Monthly Archives: August 2026

Report: Amazon is buying old books to scan for AI and destroy. Yes, this surprises no one.

I had intended to follow-up my weekend post about getting my books in a local bookstore by suggesting what authors might do to achieve the same thing, but I’ve delayed that for the moment. First things first, and just like a house on fire, the dual plagues of AI and Amazon get our attention at the moment.

For a few weeks now, book lovers and people who hate AI have been despairing at reports about how companies that steal, buy or pirate books to train generative AI – thus putting creative people at risk of losing their livelihoods – have been buying and scanning books. The revelation comes out of the landmark class action lawsuit Andrea Bartz and other writers filed against Anthropic. Bartz and company won a $1.5 billion settlement on behalf of many, many writers whose work was stolen by the AI company.

Details of Anthropic’s practices came out in the discovery process, and they’re horrifying: The company was buying hundreds of thousands of copies of books, some of them older and out of print, and they’re cutting off the spines and feeding the pages into AI-making programs. The books are utterly destroyed. The judge in the Bartz case ruled that this practice was legal because the company had bought copies of the books, not stolen them. (They’re using older books to ensure no AI writing gets fed into the AI consumption process, of course.) Videos of this process – chopping spines off books and the ultimate shredding of the pages – are disgusting and disheartening.

And of course Anthropic isn’t the only AI company doing this.

Today, thanks to an ingenious investigation by 404 Media, we also know that Amazon is doing it. Maybe not a surprise – Amazon and its owner are widely regarded as awful; most of us who do business through them do so only reluctantly, or at least that’s how I feel – but the confirmation from 404 Media, which was also shared by Publishers Lunch this morning, is damning,

This is the lead of the 404 Media story published today:

Amazon is buying massive quantities of books, scanning them for AI training data, and destroying them in the process.

(I’ll link to the 404 Media story at the end of this piece.)

404 Media cleverly hid an AirTag-type tracker in an old book that was to be sold to Amazon’s book-buying operation. 404 was able to track the book as it and many others were shipped around the country and ended up in Las Vegas, where it went to an Amazon warehouse used by an operation called VGT3. That’s the operation’s logo above. Charming, huh?

Amazon didn’t really address the process or its value to anyone but Amazon in its response to 404.

(404 had, in July, reported on an increase in sales of old books and speculated that the increase in sales was due to AI-generating companies buying books it could scan and destroy. And again, I’ll note that the books being chopped and scanned and shredded were published before 2022 or so to AVOID THE WRITING BEING TAINTED BY AI.

As 404 reported: These booksellers suspected AI companies were behind these large bulk purchases because of the high number of books they were buying, the seemingly random choice of books, and the fact that these buyers, unlike libraries and universities, did not seem price sensitive at all. But booksellers couldn’t say for certain who was behind the large purchases because the marketplaces where they sell their books keep the buyers anonymous. When an order comes in, a bookseller ships the sold books to a warehouse operated by the marketplaces, where books are sorted and then sent to the buyer.

In July, one bookseller told me they received a very large order of around 1,000 books on Biblio, one of these marketplaces. The seller agreed to put an Apple AirTag provided by 404 Media in one of the books included in this order so we could see where the book was going. And by extension, which company, AI or otherwise, was behind this massive order.

404 Media granted the bookseller anonymity because they worried sharing this information would harm their business.

404 found online comments from Amazon employees about the VGT3 facility that virtually all they do there is scan books.

Many thousands of books are being bought, scanned and destroyed by Amazon at that facility and probably others. And that doesn’t even account for other companies that are doing the same.

And as 404 reported:

That employees are scanning the barcodes or ISBNs on books — a unique serial number given to every published book — before scanning their content gives further credence to another theory put forth by booksellers: AI companies are trying to methodically scan every printed book in the world by working through the list of ISBNs. One bookseller told me they suspected this was the case because the very large orders they were getting never included very rare books that do not have ISBNs.

I already didn’t feel good about Amazon, where a large amount of my work can be purchased. Their practices toward employees and authors and the sheer mass accumulation of wealth by its owner were long-known and queasy-making.

Here’s another reason, thanks to the reporting by 404 Media and dissemination to the publishing industry by Publishers Lunch, to dislike Amazon.

Here’s the 404 Media story:

https://www.404media.co/we-tracked-a-shipment-of-rare-books-it-ended-at-an-amazon-ai-training-facility

Celebration: Local bookstore carries my books – and what that means for other indie authors

I had the coolest experience I’ve had in a long time on Saturday: I signed copies of my novels SEVEN ANGELS and THAT OCTOBER for a bookstore. And not just any bookstore, but my local indie bookstore The Hive, which opened this spring.

(Link to the Hive site at the end.)

I’ve had books in local bookstores for 10 years now, since 2016, when the first of my co-written true crime books, WICKED MUNCIE, was published. Each of the three true crime books that followed were also placed in Muncie bookstores (and in displays at Walgreen’s and other stores) by the History Press. Whatever else you might say about History Press, but they have the juice to get books in stores in and around the area that’s depicted in the book.

Since publishing my first novel, THAT OCTOBER, in June 2025, I’ve tried to get it in stores here in Knoxville, where I’ve lived for not quite four years. The long-established indie bookstore here turned up its nose at my request they carry that first novel. And by turn up its nose, I mean that I brought the book to that store and went through their formal online process for requesting that the store carry a book. I heard crickets back. They just never responded, and it’s been 16 months. 

And yes, I know all about how much of a premium shelf space in bookstores is. Spare me that factoid, please. Because even though Barnes & Noble replied to my request that they carry the book locally with a refusal to do so, at least THEY REPLIED. (They carry my books online, as does virtually every other bookseller, so I appreciate that.)

So I didn’t have high hopes for the Hive, even though pretty early on it was obvious how they liked to focus locally, with space on shelves and book clubs and talks and signings. I asked.

So when the Hive responded a few weeks ago with a “we’d be happy to carry your novels” and this past week said, “Your books have arrived, would you like to come in and sign copies?” I was just incredibly, pleasantly surprised.

(When I vague-posted on social media about this, some people thought I had interest in my books from TV or movies and, yeah, I have gotten a nibble in that regard but I’ve yet to see follow-through and yet to ensure it’s legit. So we’ll see.)

I’ve been lucky since THAT OCTOBER came out that not only libraries back in Indiana but two of my hometown bookstores, Ink Drinkers Anonymous and Aw Yeah Comics, have been happy to carry my novels. And it was a hell of an experience in 2025 when THAT OCTOBER was carried in the bookstore at Bouchercon in New Orleans.

So the Hive carrying my novels and asking me to sign them and even marking them with a “local author” tag was the best thing yet.

In this “all about me” celebration and back-patting here, I’ll note that there’s a slightly larger issue here. I self-published, through the good work of my friend Jill Blocker, THAT OCTOBER and Jill and I published SEVEN ANGELS through Constellate Publishing, the indie publishing imprint and spinoff of Jill’s company, Constellate Creatives. 

So three things can be inferred from my personal victory of The Hive carrying my books: Indie bookstores are the best. Decisions about what books to stock are best made locally.

And indie authors and small imprints should be heartened by the fact that small potatoes book publishing can get your book into bookstores. 

Here’s the link for the Hive on bookshop dot org

https://bookshop.org/shop/hivebookshop

What a week: More AI discourse, book news and … am I dominating your inbox?

Some of you are old enough to remember July 24, where on this very site I said that I’d unsubscribed from a “help for authors” newsletter because they’d pushed out 14 newsletters in a month and that seemed like a lot.

How many newsletters is too many? Well, we’re about to test that number. This entry that you’re reading now is the eighth new piece I’ve posted here since that July 24 column. Those posts have been fueled by a lot of commentary on AI and some book self-promotion.

Each new item I post results in an email to those of you who subscribe, so it’s almost as if I was sending out some kind of … well, newsletter.

So I’ll be keeping track of how many I post and we’ll see if I exceed 14 in a month. And y’all can keep track too and blast me in comments or social media if (when) I blow past that milestone of 14 in a month.

But today, here’s some housekeeping stuff. As Carl Kolchak of “The Night Stalker” fame always says, item:

Item: Shoutout to Andrew Careaga, in the latest edition of his newsletter today, for citing my August 5 piece on the blog here about AI. You should subscribe to Andrew’s newsletter, Friday Five.

Item: The Publishing Confidential newsletter by Kathleen Schmidt has rapidly become one of my favorite newsletters.

Item: Also essential are the various daily newsletters for subscribers to Publishers Marketplace. There’s an expense to the subscription – basically a dollar a day – but I’m feeling more plugged in to the industry as a result of Publishers Marketplace, newsletters like Schmidt’s and Careaga’s and some others I’m going to cite here from time to time.

Item: As someone who has maintained a Facebook page, Wicked Muncie, for 10 years and this site, which began life as a WordPress blog something like 15 years ago and has now amounted up more than 1,100 posts about pop culture, books, Halloween vintage costumes and a bunch of other stuff, I wanted to mention that it’s hard to maintain an active site or blog or social media account and in particular I wanted to cite Mark Evanier’s News from Me site. Evanier, a veteran writer of comics, TV and books, posts pretty much every day, sometimes more than one post a day. He knows a lot about entertainment and he knows a lot of old Hollywood types and his annual Mel Torme Christmas post is reason enough to check out his site. I’ll include a link at the bottom of this post.

Keep me in your thoughts. I’m editing manuscripts from friends and upcoming books from us at Constellate Publishing and I’m doing a lot of reading for a super-secret project that I’ll detail around the middle of 2027.

And yes, I’ll post here this weekend or early in the week because something very cool is happening in regard to my novels THAT OCTOBER and SEVEN ANGELS. No it’s not a movie adaptation. (Although … no, I’ll tell you that story someday.)

Here’s that link:

https://www.newsfromme.com

My little foul-mouthed scrappers will return in my novel GHOST SHOW

I’ve noted in this space before that most of my books and short stories occupy the same universe that mostly varies from the town of Seven Angels, Tennessee, to the small city of Middletown, Indiana. The former is the focus of my newest novel, SEVEN ANGELS, and the latter is the setting of my 2025 novel THAT OCTOBER.

I’ve plotted references to those locales in most of my fiction, including my upcoming novel GHOST SHOW, which is set in Middletown in 1948 (THAT OCTOBER was set in Middletown in 1984).

And there’s been a few times I’ve had characters cross over from stories to novels. I’ve previously mentioned here Butcher Crabtree, who pops up in SEVEN ANGELS and a few stories.

But in GHOST SHOW, when it shows up this winter, you’ll see some characters I introduced in “A Fighting Life,” a short story in the 2025/2026 anthology FIGHTING WORDS, edited by Scott Bradburn and published by Leonardo Audio.

Four of the Anderson siblings, who are the focus of GHOST SHOW, are in “A Fighting Life,” which is also set in Middletown in 1948.

They’re pretty different characters in some ways, and very much the same characters in other ways. In “A Fighting Life,” siblings Marie, Saul and Peter get into vacant-lot-punchfests when the three, all of them teens or pre-teens, discover they can make money by letting other neighborhood kids fight them for nickels. They’re foul-mouthed little bastards, as Courtney Fabrizio, the marvelous narrator of my story for Leonardo Audio, alludes to. (You should read the story, but you really should get the audio version of the anthology, particularly for the amazing work of Courtney.).

In the story, Marie, Saul and Peter take on all comers – and get rescued by their big sister Rachel as they’re about to be busted by the cops – and it’s a story that is, by turns, fun and dire.

In GHOST SHOW, Marie, Saul and Peter are still the youngest members of the Anderson family and Rachel sometimes rescues and sometimes needs rescuing. GHOST SHOW is a story that’s very, very loosely based on my mother and her siblings when they were young, and the four are based on one of my aunts, two of my uncles and my mom. There wasn’t as much mayhem in real life as I injected into either the short story or the novel.

I’d encourage you to buy FIGHTING WORDS not just for my story “A Fighting Life” but also for the really crisp and tough writing by the other writers in the anthology. And it might tide you over until GHOST SHOW arrives.

The link to buy FIGHTING WORDS:

Book sales are up to $32.5 billion, but books are dead, right?

Books are dead! Long live books!

A while back I wrote a piece for CrimeReads – link at the end of this mini-rant – about how those of us at Constellate Publishing were getting into the book publishing business even though it appeared to be an uncertain time for the industry: Some small publishers had gone out of business and some book distributors were shutting their doors, and yet such notable independent booksellers as Barnes & Noble – sarcasm there – were opening new stores all over.

So which is it? Are writers and designers and publishers doomed or are we seeing a boom time?

Today, Publisher’s Weekly reported:

The Association of American Publishers put 2025 industry sales at $32.5 billion, a 2.5% increase over 2024. Unlike 2024, when unit sales fell, the number of books sold in 2025 inched up 0.4%, to 3.15 billion.

I copied this to a writer friend who replied, in effect, “So publishers are selling a lot of books but are nickel-and-diming us writers to death.”

And yes, PW reported that religion-themed books had seen the biggest increase, but:

Adult fiction sales had the second biggest sales increase, with revenue up 3.9%, to $7.1 billion.

There’s a lot to digest in the report, but here’s a bookstore tidbit:

In terms of channels, physical stores had the biggest increase in the year, with sales up 6%, to $5 billion, an increase likely due in part to the opening of more Barnes & Noble stores as well as more independent bookstores.

Amazon was still the largest channel for book sales, with $11.3 billion in sales.

“This year’s report reflects a healthy and agile publishing industry,” commented Syreeta Swann, chief operating officer of AAP in a statement. She pointed to the resilience of print even as digital formats continue to grow.

Things can change and there’s just no doubt it’s hard to concentrate to read when it feels like we’re teetering on the brink of climate, social and political collapse with a strong tailwind, but the message to writers seems to be:

Write your asses off. There’s a readership out there.

Here’s my CrimeReads piece from a while back about getting into the publishing industry, with comments from some absolutely first-rate writers:

Take 90 seconds and listen to author Cory Doctorow explain the AI scam and why it’ll implode

You should take 90 seconds and listen to author Cory Doctorow distill the AI bubble down to what it is: a scam that’s about to fall apart. These 90 seconds are the best explanation yet of why AI and its manipulators are going to fail.

The horror, the horror: Horror Writers Association column says AI is good and inevitable in an incredible self-own

Now I understand how the characters in the Terminator movies timeline felt when they realized that other humans had totally betrayed humanity in favor of SkyNet.

I missed the first couple of hours of this controversy this morning until I saw writer Coy Hall mention it on Twitter. I then found writer Chuck Wendig’s righteously outraged column about it, so you might be sick of this topic by now, but here goes:

In a Horror Writers of America column in the HWA newsletter that dropped in members’ mail boxes this morning (August 5, 2026), a writer and apparent HWA trustee or board member emulates the whole Bob Knight stance of “If rape is inevitable, lie back and enjoy it” from 1988. Knight, a bully of the first order, surprised no one with this bit of wisdom.

But this new sentiment today wasn’t coming from a bully like Knight. This was coming from, ostensibly, a writer and a person in a position of authority with the Horror Writers Association.

The writer decries all the people criticizing the use of AI to make book covers and argues that “every week,” the gatekeepers of horror writers “have some new witch hunt.” The writer says that those who say AI doesn’t belong in the creative arts are on a witch hunt.

Before I go much further, I’ll note something I’ve said in this space and on social media and even LinkedIn, ffs: AI kills careers and it kills people. It takes work and money away from writers and editors and artists and musicians AND DOES ALL OF THEIR WORK IN A WORSE MANNER and the data centers that power AI are killing the planet, using up mammoth amounts of water to cool their technology, befouling the environment with hundreds of diesel engines that power data centers, committing sound pollution in poor neighborhoods – and they’re often in poor neighborhoods, isn’t that a surprise? – and generally making life worse for everyone except the people who own the AI companies and data centers.

Back to that HWA column: The writer bemoans that people are complaining about AI and THEY”RE DOING IT ON FACEBOOK, WHICH USES AI, OH MY GOD THE HYPOCRISY. That’s the most ingnorant argument I’ve ever heard. Facebook is awful and I wish everyone would abandon it, but people are using it to get the word out about AI, which seems like a victory more than a failure. It’s like those people who project wannabe fascists on the sides of their own buildings. You take your battle onto the enemy’s battlefield sometimes.

“AI is here,” the HWA columnist says, and argues that we should all lie back and enjoy it.

Most people I saw online this morning were saying that the Horror Writers Association had severely damaged, if not destroyed, its credibility with this column. HWA certainly slapped in the face and kicked in the crotch the members who support it and who just happen to be, I dunno, writers and other creatives who have the most to lose to this bastard invention.

The final section is a sham “if you don’t understand AI, just ask” argument and says you should be able to ask without getting “shut down.” The phrase can’t help but remind me of the Republican congressman from a few years ago that said in cases of rape, women had the ability to “shut down” their system and prevent pregnancy, so why would we even need availability of abortion on demand or birth control or, anything like that, really.

Keep in mind the same people who think anything so horrible and injurious can just be “shut down” are the same people who want to “shut down” protections of people who are completely vulnerable. Protections like housing and food assistance and medical programs.

I said I wan’t going to get political with this. Nah, actually I knew I was going to get political with this. Because the same class of people who advocate AI, who will make money from it if it comes into wide acceptance, are interested in nothing but pushing everyone else down and keeping them down.

As much more eloquent people than I have said, fuck AI and fuck you, anyone at the Horror Writers Association, who aren’t standing up and calling it the awful, unwanted thing that it is.

We’re gonna remember who you are.

The great writer Chuck Wendig says all this better than I can, with his trademark angry logic, and I can’t do better than that, but I wanted to give it a shot. Link to Wendig’s post at the end of this piece.)

(The image at the top is of a Stan Winston Terminator endoskeleton for “Terminator 2: Judgment Day,” released in 1991.)

Chuck Wendig on the HWA post:

No time to sleep! Constellate Publishing has a plan for months and months ahead

Screenshot

My friend Jill Blocker and I had our first Constellate Publishing meeting in a few weeks this morning. We’ve been busy with Indiana book talks and signings in support of our new novels HAPPILY AFTER EVER and SEVEN ANGELS, and then Jill went on to book events in her longtime town of Seattle as well as New York City and her home base in Zurich.

Today we had our usual Monday morning meeting and talked about what we’ve got on our Constellate agenda for the next few months.

I won’t get into specifics as to titles and authors, but we’ll be:

Editing a manuscript that’s in our 2027 release schedule.

Choosing at least one more MS to edit, publish and market from among submissions to us.

Planning e-book editions of our books and others.

And working toward publication of my novel GHOST SHOW, which I’ve written about here recently.

Jill’s next project is one that absolutely tickles me because it’s so perfect for her. I can’t wait until she tells you about it.

And I’ve got two novels to write, including what I hope will be a surprising spin on SEVEN ANGELS.

Sleep? Never heard of it.