sure I remember the exact details, but when my first true crime book, co-authored with my longtime writing partner Douglas Walker, came out in 2016, it was pretty thrilling to see the book for sale in bookstores, drug stores, gift shops and online.

It’s one thing to have a book out there and to sell it and sign it, but realizing our publisher, History Press, had actually gotten the first book, “Wicked Muncie,” in stores and online sites, was pretty amazing. History Press kicks all kinds of ass in getting books in stores, by the way. All four of our true crime books found a good home with them.

Another highlight was finding our books offered by libraries, which are very nearly my favorite places on the planet. A while back, I realized our third true crime book, “The Westside Park Murders,” was available through the Chicago Public Library. I’m still boggled over that.

So it’s been fun, with THAT OCTOBER, my new 1984-set high school crime novel, finding the book on all kinds of bookselling sites. I wasn’t certain if I would have to take steps to ensure this because THAT OCTOBER is self-published.

But I didn’t have to. At some point recently I was asking the folks at Ingram Spark, the venue I used to publish the book, if they could tell me when it would be available for pre-order. They responded and noted that it already was available and showed me where Amazon was selling it.

Since that time, I’ve been excited to see that not only Amazon, a site I have qualms about, but Barnes & Noble, Bookshop, Powell’s Books and Waterstones, the famous Brit seller of books, all offer it (for pre-order right now, as publication date is June 1).

So I’ve been on social media, posting links to most of those booksellers and screenshots. It was as especially exciting to see that Powell’s, a bookseller I’ve visited in Portland, Oregon, and have done business with online, offered it.

Oddest place I’ve found the book for sale so far: Saxo, where the book is available for about 259 Danish Krone.

It’s silly, I know, to be so excited about this, but I didn’t think it would ever happen.

Next I’ll be telling you how excited I am to find THAT OCTOBER for sale at Half Price Books or McKay’s.

Social media and selling books

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You think that guy looks insufferable there, wait until a few more weeks pass. You’ll be sick to death of him.

My 1984-set crime novel THAT OCTOBER publishes June 1. It’s available now for pre-order on the usual bookselling sites, although I encourage you to purchase it through the least harmful to society one.

I hope you like the book. The authors who were kind enough to read it and give me some comments that I could blurb seemed to like it, citing the 1980s nostalgia content and the twists and turns of the plot.

Although THAT OCTOBER is self-published, there’s nothing especially straightforward about marketing a book these days. Unless you’re a huge author, you have to flog your book to potential readers. That’s usually done through social media.

There are a lot of authors who innovate in how they market their books. Some include odd tidbits they came across while researching and writing their book, and I’ll probably do some of that. Some authors post recipes true to the time period or story. Others, notably Beau Johnson, make and post creative videos to publicize their work. Beau’s videos are hilarious and effectively promote his books, including LIKE MINDED INDIVIDUALS, which continues Beau’s multi-book storyline of anti-heroes who punish the worst criminals on Earth.

Since social media is important to promoting our books, it’s especially tricky to do so in a manner that doesn’t promote some of the worst humans around, including the owners of the former twitter and Facebook and related platforms.

I don’t spend a lot of time on the former twitter anymore, mostly just to check on friends who still post there as opposed to a slightly more “clean hands” site like BlueSky. For the past week, I’ve tried to observe a week-long boycott of Facebook-related platforms, breaking that only to note a rare earthquake in East Tennessee and a Mother’s Day post about my mom, who left us nearly 20 years ago.

But I’ll continue to post on my author page on Facebook to publicize my writing. It’s not a decision I’m entirely comfortable with, but Facebook is still a place where people go, and authors are expected to have a social media presence there.

Anyway, god go with you in the next few weeks (months? years?) as you see me posting here and on social media to promote THAT OCTOBER. I hope you tolerate me and I hope you like the book.

October – actually THAT OCTOBER – arrives a month from today

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I promise I won’t give you a daily countdown, but how could I resist a nice round period of time like one month?

On June 1, my 1984-set crime novel THAT OCTOBER will be available. My editor Jill Blocker and artist Sara McKinley and I have really reached the finish line in this self-publishing journey – don’t all journeys have finish lines? – and all that remains now it to get the word out.

The paperback is available for pre-order on various sites now. Before June 1, we should have the electronic version available also.

I’m doing a couple of talks back in my hometown of Muncie, Indiana – inspiration for the city of Middletown, where THAT OCTOBER takes place – in June. although I don’t expect that to be of interest to many of you unless you’re in the Muncie area or somewhere in the Midwest with a lot of time on your hands.

In the next month, I’ll tell you a little about THAT OCTOBER and the world when it takes place: A time when high school students should have been spending all their time thinking about dates, football, seeing the biggest movies – “The Terminator” was new in October 1984, and “A Nightmare on Elm Street” would come out within a couple of weeks – MTV and Halloween.

Instead, the six high school friends in THAT OCTOBER are thinking about the murder of one of their classmates and the taking of another.

And they don’t understand why the adults in town seem unconcerned or, at best, evasive when the friends urge them to DO SOMETHING to solve their friend David’s murder and bring Lee Ann home.

Jackie and Michael, new siblings in a blended family, and their friends Sammi, Toni, Elmer and William push forward with their own investigation, which follows a trail rooted half-way around the world, in a time before any of them were born.

I’ll share a bit more as we move forward. I hope you come along for the ride.